Final Project: Pitch Perfect is Not So Perfect After All
Pitch Perfect is a movie that follows Beca, a freshman in college, and her experience in an all-girls acapella singing group. Â This movie has great potential to be one of the few movies that represents women in non-stereotyped roles, and show them in real relationships with each other. However, for all the ways that Pitch Perfect works to push back on normal hegemonic structures, it continues to come up short as a movie that breaks norms or stereotypes. Â I will be doing the counterpoint analysis in a point/counterpoint argument with Caitlin (her argument can be found specifically here).
Female RepresentationÂ
Beca is shown in the movie as a typical angsty teenager. She seems ungrateful for the free college education that she gets from her father. Aubrey, the leader of the group, is shown as a “type A” girl that is uptight and prude. She is bitchy and rude and only concentrates on success. Fat Amy is the fat girl. She makes jokes about her own weight, and when first introduces herself gives the explanation of name, “…so twig bitches like you don’t do it behind my back.” Kathleen Rowe, in her book The Unruly Woman: Gender and the Genres of Laughter, explains that movies like to make use of the “grotesque body.” She explains that this body “exaggerates its processes, bulges and orifices...” Fat Amy’s weight and difference is constantly targeted throughout the movie because we are taught that her being fat is a spectacle, and that her body and movements are to be laughed at. This is definitely not something new to women in movies.
Even though almost every member of the acapella group is stereotyped into a single role, almost all of them have good relationships with each other. However, they do a disservice by not pushing back with their representation of the LGBTQ community, or women as a group. The one openly gay main character, Cynthia, is shown constantly ogling a fellow group-member’s body. She is shown to not be in control of her sexual desires, and takes advantage of how dumb her teammate is. Cynthia also is shown continuing to grope Stacie, even after she blows a rape whistle. The representation of women throughout the whole movie is also that they need to beat a group of men, and earn their right to be equal. Women shouldn’t have to win competitions against men to earn some type of equality or respect; it should be expected.
The end of the movie does an awesome job of reinforcing hegemony. Beca, the main character works hard to be successful in the end. What is her achievement? Getting the guy. All Beca’s hard work with her friends and music is done to be noticed by the boy she likes so they can be together and live happily ever after.
People of ColorÂ
If I can say one good thing about the representation of people of color in Pitch Perfect, I think it would be there is more than one person of color in the movie. And that is about it. Cynthia Rose, the African-American group member, is mistaken for a man in her first five seconds on screen. She has a gambling addiction, and is also a lesbian, which puts her into another minority group. Cynthia is also shown to have no control over her sexual desires, as she continually crosses the line with her teammate Stacie. Cynthia only has a few lines, and they revolve around her being either gay or an addict. Diane Raymond cites Douglas Kellner in her essay “Popular Culture and Queer Representation: A Critical Perspective“ as saying,  “Difference sells…The mere valorization of “difference” as a mark of opposition can help market new styles and artifacts…” Cynthia is made as different as possible to make her into a difference character. However, in doing this, the movie reinforces hegemonic structures of race and sexuality.
Open Discussion of Sex and Sexuality
Pitch Perfect has scenes about sex throughout the whole movie. It is great that women are shown talking with each other about sex and sing about it in public. However, there are a couple main issues with the discussions. First, slut-shaming by women about other women is spread throughout the whole entire movie. Aubrey, the leader of the acapella group, constantly polices the other girls about their relationships with their rivals, the Treblemakers. She makes them take an oath: “And I solemnly promise to never have sexual relations with a Treblemaker, or may my vocal cords be ripped out by wolves.” This kind of policing is something that women see daily, that their bodies are not their own to control. If they want sex, they are sluts. Aubrey on the other hand, is shown as wrong on the other side of the spectrum. If a woman is not interested in sex or refuses to talk about it, she is a prude. Secondly, the sexual desires of the women are told as “secrets.” When Stacie reveals that she has sex a lot, she tells everyone as it is a big secret. Stacie believes she isn’t allowed to have these desires, so she hides them from her friends. Jane Gerhard notes in her essay, “Sex and the City: Bradshaw’s queer postfeminism” that when women talk about their sexual experiences, in this case in the show Sex and the City, “The talk also insists on the pleasures of heterosexual sex for women...these women are shown as the subjects of heterosexual sex, not its object.” Although Stacie does this to a point, when she talks about her vagina being a “hunter,” there is still a strong objectification of her body throughout the whole film.
Although Pitch Perfect tries to show a female group being successful and different and accepting, it does a terrible job breaking hegemonic prescriptions of race, sexuality, and gender. Almost every character is completely one dimensional, and stereotyped heavily to whichever group they represent. There are steps backwards on women’s discussions of sexuality, and the women slut-shame each other. Pitch Perfect, may have some funny lines, but the problematic representations of women and other minority groups don’t have me laughing much at all.Â









