i know it comes out in three days but can someone pls dm me the big swiss pdf i’m struggling here 🫡🫡🫡🫡🫡
Xuebing Du

Kiana Khansmith

oozey mess

❣ Chile in a Photography ❣
Fai_Ryy

titsay

Origami Around
Game of Thrones Daily
almost home
PUT YOUR BEARD IN MY MOUTH
Misplaced Lens Cap

No title available

bliss lane
Cosmic Funnies
taylor price
Lint Roller? I Barely Know Her

Love Begins
No title available
RMH
🩵 avery cochrane 🩵
seen from Malaysia

seen from Malaysia
seen from Ireland
seen from T1

seen from Norway
seen from Russia
seen from United States
seen from United Kingdom

seen from France

seen from United States
seen from Türkiye

seen from United States

seen from United States
seen from Ireland

seen from United States

seen from United States
seen from Vietnam
seen from Türkiye

seen from Poland
seen from T1
@lillehammer1994
i know it comes out in three days but can someone pls dm me the big swiss pdf i’m struggling here 🫡🫡🫡🫡🫡
IRÈNE JACOB as VALENTINE DUSSAUT | THREE COLORS: RED (1994) dir. Krzysztof Kieślowski
I have a debilitating disease called "it's november"
“Here’s the deal. The human soul doesn’t want to be advised or fixed or saved. It simply wants to be witnessed — to be seen, heard and companioned exactly as it is. When we make that kind of deep bow to the soul of a suffering person, our respect reinforces the soul’s healing resources, the only resources that can help the sufferer make it through. Aye, there’s the rub. Many of us “helper” types are as much or more concerned with being seen as good helpers as we are with serving the soul-deep needs of the person who needs help. Witnessing and companioning take time and patience, which we often lack — especially when we’re in the presence of suffering so painful we can barely stand to be there, as if we were in danger of catching a contagious disease. We want to apply our “fix,” then cut and run, figuring we’ve done the best we can to “save” the other person.”
— The Gift of Presence, The Perils of Advice | On Being
Fleabag (2016-2019)
A Playful Maximalist Home in London
Ed Ruscha, 1973
eggwhite on satin 34 by 39 1/8 in. 86.4 by 99.4 cm.
more
Decision to Leave (2022) dir. Park Chanwook
You’re happy if you’re with murder and violence.
Decision to Leave, 2022 dir. by Park Chan-wook
ANTI-HERO (2022) dir. Taylor Swift
Paintings of Archways, Doors and Windows, 2003 (oil on panel), Leon Morrocco
JULIANNA MARGULIES as CARLA WHAT’S COOKING — 2000, dir. Gurinder Chadha
㋡🥀
peaceful..
from There’s Motion Everywhere, a children’s poetry collection illustrated by Simms Taback