Doron Langberg
Sleeping, 2019
EXPECTATIONS
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Doron Langberg
Sleeping, 2019
Doron Langberg
Brice And Robert, 2020
Five colour lithographic print
Untitled (One Day This Kid) [English]
1990-91, printed 2018
David Wojnarowicz (American, 1954-1992)
Screenprint
One of David Wojnarowiczās best-known pieces, Untitled (One Day This Kid...) (1990) is a photo-text collage with a portrait of the artist as an innocent child. Surrounding this anodyne, yearbook-style image is a field of text that gathers like a storm cloud, narrating a traumatic future in which this child will be persecutedāby the government, by the church, by society at largeāfor his sexuality. The repetition of the phrase āone dayā gives the work a prophetic and propulsive cadence; it simmers with the visceral anger that defined so much of Wojnarowiczās work as an artist and impassioned activist.
In 1991, the Brush Art Gallery at St. Lawrence University, in Canton, New York, staged the exhibition From Desire... A Queer Diary, curated by Nan Goldin. The show, which was part of a festival of gay and lesbian art, included works by David Armstrong, Greer Lankton, Zoe Leonard, Robert Mapplethorpe, Mark Morrisroe, and Wojnarowicz, among numerous others. Arriving amid the ā8os-era culture wars,
From Desire sparked controversy on campus. School fraternities reportedly attempted to prevent students from seeing the show, bullying those who attended and fulfilling the prediction of toxic intolerance that Wojnarowicz conjures in One Day This Kid.
Despite being autobiographical, Wojnarowiczās collage is inclusive, inviting identification by others marked by homophobia or trauma, or those who feel invisible in a moment of stifling social conservatism. For the From Desire invitation, Wojnarowicz adapted One Day This Kid, changing the pronouns from he to she, and swapping in a young Nan Goldin in place of himself. āThis card was an invitation to a queer art show that David helped me curate in 1991, another of our censored shows! It has pride of place in my home,ā Goldin says. āIām honored that David asked me to represent the girl. We were ugly, bucktoothed kids. But look what a beauty he grew into.ā
from Object Lessons by The Editors, Aperture Magazine, Summer 2020
Heath Ledger by Kwaku Alston (2001)
Puteolano Pozzallese
by Jing Huang / é»äŗ¬ Pure of Sight (2011)
Birthe PiontekĀ Found via Paper JournalĀ Facebook | Instagram | Shop
Kate Darmody in conversation with Canadian photographer Birthe Piontek.
āfrom very early on Iāve been interested in taking portraits and trying to understand and express what is āinsideā and ābeneathā the visible surface. Thatās why, over time, my approach shifted from a documentary to a more conceptual way of working as I felt that by āpurely documentingā I wasnāt really able to express or access those deeper layers of our complex identities.ā
See more @ theheavycollective.com
_____ Birthe Piontek. *
Birthe Piontek.
David Armstrong: Anthony, Bed-Stuy, Brooklyn, 2006
David Armstrong