Kimora Lee Simmons at the 6th Annual Rap Roast (1999)

Love Begins

Kaledo Art
dirt enthusiast
"I'm Dorothy Gale from Kansas"
cherry valley forever
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Andulka
đȘŒ

titsay
styofa doing anything
PUT YOUR BEARD IN MY MOUTH

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@l-nda
Kimora Lee Simmons at the 6th Annual Rap Roast (1999)
miami vice: he jing and uurka for lane crawford
pink & maroon bathroom
Shulamith Firestone | The Dialectic of Sex
that womenâs resources be available, non-reciprocally
that which lies outside of his discourse yet provides it with its very condition of possibility
if women are a parasitical class
the historical lie of it all she is forsaken
(male) culture is parasitical
Zoë
by me
On the fifth anniversary of Hurricane Katrina, in 2010, New Orleans Mayor Mitch Landrieu preached unity. âWith the rising water, differences and divisions were washed away,â he said, asking the audience to listen to each other, and embrace their common aspirations. âWe will hear and we will learn the beautiful...
When we look at the first 15 years of the 21st century, the most defining moment in black Americaâs relationship to its country isnât Election Day 2008; itâs Hurricane Katrina. The events of the storm and its aftermath sparked a profound shift among black Americans toward racial pessimism that persists to today, even with Barack Obama in the White House. Black collective memory of Hurricane Katrina, as much as anything else, informs the present movement against police violence, âBlack Lives Matter.â
Among the first images of New Orleans after the storm were shots of low-income black Americans, stranded and desperate to escape the floods and debris. In the narrow sense, they were there because the cityâs evacuation planâwhich didnât account for massive traffic out of the regionâfell apart. Rather than bring remaining New Orleansians out, officials sent them to the Superdome and the convention center, which were quickly overcrowded and undersupplied. In a much broader sense, however, they were there because in a city defined by decades of poverty, segregation, and deep disenfranchisement, poor and working-class blacks (including the elderly, and children) would largely shoulder the burden of the storm.
To black Americans around the country, this looked like neglect. In an ABC News andWashington Post poll taken shortly after the hurricane, 71 percent of blacks said that New Orleans would have been âbetter preparedâ if it were a âwealthier city with more whites,â and 76 percent said the federal government would have âresponded faster.â A Newsweek poll confirmed this sense among black Americans that the government responded slowly because most of the affected people were black. âI, to this day, believe that if that would have happened in Orange County, California, if that would have happened in South Beach, Miami, it would have been a different response,â said then Mayor Ray Nagin in a speech to the National Association of Black Journalists, a year after the storm.
â We would like to share our love and happiness. We have been blessed two times over. We are incredibly grateful  that our family will be growing by two, and we thank you for your well wishesâ
 - The Carters
when you realize you may actually live through a global fascist periodÂ
Luping Wang photographed by Yu Cong for Elle China January 2017
Park Yuri photographed by Jang Yoong for Mutzine
Jourdan Dunn by Ronan Mckenzie for Wonderland, Winter 2017
âI ainât see you in like, a decade⊠Itâs not what I expected. / What did you expect?â
Moonlight (2016, Barry Jenkins)
cinematography by James Laxton
Tam Coc, Vietnam 2016