izzy's playlists!
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Product Placement
ojovivo
I'd rather be in outer space 🛸
Mike Driver
祝日 / Permanent Vacation
he wasn't even looking at me and he found me
tumblr dot com
Janaina Medeiros
will byers stan first human second
KIROKAZE
Claire Keane
#extradirty
Peter Solarz
No title available
cherry valley forever
No title available
dirt enthusiast
@theartofmadeline
seen from Türkiye
seen from Canada
seen from United States
seen from Germany
seen from Türkiye
seen from Kuwait
seen from Indonesia
seen from United States
seen from United States
seen from South Korea
seen from United States
seen from Türkiye
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from Japan
seen from United States
seen from United States
@liliesofeden
“what are you doing this weekend” i am going to fantasy land. i am hiding under the covers in bed. i am making things up. i am contemplating events that didnt happen. i am talking to fake people. i am listening to my tunes. i am envisioning scenarios
we need to bring back inviting people over for cake and coffee. my grandma used to do that all the time and I think it's a lost art
Crucifixion and Pietà, Polish folk art woodcuts, circa 1831.
Sandro Botticelli | Madonna and Child With a Pomegranate (detail) | 1480-1500
“‘bright’ laser engraved text from the internet on found oyster shell. 2018”
trystanwilliams2
Leonid Yablonsky, Solar Shower, 1966 via Kena McKae
Queen of Heaven Catholic Cemetery & Mortuary
Lafayette, CA
shot by me with 35mm b&w film
Working Girl, Kings Cross, London, 1970, Rennie Ellis
The Holy Mountain’s (1926, dir. Arnold Fanck) "Cathedral of Ice“ (via)
The 50 ft. tall cathedral was constructed from ice painstakingly shaped for months on an armature of metal pipes.
The soul breaking the bonds that attach to the land by Pierre Paul Prud'hon (between 1821 and 1823)
'the cedars of lebanon,' albumen silver print; francis frith, british c. 1857.
Abney Park Chapel, London
Gustaf W:son Cronquist - Titel saknas, 1922
"The Penitent Magdalene" ~ by Francesco Lupicini
(x)
Anonymous. Christ in the Garden of Gethsemane. Ca. 1390. Stone sculpture. Malbork Castle Museum, Malbork, Poland.
This late 14th century limestone masterpiece, held by the Muzeum Zamkowe w Malborku, originated from a prestigious royal Bohemian workshop closely tied to the Prager Schule around ca. 1390, (under HR Emperor Charles IV and his successor Wenceslaus IV) which was boasted as the blazing epicenter of central European artistic production at the time. The sculpture is widely attributed to the circle or direct influence of the legendary Master of the Beautiful Madonna of Toruń.
As a seminal example of the International Gothic Weicher Stil (Soft Style), the sculpture translates limestone into fluid fabric via cascading, scoop drapery folds (Schüsselalten), contrasting a European courtly, idealized beauty with visceral psychological realism (as we see in Matthew 26: 36-46). The masterpiece served the crusader elite within the Hochschloss (High Castle) of Marienburg as an Andachtsbild (specialized devotional image intended for intensive and emotional private contemplation, rather than public liturgy). By confronting the viewer with Christ's upturned gaze and seemingly speaking lips, the work stimulated the deeply personal Mystische Frömmigkeit (mystical piety) rooted in the sensual high medieval spiritual tradition of Imitatio Christi (the Imitation of Christ). Perlbach's classic translation and commentary on the Statutes of the Teutonic Order have more to say on mystical German approaches to Theosis via Chivlaric Christology and unio mystica (mystical union). There are more recent translations in English out there however.
The acquisition of such a brilliantly sophisticated, high-luxury sculpture illustrates the profound 14th-mid 15th century "courtification" (Verhöfichung) of the Teutonic Order's leadership, initiated by Luther von Braunschweig during his reign between 1331-1335, establishing the office as increasingly responsible for mirroiring the secular splendor of European royal courts, like those in the Valois Courts, Prague, and Westminister.
This costly aesthetic evolution was later championed by contemporary Hochmeister (Grand Masters) ruling between 1390 and 1400, including Conrad Zöllner von Rotenstein (1382-1390), Konrad von Wallenrode (1391-1393), and Konrad von Jungingen (1393-1407), who utilized elite Baltic trade networks and correspondence to transform Marienburg, "Mary's Castle," into an epicenter of princely-patronal power in a very "indulgentia" world.
