NSFW ‼️‼️
A birthday gift from me to me
TROY KNEW WHAT HE WAS DOING 😩😭
No title available
Keni

Origami Around

Andulka
One Nice Bug Per Day

#extradirty
Peter Solarz
AnasAbdin
Sade Olutola

if i look back, i am lost
Cosimo Galluzzi
NASA
Today's Document
Monterey Bay Aquarium
almost home

⁂
Game of Thrones Daily
will byers stan first human second
Alisa U Zemlji Chuda

Kiana Khansmith

seen from Nicaragua
seen from Nicaragua

seen from Malaysia
seen from Greece

seen from South Africa

seen from United States
seen from United States

seen from Lithuania
seen from Austria

seen from United States
seen from United States

seen from France
seen from United States
seen from United Kingdom
seen from United States

seen from France
seen from United States

seen from United Kingdom
seen from Oman

seen from Jordan
@littlewildone
NSFW ‼️‼️
A birthday gift from me to me
TROY KNEW WHAT HE WAS DOING 😩😭
Years Between Us
Joel Miller x FMC | Explicit 18+
Notes: this is the final chapter, thank you to everyone who followed along with my little story 🖤
Epilogue II
Five months later
I lift the tea bags from the glass pitcher one by one, strings dripping amber back into the mix. Fifteen minutes exactly — long enough to bite, not enough to turn bitter. I measure out three-quarters of a cup of sugar, pour it in slow, then add a small dash of baking soda, just like Auntie Anne used to. Keeps it smooth.
I stir until the spoon clicks softly against the glass.
Sweet tea.
I pour it into two tall glasses, tuck a lemon slice onto each rim, and pause, satisfied.
Perfect.
With a glass in each hand, I waddle towards the back door, nudging a familiar pair of black Converse out of the way with my foot. The screen door opens with its usual squeal, announcing me before I can stop it.
Warm spring sunlight spills over my face, gentle and bright. Summer's close now — and this little baby girl will come with it.
At least... I think it's a girl.
Carefully, I make my way down the steps, slower than I used to be, both hands occupied with the glasses of tea. My balance isn't what it once was, not like it was ever great, but I've learned the rhythm of it — short steps, steady breath, careful footing.
I cross the yard toward the garage out back, the smell of oil and cut grass already hanging in the warm air. Somewhere inside, metal clinks softly.
My heart feels light in a way it hasn't in a long time.
I hear the murmured bickering before I reach the open bay door. Nothing heated — just that familiar back-and-forth that lives somewhere between irritation and affection. I slow, lingering just outside, content to watch for a moment.
The garage is cluttered in a way that feels lived-in. Half of it is unmistakably Ellie — a battered worktable shoved against the wall, a sagging sofa, a mini fridge humming quietly, a dartboard peppered with uneven throws, her guitar leaning where it always does. Evidence of a cut-throat teenage.
Earlier this spring, Joel shot out of bed when we heard thumping in the middle of the night. Rain had been pouring down hard enough to drown out reason, and Ellie had decided, right then and there, that she was moving her mattress into the garage. Something about a fight they'd had earlier that day. A tattoo. Pot. Another girl. He didn't give me the details, and I didn't press.
The other half of the garage is dominated by the utility truck the raiders left behind — half-working, stubborn, and slowly coming back to life. We had it hauled in not long after Yellowstone, and Joel and Ellie have been at it ever since. Wrenches, grease, patience. Teaching and learning.
In the end, Joel told her she couldn't move her room down here permanently — but he did set this up for her. Her space. A place she could disappear to when the house felt too small.
A woman cave, he'd called it, only half-joking.
I don't blame her.
Trying to figure out who you are is hard enough. Doing it in a world like this? It's damn near impossible.
I catch the tail end of it as I reach the open bay door.
"I'm tellin' you," Joel says from somewhere beneath the truck, voice muffled but patient, "you line it up first. Don't force it."
Ellie snorts. "I am lining it up. It just doesn't wanna cooperate."
"That's 'cause you're rushin' it."
"I'm not rushing it!" she fires back.
There's a metallic clink, followed by a sharp curse.
"—shit!"
Joel's boots slide into view as he scoots himself out just enough to get a better look at Ellie's handiwork.
"See?" he says. "That's what happens when you don't seat the cable first."
"You didn't say anything about a cable."
