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Roseg Glacier
Rita Hayworth in Youâll Never Get Rich, 1941
Jane Fonda, 1964
6AM Studio | ryanpernofski
Rita Hayworth circa 1941.
Hobbe Smith - Floralia, 1898
In the original Blade Runner, the Voight-Kampff method was used to distinguish Replicants from humans. In this film, a more advanced technology analyses a Replicantâs operational stability. âThe Baseline is designed to test the effects of a Blade Runnerâs job on his brain and psyche.â Explains Ryan Gosling. âBecause they have to kill their own kind, they constantly need to be assessed as to whether their work is having some kind of impact on them.âÂ
Two versions of the Baseline scene were filmed for the movie: the original scripted version, and a much longer take written by Ryan Gosling himself. It was a lengthy eight-minute staccato dialogue, and Gosling delivered each take without hesitation for every camera angle. The moment it was filmed, everyone on set felt that they had witnessed something unique and powerful. âWhen you are shooting a movie, thereâs always a scene that makes you feel youâve made contact with the soul of the story,â recalls Villeneuve. âThat was it, and it became our own Baseline for the rest of principal photography.âÂ
This feeling was shared by Joe Walker in editorial, âit was one of those great times as an editor, where you lift off from the page and itâs no longer about the scripted material, but there is blood running through the veins of an idea.â The long scene was later fine tuned to serve its percussive purpose in the final cut. âItâs an attack on Kâs psyche, so it has to wrong foot him and be hellishly aggressive. That gave me a lot of material to work with rhythmically in the cutâ From the Art and Soul of Blade Runner 2049
Rita Hayworth, photographed by Philippe Halsman, 1943.
Carrie Fisher having a break between her scenes in ESB.
Sometimes I go off⌠I go hardâŚ
Marilyn Monroe, a newly signed 20th Century-Fox contract girl, poses for a portrait in Los Angeles, 1947. Photographed by Earl Theisen
Humphrey Bogart in To Have or Have Not, 1944