opposites attract.
june 2020
black acrylic, gouache, and colored pencil on paper
inspired by Carrie Mae Weams Kitchen Table Series.
occasionally subtle
macklin celebrini has autism
sheepfilms

Product Placement

blake kathryn

Game Changer & Make Some Noise

Discoholic 🪩

Jimmy Eat World
The Bowery Presents

Jar Jar Binks Fan Club

ellievsbear
EXPECTATIONS

@theartofmadeline
Phantogram Three

if i look back, i am lost
Interview Vampire Daily
🪼
untitled
Lint Roller? I Barely Know Her
One Nice Bug Per Day

seen from Canada

seen from Finland

seen from South Korea

seen from Canada
seen from Brazil

seen from Argentina

seen from Azerbaijan

seen from Australia

seen from Bangladesh
seen from United States

seen from Malaysia
seen from United States
seen from Bangladesh
seen from Croatia
seen from Türkiye
seen from Ukraine
seen from Vietnam

seen from Germany
seen from Japan
seen from Canada
@laurynlevetteportfolio
opposites attract.
june 2020
black acrylic, gouache, and colored pencil on paper
inspired by Carrie Mae Weams Kitchen Table Series.
what’s out there?
may 2020
watercolor, colored pencil and gel pen on paper
been seeing 222 everywhere lately...
Stars when you shine, you know how I feel...
june 2020
watercolor and colored pencil on paper
may 2020
check on your black friends
Each day feels a little more surreal than the last, but I guess that’s a part of adjustment.
May 2020, 11″x14″
stencil, ink, watercolor, colored pencil, and gel pen on paper
“either you coming in or staying outside, it’s cold”
May 2020
16”x20” acrylic, black gesso, and colored pencil on board
april 2020
“clouded” digital collage
yearning to go outside but i’ve been adjusting.
march 2020
been having some vivid dreams lately. wishing i was elsewhere...
‘protect ya neck.’ february 2020
i drew this while watching Ghost in the Shell, a well known film among the science fiction community. What I find intriguing about the genre is its ability to reflect real societal structures in fictional narratives.
Here, I thought about the theme of camoflauge as a means of protection along with Audre Lorde’s quote: “the master’s tool’s will never dismantle the master’s house.”
there is power in empathy, there is power in vulnerability, at the end of the day, protect ya neck.
6″x 8″ watercolor, colored pencil and mixed media on paper
some small sensual abstractions. february 2019
watercolor and colored pencil on paper
january 2020
4″x6″ acrylic and magic marker on paper
an embrace.
something small. something warm. something remembered
5”x6” watercolor and colored pencil on paper. february 2020.
loungin.
8.5” x11” ink on paper. january 2020
“public n private selves” december 2018.
18”x24” oil and mixed media collage on canvas
“mars”
fall 2019
30″48″ x oil and pastel on canvas
what does it mean to be invisible and hyper-visible at the same time? here, I am referencing Bell Hooks' "oppositional gaze", actively looking past the simultaneous hyper-sexualization and dehumanization that has been historically placed on Black women. by distorting the perspective of the piece, I am asserting that I am supposed to be in the space, are you?
head study for “mars”
fall 2019
16″x20″. oil on canvas
sumn stank!
9″x12″ oil on canvas, spring 2019