"I did," Joel replies. "Five minutes ago."
"You said wire."
"Cable, wire — don't matter. Same principle."
I can practically hear Ellie rolling her eyes from under the truck. "God, you're impossible."
I lean against the doorframe, biting back a smile, watching them work. A moment later, I hear Joel tap the underside of the truck twice.
"Alright. See that connector there?" he says. "You slide it on till you feel it click. Gentle."
Ellie hesitates. "If I break it—"
"You won't," he says immediately. "Just don't manhandle it."
"Copy that, Captain Control Freak," she retorts.
He doesn't answer, but I can picture it anyway — the tight line of his mouth, the look he gets when he's biting back a comment, softened by the fact that he's smiling despite himself.
She pushes the connector into place.
There's a soft, satisfying click.
Ellie freezes. "Oh."
Joel stills beneath the truck. "You feel that?"
"Yeah," she says, surprised. "It—clicked."
A pause.
Then Joel's voice comes in quieter.
"There ya go."
That's when I step forward, the glasses clinking softly in my hands.
Ellie pops out from beneath the truck first. I see her legs shift, boots scraping concrete as she cranes her head to look around the tire. Her eyes flick to my belly immediately, then up to the glasses in my hands.
"Please tell me one of those is for me."
Joel slides out from under the truck fully now, grease smeared across his forearm and cheek, hair slicked back with sweat. He wipes his hands on a rag as he pushes himself up to sitting, then looks up at me, squinting against the light. His expression softens instantly.
"Thought you'd never come rescue us," he says.
I hand him a glass. "You looked busy."
Ellie huffs as she wriggles out from under the truck and stands, brushing dirt from her jeans. "He's been bossin' me around for an hour."
I pass her a glass and she takes a long gulp, wiping her mouth with the back of her hand.
Joel takes a drink too, sighing. "She's doin' good."
Ellie grins. "Hear that? I'm a natural."
Joel snorts. "Don't push it."
She gulps the rest of her glass down and exhales. "Is there any more of this?"
"Pitcher's in the kitchen," I say, nudging my head toward the back door, one hand braced at the small of my back.
She gives my stomach a quick, affectionate pat before heading off, the screen door screeching its protest as it swings shut behind her.
Joel grunts as he straightens, rolling his shoulders like he's feeling every year of it. He squints at me, eyes tracking down before he can stop himself — right to my belly.
Something soft crosses his face.
He wipes his hands on his jeans and steps closer, slower now, like he's approaching something fragile.
"He been kickin' today?" he asks, already reaching out.
"You mean she," I correct gently, smiling.
A breath leaves him, half laugh, half huff. "We'll see about that."
His thumb moves then, gentle and absent-minded, like he's memorizing the shape of me. And like she was waiting for him — a powerful kick rolls from inside, sharp and present.
"Oof," I exhale, bracing myself against the doorframe. "That was a strong one."
His mouth twitches. "Figures," he murmurs. "Got your temper already."
Another kick answers him, hard enough that I suck in a breath. His eyes widen, then soften again, awe flickering through him like he doesn't quite know where to put it.
"Hell," he mutters. "That's a solid hit. Gotta fighter on our hands."
He looks up at me then — big, brown puppy dog eyes studying my features. My face. My braided hair. The way the months have bloomed through my body, the quiet miracle of it all. Something shifts behind his eyes. Deeper.
"I'll take you," he says suddenly. "Once that truck's workin'."
I blink. "Take me where?"
"Anywhere," he replies, like it's the simplest thing in the world. "You and the kiddo's. Wherever you wanna go. You say the word."
There's no hesitation in it. No promises he can't keep.
Just facts.
I smile, tears pricking behind my eyes, and lean into him. His hand stays on my belly the whole time — steady, protective, like he's guarding something sacred.
"Even a sheep farm somewhere in Canada?" I tease.
"Especially a sheep farm," he says without missing a beat, a full smile breaking across his face.
A laugh escapes me.
It pulls one from him too.
Later, when the sun starts to sink low, washing the sky in pinks and burnt orange, I find myself back on the porch — picking away at a small bowl of cherries.
Not the same porch as a year ago. But close enough.
The swing creaks beneath my weight, real weight this time. My hand resting over the curve of my stomach without thinking. A warm breeze drifts by, carrying the smell of meat and potatoes and something like home.
