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@lifeisviolence
– dante alighieri, the divine comedy
The Rider on the Pale Horse - George Frederic Watts
Albert Matignon - The Opium Vampire - 1911.
Historia Naturae - Jan Svankmajer - 1967 (10 min)
The Feanturi explained through existential philosophy
Namo, as a personification of death is doomed to embody a certainty- the certainty of everyone’s common fate. That is also partly why according to Tolkien he knows everything that is to come; another example of why he embodies a certainty.
At the same time, Irmo, being the master of dreams visions and desires embodies the exact opposite, hence uncertainty; since he is a creator of infinte possibilities and parallel worlds that exist only in the mind and not in reality.
However, there is ONE thing that those seeimingly opposites have in common; and that thing is fear. See, fear is the very first unconscious response to both the uncertainty of infinite possibilities and the certainty of death. It is commonly known that uncertainty is one of the greatest factors that can make the construct of the self collapse; there are numerous theories and even a special area of psychology (the antipsychiatrical movement) that argue that insanity and psychoses are not pathological, but natural responses to environments of complete uncertainty and cognitive dissonance. Moreover, the fear of death itself can be explained through the fear of uncertainty; for it is not death per se that people fear, but the fact that noone knows what happens “after”, since noone has ever returned. That is also the reason why people get obsessed with religion, since it offers explanations of life after death, but that is a meta for another time.
So, it makes sense why Namo and Irmo are brothers and not unrelated valar; because they represent two opposite concepts (certainty and uncertainty) that lead to the exact same response (fear). The fact that they are opposite to each other explains why from the three siblings Namo is the eldest and Irmo the youngest, capturing the two extreme positions of hierarchy in the Feanturi family.
Speaking of the Feanturi, you may have noticed that I haven’t mentioned why Nienna is one of the Feanturi siblings yet. Well. Remember when I said that fear is the very first unconscious response to fear brought about by uncertainty? Well, guess what is the second unconscious response. If you guessed grief, you have guessed correctly.
Grief is a procedure which consists of four steps: denial, anger, depression and acceptance. Compassion can take place only after acceptance has finally settled in, because it requires the acknowledgement of decay, death and irrationality as essential parts of existence in order to be sympathetic towards other humans over the common fate.
Namo, Nienna and Irmo in Tolkien’s world are nothing but the representation of the human psychology when confronted with the mystery of existence. Hence the family name Tolkien has assigned to these siblings: The Fenturi; masters of souls.
~Written by Cyan Herostrates
P.S: Whoever wants the reference list i used, feel free to ask.
@elf-in-a-mask @cerulean-shark @morgan–inkeye @morgause1 @bodhvild @myarissimo
Henrik Aa Uldalen “Corrode”
“Write with blood, and you will find that blood is spirit.”
— Friedrich Nietzsche, from ‘Thus Spoke Zarathustra’
Victorian Death Superstitions
If the deceased has lived a good life, flowers would bloom on his grave; but if he has been evil, only weeds would grow.
If several deaths occur in the same family, tie a black ribbon to everything left alive that enters the house, even dogs and chickens. This will protect against deaths spreading further.
Never wear anything new to a funeral, especially shoes.
You should always cover your mouth while yawning so your spirit doesn’t leave you and the devil never enters your body.
It is bad luck to meet a funeral procession head on. If you see one approaching, turn around. If this is unavoidable, hold on to a button until the funeral cortege passes.
Large drops of rain warn that there has just been a death.
Stop the clock in a death room or you will have bad luck.
To lock the door of your home after a funeral procession has left the house is bad luck.
If rain falls on a funeral procession, the deceased will go to heaven.
If you hear a clap of thunder following a burial it indicates that the soul of the departed has reached heaven.
If you hear 3 knocks and no one is there, it usually means someone close to you has died. The superstitious call this the 3 knocks of death.
If you leave something that belongs to you to the deceased, that means the person will come back to get you.
If a firefly/lightning bug gets into your house someone will soon die.
If you smell roses when none are around someone is going to die.
If you don’t hold your breath while going by a graveyard you will not be buried.
If you see yourself in a dream, your death will follow.
If you see an owl in the daytime, there will be a death.
If you dream about a birth, someone you know will die.
If it rains in an open grave then someone in the family will die within the year.
If a bird pecks on your window or crashes into one that there has been a death.
If a sparrow lands on a piano, someone in the home will die.
If a picture falls off the wall, there will be a death of someone you know.
If you spill salt, throw a pinch of the split salt over your shoulder to prevent death.
Never speak ill of the dead because they will come back to haunt you or you will suffer misfortune.
Two deaths in the family means that a third is sure to follow.
The cry of a curlew or the hoot of an owl foretells a death.
A single snowdrop growing in the garden foretells a death.
Having only red and white flowers together in a vase (especially in hospital) means a death will soon follow.
Dropping an umbrella on the floor or opening one in the house means that there will be a murder in the house.
A diamond-shaped fold in clean linen portends death.
A dog howling at night when someone in the house is sick is a bad omen. It can be reversed by reaching under the bed and turning over a shoe.
Karl Hugo Schmölz, Cologne Cathedral, 1947.
Faust, F. W. Murnau, 1926.
Tapestry of sculptures, II.
L’opéra Garnier in Paris, France