Losing your religion, Larry Towell
$LAYYYTER

titsay

if i look back, i am lost
Alisa U Zemlji Chuda
noise dept.

@theartofmadeline
One Nice Bug Per Day
wallacepolsom

Kiana Khansmith

★
Sweet Seals For You, Always
hello vonnie
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will byers stan first human second

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almost home
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@lisajohnrogers-blog
Losing your religion, Larry Towell
Wrote this personal obit about George Michael. About the importance in his use of religious iconography, as this sort of bridge for lgbtqipa raised in the church.
http://m.metrotimes.com/city-slang/archives/2017/01/18/faith-listening-to-george-michael-in-michigan
Vita Sidorkina photographed by Alice Rosati
Stylist: Lisa Jarvis & Sayuri Murakami
“Do I want to make a painting of it. Yes because of the yellow. No, because it’s not my idea; it’s familiar to someone else. Oh, keep the yellow. Make another arrangement.”
This quote was taken from one of Mary Ann Aitken’s sketchbooks from the 1980s, a year after the artist’s death. The hue in question dominates the brightly lit facade depicted in Aitkin’s Untitled (Sherman Brothers Awnings) (all works ca. 1985–89), whose rows of muted-red awnings cast dun-brown shadows on the Naples-yellow building. Aitken used colors reminiscent of everyday objects (yellow like a daffodil, like an egg yolk) in ways that rendered her abstracted views of quotidian scenes unfamiliar.
-from my review of Mary Ann Aitken’s Detroit paintings, in the December issue of Artforum.
Ralph Lauren Fall 2014 RTW
Rosetta Getty, Resort 2017
“Beauty is fleeting, but a rent-controlled apartment overlooking the park is forever”
Sex and the city S1E2
Marta Riniker-Radich Every home a fortress every hearth a blossom November 2–December 18, 2016
Luis Barragán's firm, Estudio 3.14, has visualised the "gorgeous perversity" of US presidential candidate Donald Trump's plan to build a wall. In response to the controversial proposal, a group of interns came up with a conceptual design that would celebrate Mexico's architectural heritage.
Red lips by Margaret Kilgallen.
How to Eat a Crawfish from Les Blank’s ALWAYS FOR PLEASURE (1978)