Once, I sat like this and stared at a magazine headline that made a spectacle out of a woman's body. Sixty-five pounds, like it was a failure. Like it was something to fear. Like weight was only something to lose.
I didn't know then what weight could mean.
Now I feel it — the pull in my back, the stretch of skin, the quiet pressure beneath my ribs. Not excess. Not punishment.
Purpose.
Joel's in the kitchen making dinner, humming a familiar Johnny Cash song through the open window. In the garage, darts thump against wood — Ellie muttering curses when she misses. The world carrying on through wreckage and death, stubborn and alive.
I lean back and let the swing move, slow and steady.
Just here.
Both softer and harder than I was before.
Carrying what was always meant to be borne.
The End.
Years Between Us
Joel Miller x FMC | Explicit 18+
Epilogue
Three months later
Snow delicately drifts down over Jackson — light and fluffy. Just enough to make the night feel holy.
Christmas lights are strung between storefronts, looping overhead like constellations. They meet in the middle of town at the tree — tall and full and real, dragged in from the woods and decorated by the locals and their kids. You can see the top of it from almost anywhere, its lights glowing through the dark like survival had finally learned how to look pretty.
The whole town's turned out.
Tables line the square, mismatched and handmade, selling what passes for holiday goods — knitted scarves, jars of honey, candles that smell like pine and smoke. Someone's got mulled wine going in a dented pot, steam curling into the cold air as people huddle around in a circle. Laughing too hard. Hugging longer than necessary.
Drunk already.
A few of the locals who play music have set up near the edge of the square, bundled in coats and fingerless gloves, fiddles and guitars slightly out of tune. The carols aren't perfect, they never are, but nobody seems to mind. Voices drift in and out, overlapping, warm with drink and familiarity.
And for the first time in a long while, it truly feels like it. I can feel myself easing back into my body again, piece by piece.
Joel and I move slowly along the line of booths, bundled up and close, our hands laced together like it's the most natural thing in the world. We've only been doing this openly for about a month now. Long enough that it doesn't feel like a secret anymore, but not long enough that people have stopped noticing.
I catch a few looks.
Some of them sharp — old church ladies clutching pearls they don't even have anymore, looking at me like I'm being groomed despite being well over the age of consent. Others are more curious than cruel. Whispered disbelief at the sight of Joel Miller holding hands with anyone at all, let alone me.
Most of the time, I don't mind it.
"That's a pretty scarf," I say casually as we pass one booth, fingers brushing over soft knit wool in deep winter colours.
"I can trade for it," Joel says immediately, already shifting his weight like he's ready to negotiate.
I laugh under my breath. "You don't have to do that."
"I know," he replies, easy. "Want to."
He keeps doing that — offering something up every time I so much as linger on an item. Ammo. Labour. Favours. Like the world still runs on barter in his head, and I'm worth every exchange.
It's sweet. In a quiet, unassuming way.
A side of him most people don't get to see.
And one I don't take for granted.
"No, it's okay," I say with a soft smile, letting my fingers slip away from the scarf. "I'm learning how to knit anyway."
Joel nods, then his gaze drifts automatically towards Ellie. He checks on her without thinking — watches her laugh with Cat near the edge of the square, boots tapping along to the music, breath puffing white in the cold air. She looks light. Safe.
Satisfied, he squeezes my hand once.
Then he gives it a small tug, gentle but insistent, steering me away from the thicker crowd and toward the glow of the tree.
"C'mon," he mutters.
We round the far side of the tree, slipping into a pocket of quiet where the music dulls and the lights blur into a soft glow behind us. Out of sight from the rest of the Christmas Eve noise. Just us.
My free hand stays tucked in my coat pocket, fingers curled tight around the small box I've been carrying with me all evening. An early Christmas gift.
Joel stops suddenly and turns me with him, gentle but decisive, until I'm facing him. His hand stays in mine. He looks down at it first, thumb brushing over my bracelet anxiously.
