REAL LIVE CRYSTALS ARE WAITING TO TALK TO YOU NOW.
1-900-HOT-GEMS
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Origami Around
hello vonnie
wallacepolsom
we're not kids anymore.

ellievsbear
Show & Tell

⁂
Xuebing Du

roma★
No title available

Product Placement

Kaledo Art

tannertan36
Today's Document
NASA
Three Goblin Art
Sweet Seals For You, Always

#extradirty
Stranger Things
seen from T1

seen from Guinea
seen from Germany
seen from United States
seen from United States
seen from United States
seen from United States

seen from Singapore
seen from Russia
seen from United Kingdom

seen from United States
seen from United States
seen from United States

seen from United Kingdom
seen from Brazil
seen from Brazil
seen from United States
seen from United States

seen from Bangladesh
seen from Tunisia
@littlequeenofspades
REAL LIVE CRYSTALS ARE WAITING TO TALK TO YOU NOW.
1-900-HOT-GEMS
Julia Margaret Cameron, Hattie Campbell, 1868. Source.
GEMMA WARD x MAX MARA SS05
spoooooooook. dont want to leave him tomorrow, its only 5 days but 5 days is a long time w/o spook
Actually, I started to become an actress because I met someone who was just a friend and I found his life wonderful, I thought, Oh my god, you can travel, you’re free, you can do what you want, you’re the boss. And then I met an actor and I was in love with him.
Cindy Sherman - From the series ‘Untitled Film Stills’, 1977-80. Photograph, silver gelatin print on paper
Untitled Film Stills is a series of sixty-nine black-and-white photographs made between 1977 and 1980. In them Sherman appears as fictitious characters in scenarios resembling moments in a film. She used vintage clothing, wigs and makeup to create a range of female personae which she then photographed in apparently solitary, unguarded moments of reflection, undress, or in conversation with somebody off-set and outside of the frame. The ‘stills’ are set in a variety of interior locations as well as outside in urban and rural landscapes. They were begun shortly after Sherman moved to New York city with the artist Robert Longo (born 1953).
“In college I began to collect a lot of discarded accoutrements from the 1940s, 1950s and 1960s, more for my own personal wardrobe as well as for the sheer fascination with what those garments stood for. It was easy and cheap to collect all kinds of things in those days. I’ve always played with make-up to transform myself, but everything, including the lighting, was self taught. I just learned things as I needed to use them. I absorbed my ideas for the women in these photos from every cultural source that I’ve ever had access to, including film, TV, advertisements, magazines, as well as any adult role models from my youth. The resulting photo shoots were very brief. In those naïve days, I would sometimes take only about six shots for one scene and move on to the next, so that with one roll of film I could have six different set-ups.”
(Quoted in Contemporary Art: The Janet Wolfson de Botton Gift, p.99.)
Todd Hido - Homes at Night
the s-bends watch new vid here
travel, love, live
the signs and their dogs
Aries: English Springer Spaniel Taurus: German Shepard Gemini: Border Collie Cancer: Labrador Leo: a cat Virgo: Old English Sheepdog Libra: Bernese Mountain Dog Scorpio: Pug Sagittarius: Pekingese Capricorn: Doberman Aquarius: Akita Pisces: Golden Retriever
I really REALLY hate this.
!!!!!!!!!!
When Other people die they don’t show their freshly dead bodies. I work in a funeral home and we don’t even let ppl take pictures of the dead in their casket. That really bothers me.
The desensitization of Black lives and bodies is so problematic. And there is no respect for the families of the Kenyans who have passed… having their pictures displayed in that manner, it’s disrespectful af.
Especially when we compare this to the Charlie Hebo attack where the media covered the story with images of pretty memorials, when we come to Kenya it’s dead bodies.
3rdWorld4BlackPower | MLKSHUTITDOWN | ReclaimMLK