[garadinervi]

Haroldo de Campos, Décio Pignatari, and Augusto de Campos, (1974), Mallarmé, [Mallarmargem – Augusto de Campos], Editora Perspectiva, São Paulo, 1991 (Monoskop pdf here)

[gacougnol]

Daido Moriyama From the book “Color”

[7while23]

Sanja Iveković, Osobni Rezovi (Personal Cuts), 1982

[archive-pdf]

Undercover: AW94 Invitation Poster.

[ INSTAGRAM: @archivepdf ]

[milmesetas-deactivated20200613]

Woman from the Continuity Irish Republican Army (CIRA) 

[salvatoreglarosa]

I make music toooo:) http://heelnyc.bandcamp.com/album/blood-scissor-and-shovel

[dolerme]

‘touching‘ shot by vassilis karidis for fantastic man, issue 30

[fuckyou-design]

[spaceheadtr]

[nonporous]

[amcq]

The New Raf Riff, photography by David Sims

Clothes by Raf Simons SS 2002 collection.

[bbblaughrefs]

[burakaphotography]

Yumi Carter

Paris

FW

[velvetmysoul]

[thenewloverofbeauty]

Eve Sussman:  The Wolf in Tempelhof Airport, Berlin   (2005)  Video Still

[doubleedgedhead]

[dekonstruktivisme]

Martin Margiela autumn / winter 1998-99

Three people are chosen to each represent their professional discipline in presenting their vision on the collection: New York based photographer Mark Borthwick, London based stylist Jane How and Paris based writer Sydney Picasso. Mark Borthwick’s project included the projection of a video in two parts shot in New York in early March 1998 and a book entitled ‘2000-1’. The video features a verbal interaction between three women wearing garments of the collection. The book features photographs taken during the shooting of the video and is published in the autumn of 1998. For Jane How’s project fifteen life-size puppets are each dressed in an outfit of the collection styled by Jane. Two professional puppeteers manipulate each puppet, specially made in UK. Sydney Picasso decided to produce a white cotton ribbon, on which a continuous text is printed, as well as a pamphlet entitled ‘Endless Threads’. The tract is distributed and the ribbon is tied to everyone’s wrist as they enter the space. Thirty members of the Maison Martin Margiela staff, in blouses blanches (white coats) serve red wine to the crowed while the three visions on the collection are being expressed. A soundtrack by Mark Borthwick plays loudly.