"Look, I—uh..." he begins, then trails off.
He clears his throat, jaw working like he's choosing his words carefully.
"I ain't real good with the holidays," he admits, swallowing hard. "Never have been."
His eyes lift to mine, earnest and a little unsure.
"But I—" He exhales through his nose, almost a huff. "I got somethin' for you."
He reaches into his coat pocket and pulls out a small, flat box, holding it out between us.
He hesitates a second longer than necessary before handing it over, like he might still change his mind.
"Go on," he mutters.
I take the box from him, fingers cold as I lift the lid.
Inside, nestled against a scrap of folded cloth, is a small piece of carved wood.
A butterfly.
It's not polished smooth or perfect — the edges are slightly uneven, the grain of the wood still visible beneath the shape. One wing sits just a fraction lower than the other, like it was caught mid-motion. There's a tiny hole drilled at the top, threaded with a simple cord so it can be worn, if I want to.
I don't say anything right away.
My throat tightens instead.
"I know it ain't—" Joel starts, already bracing. "Didn't have much to work with, and I ain't exactly—"
"It's beautiful," I say quietly, cutting him off.
He still watches my face like he doesn't believe me.
"I saw that bracelet," he adds, nodding toward my wrist. "Figured... you like things that mean somethin'."
My thumb traces the carved lines of the wings. The wood is warm from his pocket. From him.
"You made this?" I ask, even though I already know the answer.
He nods once. "Took a while."
I look up at him — the man who builds fences, designs structures, kills when he has to... sat somewhere quiet carving this with his hands.
"Thank you," I say, and I mean it. Warmth spreading through me.
Joel studies my face for a long second, searching for cracks, or politeness. When he doesn't find it, the corner of his mouth tugs up in a small, satisfied smirk.
"Course," he murmurs.
I take a breath."I actually have something for you too."
His brows lift just slightly — surprised, curious — and he stills, giving me his full attention without saying a word.
I slip my hand back into my coat pocket, careful this time. The box is small and narrow, light as air.
I place it in his hand.
He looks down at it, then back at me.
"You didn't have to get me anythin'," he says, quiet and sincere.
"I needed to," I reply.
That's all.
His thick fingers work slowly at the bow. When the ribbon comes free, he lifts the lid with the kind of care you reserve for fragile things.
The change in his face is immediate.
Not one emotion — but many. Shock. Confusion. Hope. Fear. Something close to awe.
"What's this?" he asks, voice rough, thick in his throat.
It's rhetorical.
He knows.
His hand trembles as he reaches inside, lifting the slim blue and white object like it might vanish if he grips it too hard.
For a moment, the world goes very quiet.
No music.
No laughter.
Just us — and the breath caught between
"I know you've done this before," I whisper. "But this time... you can do it with me..."
"Together."
He doesn't say anything.
For a second I think maybe I've broken him — maybe the weight of it has knocked the air clean out of his chest.
Then his hand closes around my wrist and he pulls me in.
Hard.
Not rough — certain. Like it's instinct. Like his body knows what to do before his mind can catch up. My face presses into his chest, his arms coming around me tight, solid, locking me there like he's afraid if he lets go I'll vanish.
I feel his breath hitch against my hair. Feel the way his chest rises and falls too fast, like he's holding something back with his teeth clenched.
"I'll do right by you," he mutters into my hair, voice low and rough. "By both of you."
He pulls back just enough to look at me.
His eyes are glassy, unfocused, darting between mine like he doesn't know where to land.
"I love you," he says quietly.
The words sound strange coming from him. Like he didn't plan on saying them — like they just broke loose.
A tear slips down his cheek before he can stop it.
"Been a long time."
Years Between Us
Joel Miller x FMC | Explicit 18+
Chapter 40: Of Dust and Breath
Two days later, we're almost home.
Just a few more hours come tomorrow morning until I see those wooden gates and finally let myself exhale all the way.
Between the trees, a fire burns low at the center of camp, coals glowing a dull red beneath the night air. Bellies are full — not from rations, but from a couple wild rabbits we managed to shoot along the road. One of them shot by yours truly.
