Haroldo de Campos, Décio Pignatari, and Augusto de Campos, (1974), Mallarmé, [Mallarmargem – Augusto de Campos], Editora Perspectiva, São Paulo, 1991 (Monoskop pdf here)

if i look back, i am lost

Love Begins
Show & Tell
wallacepolsom
todays bird
TVSTRANGERTHINGS

祝日 / Permanent Vacation

@theartofmadeline
art blog(derogatory)
I'd rather be in outer space 🛸
Misplaced Lens Cap

Kaledo Art
dirt enthusiast
Monterey Bay Aquarium

roma★
let's talk about Bridgerton tea, my ask is open
he wasn't even looking at me and he found me
2025 on Tumblr: Trends That Defined the Year
noise dept.
almost home
seen from Iceland

seen from Netherlands
seen from United States

seen from Greece
seen from Netherlands

seen from United States

seen from Netherlands

seen from Germany

seen from United Kingdom

seen from India

seen from Canada

seen from Netherlands

seen from Netherlands

seen from United States
seen from Algeria

seen from United States
seen from Türkiye
seen from Austria

seen from India

seen from Iceland
@lilytera
Haroldo de Campos, Décio Pignatari, and Augusto de Campos, (1974), Mallarmé, [Mallarmargem – Augusto de Campos], Editora Perspectiva, São Paulo, 1991 (Monoskop pdf here)
Daido Moriyama From the book “Color”
Sanja Iveković, Osobni Rezovi (Personal Cuts), 1982
Undercover: AW94 Invitation Poster.
[ INSTAGRAM: @archivepdf ]
Woman from the Continuity Irish Republican Army (CIRA)
I make music toooo:) http://heelnyc.bandcamp.com/album/blood-scissor-and-shovel
‘touching‘ shot by vassilis karidis for fantastic man, issue 30
The New Raf Riff, photography by David Sims
Clothes by Raf Simons SS 2002 collection.
Yumi Carter
Paris
FW
Eve Sussman: The Wolf in Tempelhof Airport, Berlin (2005) Video Still
Martin Margiela autumn / winter 1998-99
Three people are chosen to each represent their professional discipline in presenting their vision on the collection: New York based photographer Mark Borthwick, London based stylist Jane How and Paris based writer Sydney Picasso. Mark Borthwick’s project included the projection of a video in two parts shot in New York in early March 1998 and a book entitled ‘2000-1’. The video features a verbal interaction between three women wearing garments of the collection. The book features photographs taken during the shooting of the video and is published in the autumn of 1998. For Jane How’s project fifteen life-size puppets are each dressed in an outfit of the collection styled by Jane. Two professional puppeteers manipulate each puppet, specially made in UK. Sydney Picasso decided to produce a white cotton ribbon, on which a continuous text is printed, as well as a pamphlet entitled ‘Endless Threads’. The tract is distributed and the ribbon is tied to everyone’s wrist as they enter the space. Thirty members of the Maison Martin Margiela staff, in blouses blanches (white coats) serve red wine to the crowed while the three visions on the collection are being expressed. A soundtrack by Mark Borthwick plays loudly.