Leaks reveal that corporate front group ALEC may ask for loyalty oaths from legislators.
:-(
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2025 on Tumblr: Trends That Defined the Year
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@kylemparsons
Leaks reveal that corporate front group ALEC may ask for loyalty oaths from legislators.
:-(
Saw these guys play in my friends basement last weekend along with a few other groups who's sites I'll post to. Great sounds
Henryk Gorecki - I Lento: Sostenuto tranquillo ma cantabile (Symphony No. 3) (by koastone):
I've been listening to a fair amount of classical style music lately. my john cage radio station is killing it.
This is the music video for Zeharia's song Q Mermaid. Directed by me and Jon Konkol. Oliver Ogden and Danny April DP'd the shoot. Kate Lawrenson on Set Design. And Sam Bates for Wardrobe. I edited it. Great shoot. Very happy with how everything turned out.
Some photos taken during the shoot for our newest music video for Zeharia's song Q Mermaid.
Some photos from a fashion shoot Neighborly had the other night. Models are Kate & Maggie Lawrenson. These outfits also play part in a video piece that we are currently editing.
Some photos i took while hiking with my parents over the weekend at the Fall Festival at Elk Mountain in PA
This is a video I made with my collaborator, Jon Konkol. I came up with the concept and we fleshed it out. Its about a man battling uncontrollable urges. Enjoy
This is a short I directed about a month ago. We shot it at the Nutroaster Studios in Bushwick, Brooklyn. The actor is Rob Conner. He did a great job with the character. Photography was done by Josh Koenig. The piece really came out great.
The show America's Funniest Home Videos contains some cultural gems that many times go hidden in a montage of pain and failure. The clips are not comical in the same way across the board. Some are innocent piñata accidents. Others reveal power structures that are rarely so out in the open. The underside of the relationship of these boys to their father peaks its head toward the end when one boy decides that his dad is a malignant ruler for sitting behind the camera and encouraging this needless violence. This is a reinterpretation, an updated version, of the story of Cain and Abel. Instead of directing his violence toward his brother, Cain now decides that their rivalry can be ended if he focuses on the man behind the camera.
This is a stop motion I've been working on for a while. I made the stages out of former beer case boxes, construction paper, clippings from Art Forum and Adbusters, and hot glue. I found a text-to-voice program online and recorded to a handheld RCA recorder, loaded it back into my computer, then converted it to mp3 from voc. I used long pauses in the recordings for the background room tone. Pretty happy with how that came out. I used a Canon 7D to shoot with a Pentax 50mm/1.4 on it. A macro lens would have been great but the 50mm did the job.
The story is inspired by a game my cousins and I used to play as kids, called "War." It was boys vs. girls.
This is the beginning of a series of photos exploring Prohibitions. I see prohibitions as things through which something necessarily must pass, but certain other things (also necessarily) may not. They are portals where exceptions are made. They are easy to gaze upon because they, many times, contain implications of spaces that remain hidden and/or forbidden. They say, "Such and such, or so and so may pass, but this or you may not." They can both symbolize the mysteries of existence and the bureaucratization of knowledge and experience. They are necessary parts of architecture. But there are also social manifestations which supply an interesting contrast to physical structures. I'm going to try and explore this idea through photos.
This first batch were taken on January 11, 2012 around Noho and Soho. Soho has a great diversity of vents, new and old.
To Be And Not To Be- this commercial from Dr. Pepper treats masculinity with, both, irony and affirmation.
The Van Dam-guy begins by addressing the "ladies" (clinging to their man's arm in the midst of this intense jungle shoot-out?). He asks them if they're enjoying the film. Answering for them, he says that "you" are not enjoying the movie because the movie is intended for men. The jungle, snakes, lasers, armed dune-buggies, cliff jumping, explosions, and dirtbikes are witness to this man's words.
His navigation through the various hazards is effortless. He is able to relax in the passenger seat and enjoy a can of soda. His address to the ladies, and the leisurely quenching of his thirst tell us that he himself is bored of the fantasized threats to his life. And not simply bored, but mocking. What is he mocking? Male fantasies.
The lasers, explosions, etc. are, in his own words, what "guys want." But he let's us know that he is no typical man. His cool tells us that he's the dismissive master of these brute fantasies. He concocts and delivers them to the thirsty guys ("like this..." he tosses the empty, crushed can over his shoulder which snaps a stick with a rope tied to it, setting off a booby-trap, defeating the guys on the dirtbikes.). This man is no man, but an angel from the advertising industry, displaying the true intentions of the gods- to give us, guys, what we desire. He mocks these cheap thrills while providing them. He jokes about the guy's conception of masculinity while subscribing to it, himself. He teases the guys by referring only to the "ladies," the ultimate "manly" desire.
But the speech to these "ladies" is a hoax. It's the same as when a man asks the girlfriend of his buddy, who is standing next to her, a question whose content is actually intended for the buddy in a fake gesture of interaction with the girlfriend. Or maybe more accurately, when the owner of a dog asks their dog if the friend who has been dog-sitting has taken them on nice walks and has been feeding them properly, all while the dog-sitting friend is standing right there- the statements are clearly meant for the dog-sitting friend and not the dog. The soldier-man is making his message more acute in delivering it to the (insecure, heterosexual) guys through the real object of their desire, the "lady" (which, by the way, they are purposely deprived of in the images of the commercial- if there were some babes in bikinis, the empty gesture of interaction with the "ladies" would become an open (no longer hidden) mockery of women).
The ending phrase "IT'S NOT FOR WOMEN," again is not directed at women. It's as if a confused man walked up to a shelf in a grocery store and asked "Who is this for?" You're supposed to gain the real answer from the sarcastic "It's not for women." It's for you, man.
This is an experimental short I made with my two friends, Smeeta and Jim. It's inspired by childhood excitement about the Spectacle, given way to adulthood boredom-sickness from consuming too much of it. The poem/sermon was written in a flurry one afternoon when I had free access to the mechanical, coin-operated pony. It was being used in a music video for the song Say Something by Bermuda Bonnie, shot by Oliver Ogden at the Nutroaster Studios in Bushwick, Brooklyn. Thanks to Oliver for letting me borrow it for an hour.