The horses — ours, plus a few we took from them, are tied off nearby, heads low, bodies loose. Like they know the worst is behind us. Beside them sits an old wagon, heavy with stolen weapons and whatever else we deemed worth hauling back.
Eugene's on watch a little ways out, a dark shape against darker trees, rifle slung easy but ready.
The rest of us sit close enough to the fire to steal its warmth.
Tommy and Caleb are across from me, shoulders angled toward each other, voices low. Their conversation fades in and out — murmured banter, a quiet laugh, something about horses and weight limits and how many miles they could've shaved off today.
I let it blur.
My mind drifts backwards whether I want it to or not.
Two days ago.
The gunfire I didn't hear but felt.
The blood.
The screams.
Joel told me later how the boys managed their part. How Tommy's group moved quietly, took out who they had to, recovered the shipment. More weapons. More horses. Proof the raiders really were packing to disappear.
Proof Joel's instincts were right.
There wasn't a single child on site.
Women, yes. A few.
But not the kind Bucky painted them to be. Not mothers. But fighters — Brutes. Women who'd chosen this life — or been shaped by it.
Not innocents.
Tommy. Eugene. Caleb.
They did what they had to do, too.
"How you feelin'?" Joel asks beside me, clearing his throat.
We're sitting on a plaid blanket, legs stretched out toward the fire.
I shrug. "Still here, I guess."
Tommy and Caleb keep murmuring to each other.
"That arm givin' you trouble?"
"Not as bad as I thought," I say, offering a small half-smile. "The Ibuprofen's working."
A beat passes.
Then, quieter, he taps my forehead lightly with two fingers. “And what about in there?”
I swallow, eyes fixed on the fire. "Not sure. I try not to think about it."
"Takes time," he says after a moment. "You did pretty good back there. For what it's worth."
I nod, then hesitate. The fire pops, sparks jumping up between us.
"Hey," I say. "Can I ask you something?"
He turns his gaze fully toward me now. "Always."
I turn too.
Firelight throwing shadows across his face as he waits.
"How did you know?" I ask. "About the kids. That he was lying. You sounded so certain."
Joel stares into the fire, jaw working.
"Didn't add up."
I wait.
"They were packin' up to move," he says. "We caught 'em before they had the chance. Folks runnin' with kids don't do it that clean. Ain't uniform. You see toys. Clothes. Signs they're draggin' more than just themselves."
He exhales through his nose — that dark, humourless sound.
"Everything there was packed like a unit. Like people who cared more about gear than their own kind."
He pauses.
"That photo on the wall sealed it," he says.
He stares into the fire like he can still see it plain as day, I can as well — the way they stood shoulder to shoulder, red bandanas and rifles, all teeth and confidence.
"So much pride in their smiles," Joel adds, voice low. "But not for the right reasons."
I nod slowly. "So you trusted your gut."
"Yeah," he says. "And I trusted you to stay behind me."
I glance at him with a smirk. "I didn't."
"No," he agrees quietly. "You didn't."
There's no anger in it, just truth. And I swear I can make out a tiny little smirk between the shadows dancing on his face.
We sit like that for a while, shoulders nearly touching, the fire doing most of the talking. Across the way, Tommy laughs at something Caleb says. Eugene shifts on watch, boots crunching faintly against the dirt.
An owl hoots somewhere deep in the woods.
Normal sounds. For once.
I lean my head against Joel's shoulder without thinking.
He stiffens — just for a second — then relaxes, tilting his head until it rests against mine. His arm comes up and settles on my thigh.
It's small.
But it's everything.
No one seems to notice.
But sitting here, side by side in the open, I know something's changed.
Not just between us.
But in the way we're no longer hiding it.
I gaze into the fire, hues of blue, red, and orange folding into one another, smoke curling up into a night sky crowded with stars on this brisk fall night.
Fire.
Something dangerous enough to scar you. To kill you.
Yet still enchanting. Still capable of drawing you close.
I see that in him.
Joel.
My life was so different before I knew him — really knew him. I've lived years in the span of just a few months.
And I'm no longer the same woman for it.
I went from making sandwiches and stitching clothes, to stitching people back together. From quiet routines to learning how to fight. From safety to blood. From ignorance to survival. To loss and trauma.
