Here’s the new 24 hour comic I drew this year! This one is called THE KING’S FOREST. cw: blood, violence

❣ Chile in a Photography ❣

No title available
No title available

izzy's playlists!
almost home
I'd rather be in outer space 🛸

oozey mess

Product Placement
NASA

#extradirty
Alisa U Zemlji Chuda
Cosimo Galluzzi
DEAR READER
dirt enthusiast
TVSTRANGERTHINGS
occasionally subtle
KIROKAZE

JBB: An Artblog!
Claire Keane
Sade Olutola
seen from Canada
seen from United States

seen from United Kingdom
seen from Canada
seen from United States

seen from United States
seen from Belarus

seen from United States

seen from Malaysia
seen from United Kingdom

seen from United States
seen from Spain

seen from United States

seen from United States

seen from France
seen from United States

seen from United States
seen from Saudi Arabia

seen from Austria
seen from Mexico
@literalturd
Here’s the new 24 hour comic I drew this year! This one is called THE KING’S FOREST. cw: blood, violence
he comin’
an old Soviet “Walking Excavator”
This is some dieselpunk ass shit.
And I’m here for it.
the rust… the light mist… the fucking walking machine… the pure Soviet of it… absolutely incredible
https://youtu.be/Y4quSym2wbk
Russian Jawas go hard
the frilly curtains in the windows
holy shit
THE DEAD LANDS: Supernatural Maori Series
“Shudder, AMC Networks’ premium streaming service for horror, thriller and the supernatural, announced today that its new original series THE DEAD LANDS, a co-production with New Zealand’s TVNZ, will premiere with two episodes on Thursday, January 23rd 2020, across all of Shudder’s territories (US, Canada, the UK and Ireland).
It will also air on TVNZ OnDemand in New Zealand immediately after its international debut. Subsequent episodes will premiere on both Shudder and TVNZ OnDemand weekly.
THE DEAD LANDS features a supernatural adventure set in a mythic Māori past, with an aesthetic that’s part Ash vs Evil Dead and part Xena: Warrior Princess.
The series features a murdered Māori warrior, Waka Nuku Rau (Te Kohe Tuhaka), who’s sent back to the world of the living to redeem his sins. But the world Waka returns to is ravaged by a breach between Life and the Afterlife as the spirits of the newly dead now stalk the land and hunt the living.
Waka encounters a determined young woman, Mehe (Darneen Christian), who becomes both his protégé and moral compass. Together, they navigate tribal politics, the unsettled ghosts of Ancestors and other forces both natural and supernatural, on a quest to discover who “broke the world” and how to repair it, if it’s not too late.” - via shanethegamer
[SuperheroesInColor faceb / instag / twitter / tumblr / pinterest / support ]
rat king for @dungeon-rat
im reading about cowboy phrases and sayings and like 95% of them are just solid life advice
like idk how accurate these are but somehow they manage to be both peak shitposting humor and genuinely helpful suggestions
fuck self-help books and therapy, all i need to make it in life is my trusty Cowboy Tips™
I'll march right over and you'll march right back I'll drive up north and I won't come back
i don’t want it to be easy i want it to be worth it
In a discussion about burial traditions and bog mummies
I’ve gotten used to not knowing where I am I’ve made my peace with the riptide I’ve been alive in the places I’d have died And I’m asking: “What if these have been the dark times?”
I’ve seen the Ursula K LeGuin quote about capitalism going around, but to really appreciate it you have to know the context.
The year is 2014. She has been given a lifetime achievement award from the National Book Awards. Neil Gaiman puts it on her neck in front of a crowd of booksellers who bankrolled the event, and it’s time to make a standard “thank you for this award, insert story here, something about diversity, blah blah blah” speech. She starts off doing just that, thanking her friends and fellow authors. All is well.
Then this old lady from Oregon looks her audience of executives dead in the eye, and says “Developing written material to suit sales strategies in order to maximize corporate profit and advertising revenue is not the same thing as responsible book publishing or authorship.”
She rails against the reduction of her art to a commodity produced only for profit. She denounces publishers who overcharge libraries for their products and censor writers in favor of something “more profitable”. She specifically denounces Amazon and its business practices, knowing full well that her audience is filled with Amazon employees. And to cap it off, she warns them: “We live in capitalism. Its power seems inescapable. So did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art. Very often in our art, the art of words.”
Ursula K LeGuin got up in front of an audience of some of the most powerful people in publishing, was expected to give a trite and politically safe argument about literature, and instead told them directly “Your empire will fall. And I will help it along.”
We stan an icon.
She basically told them, “I’m going to be there when they take you to the guillotine, and I’m going to position the basket” Fucking power move
