⋆｡۰˚☽˚⁀➷𝓁𝒾𝒹𝒾𝒸𝑒'𝓈 𝒶𝓇𝓉

I am a visual artist, art director, art technology researcher and psychonaut. My main formats are videoart, 3d models, performance and text. I also sew and am interested in fashion.

[lidicesart]

/////organic matter

·̩̩̥͙＊•̩̩͙✩•̩̩͙˚⋆⛧﹤୨♡୧﹥⛧⋆˚*•̩̩͙✩•̩̩͙*˚＊·̩̩̥͙

A campaign, composed of a series of patadesigns posters, clothing and fashion accessories made of organic material and generated from artificial intelligence (DALL-E2). Images and design worked and finished in Photoshop.

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available on foundation.

[lidicesart]

4 screens pop-up art exhibition 4 screens is a 10 day pop-up digital art exhibition @despace.berlin The 4 screens are curated by Screen 01 - Michelle Brown, Brisbane, ​@thebadlament Screen 02 - Taís Koshino, Brasília, @TaisKoshino Screen 03 - Viola Lukács, New York/Berlin, @violukprojects Screen 04 - crcdng, Berlin, @at_crcdng Hosted at dekabinett, Admiralstraße 15, 10999 Berlin, Germany August 09 - 19/2022 Opening times August 09-12 and August 15-19, 2022 (closed on weekends) 06pm to 09pm World-sensing curated by Taís Koshino

From memories that were denied to us, from tales we heard. We demand to feel the world. We created our forceful signs, our path to find our gold. We need to delink from imposed precepts, free ourselves from the illusion that there is only one way of thinking, living, and doing. It's urgent to elaborate on other possibilities, and trace dispersion routes for the de-hierarchization of senses, affections, sensorial fields. There is a necessity to go beyond what is said to be universal, face nature, and search for sites that were violently demoted, exterminated, erased, veiled. It's vital to make it visible, horizontalize the senses, trace dispersion routes, build possible structures to exist. We rescue technologies and knowledge, manufacture possibilities, create visualities. From within our singular world-sensing, we enunciate and propose a way to transform. Artists: biarritzzz, Caroline Ricca Lee, Cyshimi, Cibelle Cavalli Bastos, Lídice Silveira, Linda Dounia, Marissa Noana, Mirjam Dalire, Rayan Elnayal, Riniifish, svtvnvmvn, Taís Koshino, Yacunã Tuxá .

[lidicesart]

ﾟ+*:ꔫ:*﹤　more old memories　﹥*:ꔫ:*+ﾟ , 2018.

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“Imagem-semelhança”, 2020.

Owned by Fernando Bueno.

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photographing Luna Colazante, my friend who is also an artist. 2020

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me modeling for v.r.t.x. t-shirts in 2020, photos by Xavier Braun.

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SÉRIO, 2020.

SÉRIO is an ironic and simultaneously humorous video art. While the artist looks at you directly creating a certain intimacy, you hear the noises of a silent landscape. It's 5 minutes of active meditation, looking into the camera's eyes. Thinking about imposter syndrome, about whether or not art is "serious" work. It is also about questioning the utility of art, but mainly a declaration that I believe that art is indeed a serious work. Anyway, never take yourself too seriously.

[lidicesart]

paisages archive ~

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“Peles e camadas”, 2018. Guilherme Morais e Lídice Silveira.

Performance fruto da disciplina Técnicas Experimentais em Artes Cênicas, ministrada por Rodrigo Fischer. Sobre a sobreposição das cores de pele, miscigenação, assimilação e os encaixes que a sociedade nos obriga até nos tornar parte do sistema.

[lidicesart]

"malokinha", 2017.

One of my favorite works, because it was planned with references of brazilian indigenous architecture, made 100% of found materials (garbage) and with the help of someone who was the biggest influence for me to become an artist, my dad. this little house arose from a real need for reflection on housing, on homeless people, also symbolically on demarcation of indigenous lands, and especially an approximation and healing with my ancestral ties. the objective of this first malokinha is to be a prototype of what is possible to build with a low budget. i hope in the future to articulate funds to build several, in strategic places, where there is a vulnerable population in need of comfort, rest, shelter and privacy. the houses will belong to all and for all. with the money from the incentive I would pay the assistants of the workforce, and the population itself to exchange knowledge with me and to build together.

♬♩♪♩ she’s just like you and me, but she’s homeless, she’s homeless ♩♪♩♬

[lidicesart]

“Etimologia Terra”, 2018. Lídice Silveira, Morena, João Testi & Giovanna Palatucci. 

Video art that covers the issues of the invasion of indigenous lands in the Noroeste area, in Brasília, Federal District. Collectively produced work.

[lidicesart]

“Fugindo de mim”, 2018. 

Avoiding state in which one is constantly running away from oneself and one's own issues, going against nothingness, losing one's own borders. "Asynchrony" in relation to the Earth's rotation. Getting lost, running away and inevitably bumping into yourself.

[lidicesart]

POBRES, 2017. A videoart by Lídice Silveira, Mau Fernandes e M*lena Stef*no.

“Against the glamorization of poverty, in favor of the glamorization of the poor. With that we meant that we as poor people want access to better life conditions and aesthetic pleasure”.

[lidicesart]

Old memories, 2016.

Instagram @*l___d___c___ archive. (all images are mine)

[lidicesart]

 “The elephant man” a performance i did in 2014, and ended up getting me kicked out of my family’s house. I don’t consider the performance super chocking, i was just doing daily stuff while using this black cloth in my head. I was inspired by David Lynch’s movie, feeling like a circus attraction, at the same time having a identity crises (i was only 18). I used the photo as a prompt on VQGAN to generate this animation, with a dream and psychedelic style. I dreamt this night that i was being threatened again by my family and woke up crying. I guess it’s a good day to start a tumblr archive.