Without thinking, my hand lifts to my chest. My fingers brush the ridged metal of the crucifix resting there — cool against my skin, tied in place since Joel put it there.
Not a promise of salvation.
Just the knowledge that I've crossed lines I can't uncross — lusted where I shouldn't, killed when I had to, loved something dangerous and didn't turn away. Some things aren't spared by grace. They're borne.
And I carry them now — not in penance, not in denial, but because they're mine. Because surviving means accepting the weight instead of asking God to take it back.
Warmth settles over me. Goosebumps rise along my arms. I feel her with me — not judging me, just... present.
Don't worry about these brown eyes, Auntie Anne.
Just know that I love you.
And I'll see you when I get there.
Years Between Us
Joel Miller x FMC | Explicit 18+
TW: violence & gore, sexual content, kinky sex
Chapter 39: Crimson Hands II
"You taught her well," Bucky says, almost approving. "Didn't even hesitate."
My stomachs torn up of gunfire.
Jackson.
They didn't stumble into it.
They chose it.
My grip tightens.
"Leanor," Joel murmurs, quick and low. "Behind me. Now."
I sidestep carefully, keeping my gun trained on Kate as I move. My shoulder brushes Joel's back when I settle in behind him.
Bucky exhales, amused. A soft snicker slips out, yellowed teeth flashing when he smiles.
"Come on, now," he says. "No need for that."
He spreads his hands wider. "If we wanted you dead, you wouldn't've made it inside."
Joel doesn't react to it.
"Turn," he says. "Both of you."
Bucky's brows lift — not surprised, just entertained, but he complies. He turns slowly, lifts the back of his shirt to show his waistband. Empty.
Kate does the same.
Joel watches every inch of it, eyes sharp. After a beat, he gives a single nod.
"Two minutes," Joel says. "Don't try a damn thing."
We lower our guns — not all the way. Still braced. Still ready.
Kate and Bucky turn back around.
Bucky's smile doesn't fade.
If anything, it deepens — like this was always how the conversation was meant to start.
Bucky claps his hands together once, the sound sharp in the small room, like he's resetting the tone.
"Well," he says lightly, "ain't this a little uncomfortable."
He gestures vaguely. "Apologies for your wall. Truth is, we never meant to cause harm."
Joel doesn't miss a beat.
"The hell you didn't."
Bucky sighs, like he expected that. "We didn't kill a single one of your people," he says. "Just gave 'em a scare. That breach? That was supposed to be quick. In and out. Take a few guns. No blood."
He spreads his hands again, palms up. Reasonable. Almost sincere.
"Look — we're regular folks. Same as you. Just tryin' to survive." His eyes flick briefly to me, then back to Joel. "Got enemies up north. Canucks. Mean ones. We needed guns. Weapons. Means to protect what's ours."
A pause.
"We got women. Kids. People dependin' on us." His mouth twitches. "You know what that's like. Bein' a father and all."
Joel lets out a short, humourless scoff.
"Coulda fooled me."
Bucky's smile falters — just a hair.
Joel steps forward half a pace.
"What about your blood-hungry friends?" he asks. "Your man Red talked. Before I killed him."
Bucky's jaw tightens, but he doesn't interrupt.
Joel's gaze cuts sideways to me. I'm at his shoulder now, there's something burning in his eyes — controlled, but barely.
"About what he wanted to do to her."
The room goes still.
Birds chirp somewhere beyond the lodge, oblivious.
The quiet crawls under my skin.
My mind jumps quickly to the time Joel was gone. To Jackson carrying on without him. To me safe inside the walls, predictable, unaware. Doing my chores like I was supposed to.
While Red talked about my body like it already belonged to him.
Like Joel's death would have been permission enough.
A chill runs down my spine.
Bucky's eyes change.
Those baby blue's darken, something sharper bleeding through them. He exhales through his nose and wipes at it with the back of his hand like he's steadying himself.
"Yeah, well," he says quietly. "Sometimes you need dogs in your pack. Not thinkers."
"This is some fuckin' bullshit," Joel snaps, agitation ripping through him. His grip tightens on the pistol, knuckles pale.
"Let's not get bent outta shape," Bucky says, lifting his hands in a reassuring gesture. "You know what tipped it, don't you."
He doesn't wait for an answer.
"It was you leavin'."
Joel stills.
"Maria runs logistics," Bucky continues. "Tommy keeps morale steady. They're good at that."
He takes a slow step closer.
