LAURA ACOSTA

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SLURPIE II

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SLURPIE I 

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There were two. The first one and the other one. One, was a square. Not because he possessed some sort of moral limitations, or anything like that, but because it was his limitations precisely which intersected each other at 4 perfect 90 degree angles, exactly like a square. Both, like most, self declare as effectivists without substance. Both, like all, make use of established temporality.That is, they use their time because they firmly believe they have time to use and would assume absolute defeat if they were to waste it.

Such gloom is otherwise known as a proper formation for analytic spirits.

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La Gorda, Montreal 2015 

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Las Novelas de Elsegüer: Psycholocomotional dramas for the colorblind at heart 

Collaboration with fried poet Santiago Tavera 

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Pimples of the Empire: Coming to a wave near you

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Pianita Pianita la lucecita cochinita en el aguita de Tijuana en Mayo

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When creating motions that aim to transcend the force of gravity we end up exposing the failure of play weeeoeoeoeoe Fable Intervention, Montreal 2015 (Collaboration with Doody clan)

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Fable Intervention, Montreal 2015 (Collaboration with Doody clan) 

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Psychotropic Soap Operas, Rosa Bear Collaboration with Santiago Tavera, Montreal 2014 Performance by Nick Aconito #Ninicato Film/Photography by Santiago Tavera

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Psychotropic Soap Operas, Rosa Bear Collaboration with Santiago Tavera, Montreal 2014 Performance by Danica Olders Film/Photography by Santiago Tavera

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Montreal, Quebec, 2013

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Installation, Montreal, Quebec, 2013

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Intervention, Medellín, Colombia, 2013

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El Cabo de la Vela, Guajira, Colombia, 2013