“I was the strongest young man in my town. They called me Bulldozer.” (Shaqlawa, Iraq)
via Reblog for iPad
Jules of Nature
No title available
TVSTRANGERTHINGS
todays bird

❣ Chile in a Photography ❣
Not today Justin
cherry valley forever

pixel skylines
macklin celebrini has autism
ojovivo

izzy's playlists!

No title available
occasionally subtle
"I'm Dorothy Gale from Kansas"
Three Goblin Art

JVL

#extradirty

tannertan36

shark vs the universe
almost home
seen from United States
seen from United Kingdom

seen from United States
seen from Paraguay
seen from United States

seen from Malaysia

seen from United States

seen from Malaysia

seen from Türkiye

seen from United Kingdom

seen from Germany
seen from United States

seen from Israel
seen from France
seen from United States

seen from United States

seen from Iraq
seen from United States
seen from United States

seen from United States
@lgalli
“I was the strongest young man in my town. They called me Bulldozer.” (Shaqlawa, Iraq)
via Reblog for iPad
A really cool bookshop in Paris.
"bookporn" (addicted) almeno è più moderno di bibliofilo
-tempusomniadelet
Geniale, direi radical chic (avrei aggiunto il Jamaica) Grazie dezzyboy per il tuo illuminante twittere dove ho scoperto questo fazzoletto.
notevole analisi della #mondanità nella Città di M.
Cartoon of the night. For more: http://nyr.kr/KOM1UW
nice kid
the worst office ever
The newest PJs chart, fresh off the presses.
offices are evil (most of them)
Uncompromising Photos Expose Juvenile Detention in America
On any given night in the U.S., there are approximately 60,500 youth confined in juvenile correctional facilities or other residential programs. Photographer Richard Ross has spent the past five years criss-crossing the country photographing the architecture, cells, classrooms and inhabitants of these detention sites.The resulting photo-survey, Juvenile-In-Justice, documents 350 facilities in over 30 states. It’s more than a peek into unseen worlds — it is a call to action and care.
The U.S. locks up children at more than six times the rate of all other developed nations. The over 60,000 average daily juvenile lockups, a figure estimated by the Annie E. Casey Foundation (AECF), are also disproportionately young people of color. With an average cost of $80,000 per year to lock up a child, the U.S. spends more than $5 billion annually on youth detention. On top of the cost, in its recent report No Place for Kids, the AECF presents evidence to show that youth incarceration does not reduce recidivism rates, does not benefit public safety and exposes those imprisoned to further abuse and violence.
(via Language Log » Filosofia monosillabica)
“Those who can don’t want to, Those who want to can’t, Those who know don’t do, Those who do don’t know, And so the world goes wrong.”
Night in the Consulting Room
Chart evolution: Scientific (1977), MS Office (1995), MS Office (2003), Inforgrafics (2011), Posmodern deconstruction (2015)
Lo stato medio dei telefoni pubblici che si vedono in giro
robe (tecno)tristi
Humans in Big Gatherings
nightmares for the individualists
E inoltre ingrossano le tasche delle mafie.
Si vede che sono un animale, danno molto fastidio anche a me
very smart guy
putthison:
I believe that this is what they call “conservative business dress.”
Me presenting at TEDxPoynter, a conference on the future of journalism; photo by Ellyn Angelotti. They asked me to complete the sentence “The future of journalism is…” and I offered “like tennis.”
I was stealing a page from Steve Albini, who once told me that was the future of the music industry. I asked him why, and he said more people than ever play tennis, it’s just that most of them don’t expect to make a living at it.
The suit is a new acquisition, a former floor model at Alan Flusser’s old shop, made by Martin Greenfield. Shirt’s by Thin Red Line, tie by Sam Hober.
Last week the show “More American Photographs” opened at the CCA Wattis Institute in San Francisco. Inspired by the Depression-era Farm Security Administration’s photography program, which commissioned photographers to document the rural poor of America in the late thirties and early forties, the curators Jens Hoffmann and Jana Blankenship commissioned twelve contemporary artists to travel the U.S. for a year and document the impact of today’s “great recession.”
Above, a selection of images documenting today’s “great recession.” Click through to see the full slide shows from the original F.S.A. program, as well as the new series.