"But you?"
"You hold it all together."
My stomach drops.
"All it took," Bucky goes on, casual as hell, "was a well-timed word in the right ear. A weapon shipment. A suggestion to Tommy." He shrugs. "Maybe don't stress Joel about it while he's gone with the girl."
Joel shakes his head once, slow. Processing. Replaying every quiet decision, every delay that suddenly makes sense.
I stay silent.
What am I supposed to say?
I already know what I want to do.
"I ain't tellin' you this to piss you off, Joel," Bucky says. Then he smiles — small, sly. "I'm tellin' you because I want you with me."
"Like hell," Joel spits.
Bucky steps closer again. Too close. Something wild flickers behind his eyes. Joel lifts his gun just a fraction, enough to make the warning clear.
"No, no — listen," Bucky says frantically. "Just listen for a damn minute."
He gestures around us.
"Walls make people lazy. Nowhere to go. No room to move."
"They're only as strong as what hits 'em."
He leans in, voice dropping.
"You sleep at night?"
"'Course you don't."
Kate shakes her head, a sad little smile playing at her mouth.
My pulse roars in my ears.
"We can offer safety without rules," Bucky says. "No councils. No walls. No pretendin'."
"You run things beside me."
"And with that comes protection."
His gaze flicks to me — quick, assessing, then back to Joel.
"For your woman," he says.
"For Ellie."
Joel's voice cuts in, low and sharp.
"Say her name again," Joel says quietly, "and you won't get another word out."
Bucky keeps talking. Survival. Necessity. The way men do when they want their reasons to sound convincing.
Joel's gaze drifts — not away, just... sideways.
To the right of the door.
There's a framed photo hanging crooked on the wall. Old glass, smudged at the corners. A group shot. Men shoulder to shoulder, red bandanas tied the same way, rifles slung lazily. Sunlight caught mid-laugh. Something proud about it.
Joel studies it for a second longer than necessary.
Then he looks back at Bucky.
"How many kids you got here again?" he asks, calmly.
The room tightens.
Kate's breath stutters — quick enough I almost miss it.
Bucky opens his mouth.
Closes it.
Joel doesn't move. Doesn't lift his gun. Doesn't push.
He just waits.
And whatever Bucky was about to say doesn't come.
That's when the air shifts, just enough that I feel the adrenaline in my bones.
"It's a damn shame," Kate doesn't raise her voice. She's calm, almost fond. "Red always did like pretty things."
I don't remember deciding to move.
One second her mouth is still forming Red's name, and the next my arm jerks up on its own, the revolver barking loud enough to rattle my teeth. The shot goes wide — too fast, but it kisses her ear close enough that blood sprays hot against the side of her face.
Kate screams.
It's sharp and ugly.
Everything after that happens too fast.
Joel's head snaps toward me and that's all Bucky needs — I see it out of the corner of my eye, Joel stumbling back hard, the sound of wood cracking, but Kate is already moving and she's not screaming anymore.
She ducks low behind the desk.
Anger takes over before sense can catch up — I rush her, and something flashes silver.
Pain explodes along my arm, bright and burning, like someone poured fire straight into my muscle. I gasp, the sound tearing out of me, and when I look down there's blood already running, dark and fast, dripping off my fingers and spotting the floor.
She hits me shoulder-first and we go down together, the breath knocked clean out of me. The world tilts and slams and suddenly I'm staring at the ceiling, dust raining down, my ears ringing so loud I can't hear anything else.
I try to suck in air and it won't come.
Kate's on me.
Her weight pins my hips, her knee grinding down, the knife hovering just close enough that I can smell the metal. Blood is everywhere — on my hands, my jacket, her face — slick and hot.
Move.
The word isn't even a thought, just a command.
I twist, scrape, claw — my fingers find the revolver on the floor and I grab it without thinking, jam it up between us, squeeze the trigger.
The sound is deafening.
The recoil jolts up my arm and Kate shrieks, her body jerking back as blood blooms across her shoulder, spraying warm across my chest and neck. She stumbles, crashes into the wall behind her, knocking crates loose.
I'm on her before she can recover, shoving her down, knee slamming into her ribs as she hits the floor. My whole body is shaking now, adrenaline buzzing so hard it makes my vision blur.
The knife is still in her hand.
I rip it away.
And then I see it.
