Mark Dion & William Schefferine, Tropical Rain Forest Preserves (1989, remade 2003) from Mark Dion with William Schefferine, American Fine Arts, Co., New York 1990
RMH
Sade Olutola
Not today Justin
Noah Kahan
noise dept.
PUT YOUR BEARD IN MY MOUTH
Lint Roller? I Barely Know Her

Product Placement

Kiana Khansmith
The Bright Sessions
Fieri Frames
sheepfilms

roma★
$LAYYYTER

shark vs the universe
YOU ARE THE REASON

gracie abrams
Game of Thrones Daily
Show & Tell
I'd rather be in outer space 🛸

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@kristinasheufelt
Mark Dion & William Schefferine, Tropical Rain Forest Preserves (1989, remade 2003) from Mark Dion with William Schefferine, American Fine Arts, Co., New York 1990
Cabinet of Marine Debris, 2014
Mark Dion
Mark Dion, Mobile Wilderness Unit (Wolf) (2009)
Agnes Denes, Wheatfield—A Confrontation: Battery Park Landfill, Downtown Manhattan, with Agnes Denes Standing in the Field, 1982. Courtesy the artist and Leslie Tonkonow Artworks + Projects, New York.
“Wheatfield” is, in retrospect, viewed as a watershed moment in public art. Its short existence was documented in photographs, which have taken on an added resonance as New York City’s empty spaces fill up and familiar landscapes are eradicated. A piece that was once about the contrast between the man-made and the natural environment is now more about the vulnerability of everything. The two behemoth skyscrapers in the background of the photos unexpectedly proved as perishable as the artwork in the foreground.
Read more here about Agnes Denes and “Wheatfield”
Aïda Muluneh, Strength in Honor (2016)
Grass Mask, 2019
SIMON STARLING Island for Weeds, 2003
Agnieszka KURANT A.A.I 1-6 2014 termite mounds built by termite colonies from colored sand, gold, glitter, and crystals
Collaboration with Entomologist, Dr. Paul Bardunias, SUNY-ESF with the researchers at the University of Florida, and Dr. Leah Kelly, Rockefeller University
Summer Jamz | Peter Tarka
My Studio Lately
Yayoi Kusama, Infinity Mirrored Room, 1965 Ph: Lucy Dawkins
Jack Vanzet
Brendan McGillicuddy
ANTHROPOCENE
Anthropocene refers to the current geological age in which human behaviors constitute a geological force. Our collective capacity to change the environment renders nature a human construct; the natural parameters required for the existence of life are today subject to human activity. Anthropocene embodies the idea of a man-made nature.
Sculpted by using high-pressured water, natural-like formations are eroded out of foam. These formations are then cast in fiberglass, resulting in an ice-like mass that echoes the Arctic seen in The Sea of Ice (1824), Caspar David Friedrich’s iconic landscape painting. Friedrich’s work appeared at a time when Arctic exploration was still in its infancy.
Today, as the North Pole melts at an alarmingly fast rate, the Arctic draws human attention not as an unexplored frontier, but as an unexploited resource, with various nations, Canada included, vying to stake a claim. As Slavoj Žižek notes in Living in the End Times, we are encouraged to focus on the potential wealth of an ice-free Arctic so that we can remain blind to the crisis of global warming.
New Works
I still can’t get over this new pink glaze! It’s so 😍 Now in my Etsy shop. Link in profile #ceramics #pottery #vase #pink (at Florentia Clayworks)
Chang Young Kim
Saint Sebastian, 1671 by Giuseppe Giorgetti