The streets are cracked
And there’s glass everywhere
And a baby stares out
With motherless eyes
Under long gone beauty
On fields of war
Trapped in lament
To the poet’s core

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@le-toit
The streets are cracked
And there’s glass everywhere
And a baby stares out
With motherless eyes
Under long gone beauty
On fields of war
Trapped in lament
To the poet’s core
Detail of a dog from a portrait of Sophia Dorothea of Hanover, Queen in Prussia.
Source
Khanjar Dagger
Dated: late 18th century
Culture: Indopersian
Measurements: overall length 40.5cm
The dagger has a curved, double-edged damask blade ribbed at the centre. The brass grip is entirely decorated with enamelled floral motifs on green ground. On the pommel lies a cabochon rosette featuring remains of stones. The scabbard is decorated en suite and it has a small suspension loop with a signature in Arabic.
Source: Copyright © 2015 Czerny’s International Auction House S.R.L.
Ohara Koson (1877-1945) 小原古邨
Water Lily, 1920′s
Kirsten Owen by Oberto Gili for Vogue Paris 1990
uchako
can we talk?
Finally, she said: “I’m lonely” — it’s weird but you tell the wolves things, sometimes. You can’t help it, all these old wounds come open and suddenly you’re confessing to a wolf who never says anything back. She said: “I’m lonely,” and they ate her in the street.
Catherynne M. Valente, from “The Wolves of Brooklyn,” The Bread We Eat in Dreams (via weltenwellen)
Savioz Fabrizzi - Town Hall, Saxon 2012. Photos © Thomas Jantscher.
INCREDIBLE DRESSES IN ART (55/∞) Countess Carolina Maraini Sommaruga by Vittorio Matteo Corcos
The Diamond Trellis Egg - August Holmström for Fabergé, 1892.
The Egg’s base (three silver putti - chubby male children - set on a jadeite base) and its contents (an ivory elephant automaton studded with precious stones) have been lost.
Hurvin Anderson, Phosphorescent, 2013. Acrylic and oil on canvas, 70 x 50 cm
foq