Ok but the subplot where Aragorn becomes the protagonist of a Horse Girl Movie™ is one of my FAVORITE things to come out of the Two Towers.
In the stables of Rohan, there is an unruly horse named Brego. This horse is so wild that even the horse-masters of Rohan can’t tame him. He’s just a lost cause, they say. “There’s nothing you can do– leave him,” they say.
BUT THEN ARAGORN COMES IN. And like the heroine of a Horse Movie™ he’s all: “You just don’t UNDERSTAND the horse! The horse is wild and rebellious and free– like me!”
Aragorn begins gently talking to the horse, first in Rohirric, then in Elvish. He calms him down and asks him what’s wrong.
You could easily draw a parallel between Aragorn and Brego’s “rebelliousness.” To Theoden, Aragorn was acting overly unruly and difficult. “When last I looked, Theoden, not Aragorn, was King of Rohan.” Then Brego acts unruly and difficult – and Aragorn’s like “the people of Rohan just don’t understand you!!!!!!”
And then Eowyn explains that Brego used to belong to Theodred.
Suddenly Brego’s unruliness IS completely understandable— his master was killed in battle. He’s a horse with a Tragic Backstory.
“Your name is kingly,” Aragorn tells the horse. Aragorn is also a king. Aragorn is projecting.
Now that she’s explained the horse’s tragic backstory, Eowyn tries to get Aragorn to open up about his own Tragic Backstory™. (”I have heard of the magic of elves, but I did not look for it in a Ranger from the north….?”) She fails. Aragorn is briefly like “yup I was raised by elves,” does not elaborate, and then peaces out.
But as he leaves Aragorn dramatically says: “turn this fellow free; he has seen enough of war.”
And Eowyn is forced to wonder whether Aragorn is talking about the horse….or about himself….
Then Aragorn has a Near-Death-Experience, but Arwen’s elven-magic (just roll with it) saves him. And the horse who comes to carry him to safety is none other than Brego.
It’s Brego, repaying the kindness and understanding Aragorn showed him earlier in the film!
Aragorn set Brego free, and in return Brego saves Aragorn’s life!
Because they UNDERSTAND each other, as fellow free spirits who “have seen too much of war.” Both of them are KINGLY but also WILD, they’ve lived through too much and lost people they cared about, and their strong wills cannot be tamed by anyone in Rohan!
It’s beautiful. Aragorn canonically has Disney-Princess-level animal friendship powers.
When they arrive at Helm’s Deep, Aragorn smiles and earnestly says in Elvish: “thank you Brego, my friend.” And we know that Brego understands….
Literally every time I watch this subplot I think of that one tumblr post on the plot of Every Horse Movie
@feferi
@ekjohnston
I got a bone to pick/ somebody showed you all of the horrors/ you weren't born with it
Things That People Have Said To Me Since I Started Working In A Yarn Shop
“i need more of the rowan felted tweed, i’m making some first-world-war balaclavas and i’ve run out”
“i’m making my husband an x-files themed jumper for christmas and i can’t find a good colour for the spaceship”
“do you have any wool/acrylic blends on sale, i’m making hats for the seamen’s mission to give to sailors and i know they say to use acrylics because they’re cheap but it gets awfully cold at sea and i worry”
“i need some black wool for gloves, but it has to be flame-proof because i’m making them for the beltane fire-jugglers”
“could you see if you have another copy of this pattern for a baby shawl, i’ve knitted it in different colours for all of my six children and twelve grandchildren but it’s started to fall apart a bit"
[from a blond, six-foot surfer dude] “yeah, do you have any really light needles, i’m going backpacking around argentina and i want to do some socks while i’m on the coach but there isn’t much room in my rucksack”
“which of these colours do you think would be best for a knitted corgi”
“do you have any patterns for dog hats”
like honestly you don’t even understand how happy this makes me, like half the time these women are really self-deprecating about it - “oh this is probably a really silly question”, “you’re going to think this is really weird but -” - and i’m just like no!! this is amazing!!! yes, we do have patterns for dog hats!!! please tell me all about why you’re knitting a dog hat!!!!
and i mean, some of the stuff they make is unbelievable. there’s one lady who knits wedding-ring shawls, these enormous lace shawls they do on shetland that’re about six feet across and made out of yarn that’s basically thread, which you can pull through a wedding ring because they’re so fine. and there’s another lady who knits dolls about three inches tall and she’s like eighty and she’s done maybe two thousand of them and i found this out yesterday when she came in for a pattern for an entire knitted nativity scene, including the animals and the star. and there’s all the ladies who knit clothes to donate to the refugees and tiny, tiny clothes for premature or stillborn babies at the maternity unit and hats for the seamen’s mission and jumpers for the homeless, and all the ladies making this incredible stuff for their friends or their relatives or just because they feel like it, and it’s just, they’re my favourite, every single one of these people is my favourite