LirpaLethcab

looking for doubles, doppelgängers, and mirrors in art

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“Du oder Ich (You or me)” by Maria Lassnig, oil on canvas, 2005, 79 7/8 x 61 inches

“The Man Made Mad with Fear” by Gustave Courbet, oil on paper mounted on canvas, 1843-44, 24 x 36 inches

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Hope Gangloff

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Lonnie Holley. Blood on the Shoes of a Civil Rights Worker, 2005; installation view, Something to Take My Place, 2015. Courtesy of the Artist and the Halsey Institute of Contemporary Art, Charleston, SC. Photo: Rick Rhodes.

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Julia Wachtel

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Mernet Larsen, Cardplayers, 2013 Acrylic, mixed media on canvas, 63 x 50

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Mary Heilmann, David Reed at Hamburger Bahnhof

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Mary Heilmann, David Reed at Hamburger Bahnhof

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Daniel Dezeuze, “Triangulation Blue” (1975), wood strips 56 x 43 inches

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Shezad Dawood

The Wanderer, 2015 Acrylic on vintage textile 66 9/10 × 43 3/10 in 170 × 110 cm

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Bernard Piffaretti - Untitled, 2012 / Image Courtesy of Cherry and Martin, Los Angeles.

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Dominique Figarella, 2004, Qui est?

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An oldie, but goodie

Constantin Brancusi, The Kiss, 1916

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Ron Nagle, The Tempramentalist, 2015 Ceramic, glaze, catalyzed polyurethane, epoxy resin 4 3/8 x 4 x 2 1/4 inches; 11 x 10 x 6 cm

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Dan Perjovschi, East West, 2006

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Dora Maar, “Assia Nue”, 1934

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Molly Zuckerman-Hartung; “Bird & Bird (Broad advisory, transactional and contentious capability)”; 2011; oil, spray paint and painted leather; connecting two paintings; left 15 x 13 inches; right 15 x 12 inches