do you guys have a story in your head and when you’re bored you just add more to it and continue from where you left off
EXPECTATIONS
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let's talk about Bridgerton tea, my ask is open

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YOU ARE THE REASON
Not today Justin

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@like-a-boluda
do you guys have a story in your head and when you’re bored you just add more to it and continue from where you left off
ROBERT PATTINSON 2022 | Jack Bridgland ph. for GQ Magazine
Costume appreciation series: Keira Knightley’s Period Drama Cinematic Universe
King Arthur (2004): costume design by Penny Rose and Louis Joon
Pride and Prejudice (2005): costume design by Jacqueline Durran
Pirates of the Caribbean (2003-2007): costume design by Penny Rose
Atonement (2007): costume design by Jacqueline Durran
Silk (2007): costume design by Carlo Poggioli and Kazuko Kurosawa
The Edge of Love (2008): costume design by April Ferry
The Duchess (2008): costume design by Michael O’Connor
A Dangerous Method (2011): costume design by Denise Cronenberg
Anna Karenina (2012): costume design by Jacqueline Durran
The Imitation Game (2014): costume design by Sammy Sheldon
Colette (2018): costume design by Andrea Flesch
The Aftermath (2019): costume design by Bojana Nikitovic
Misbehaviour (2020): costume design by Charlotte Walter
COSTUME DESIGN IN TV & FILM KEIRA KNIGHTLEY
BEND IT LIKE BECKHAM (2002) costume design by Ralph Wheeler-Holes PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL (2003) costume design by Penny Rose PRIDE AND PREJUDICE (2005) costume design by Jacqueline Durran PIRATES OF THE CARIBBEAN: DEAD MAN’S CHEST (2006) costume design by Penny Rose PIRATES OF THE CARIBBEAN: AT WORLD’S END (2007) costume design by Penny Rose ATONEMENT (2007) costume design by Jacqueline Durran & Timothy Everest THE DUCHESS (2008) costume design by Michael O’Connor COLETTE (2018) costume design by Andrea Flesch THE AFTERMATH (2019) costume design by Bojana Nikitovic
I think we all want to feel something that we’ve forgotten or turned our backs on because maybe we didn’t realize how much we were leaving behind. I think we all want to feel something that we’ve forgotten or turned our backs on because maybe we didn’t realize how much we were leaving behind. 13 GOING ON 30 (2004) dir. Gary Winick
me, making a phone call: god i hope they don’t answer
when u step on a leaf and it doesn’t crunch
me: *feels random pain in body*
me: kill me
pls stop saying words to me … I don’t have a brain..