The scar on her opposite shoulder.
My stitches, split pale against her skin — something I made whole once.
Something mine.
Something inside me snaps.
I don't think. I don't hesitate. I slowly drag the blade across it and she screams again, blood spilling fresh and dark.
"I did good work," I hear myself say, voice low yet hysterical. "What a shame."
She bucks, hard, throwing me off balance, and suddenly she's free and I'm scrambling back, slipping in blood that doesn't all belong to me.
We crash together again.
No knives. No guns.
Just fists.
I'm on top of her now, don't remember how, my hands coming down over and over, knuckles splitting, skin breaking, blood splattering up my arms and across my face. Her head snaps side to side with each hit, wet sounds filling my ears, my breath coming in animalistic gasps.
I don't stop when she stops fighting.
I don't stop when her eyes glaze.
I don't stop at all.
Something grabs me from behind, hauling me back so hard my teeth click together.
"Leanor."
A voice cuts through the noise like a blade.
"Baby girl. That's enough."
My hands are aching. Burning. Slick.
I blink and the world rushes back in all at once — the room, the bodies, the blood everywhere, Kate limp on the floor, her face ruined, chest no longer moving.
Dead.
My knees buckle as the adrenaline slows down, the shaking finally catching up.
I didn't know I was capable of that.
Hands fist my jacket hard enough to bruise. The fabric bites into my throat as I'm hauled backwards, my boots dragging through blood-slicked boards.
I fight it at first — pure reflex, until the grip tightens and a familiar weight pins me in place.
Joel.
I sag against him, chest heaving, ears ringing, the world coming back in pieces.
My eyes drift before I can stop them.
To the opposite corner of the room.
Bucky.
He's folded sideways against the wall like something discarded, one arm bent wrong beneath him. His throat is open from ear to ear — not a clean line, but torn, ragged, deep enough that I can see white beneath the red. Blood has soaked his collar, pooled beneath his jaw, painted the wall behind him in dark, uneven arcs. His mouth hangs open like he was trying to say something at the end.
He won't finish it.
My stomach lurches.
Then my eyes finally find Joel.
He's breathing hard, chest rising and falling like he just ran something down and killed it with his hands. Sweat slicks his hair back from his forehead, dark with blood that isn't all his own. Red freckles his face, his neck, his knuckles.
There's something biblical about him like this.
Not merciful.
Not gentle.
He looks wrong in a way I can't stop staring at — like the antichrist himself walked out of a blood-soaked sermon and — I can't get enough.
His jaw is tight, eyes burning as they search my face, my hands, my breathing, counting what's still intact. Making sure I'm here. Making sure I didn't follow Kate all the way into hell.
The room smells thick.
Iron and sweat. Blood and musk. The copper tang coats the back of my tongue like communion I never asked for.
He sees it then — the slice along my arm, dark and wet, the pain still buried under the rush of everything else.
"Hold still," he says, already moving.
He doesn't wait for an answer. His hands go to my jacket, unzipping it with a quick, practiced tug. He pulls my shirt up, removing it to get at the wound, leaving me in my thin tank top as he wraps cloth around my arm, firm and careful all at once.
"Jesus," he mutters under his breath, not steady the way he wants to be.
The adrenaline still has me buzzing a bit, my skin too tight for my bones, every nerve lit. The sting in my arm is nothing compared to the way his hands linger, a second longer than they need to, the way his thumb presses in when he ties the wrap, grounding me and undoing me all at once.
Something hot and reckless blooms in my chest and slides lower, deep, restless — without it meaning to.
I tilt my head up. He's close enough that I can feel his breath on my mouth, smell the smoke and iron still clinging to him. His eyes flick to my lips, then back to my arm like he's fighting himself.
He finishes tying the wrap, but his hands don't pull away right away.
He looks up at me.
Not the careful look.
Not the one he uses to count pulses and wounds.
This one is different.
It's the same look he had in the woods yesterday. The same one he gets when things get too close to the edge and he doesn't step back — he leans in.
His gaze drags over my face, my mouth, the place where his hands are still resting on my arm. Slow. Hungry in a way that has nothing to do with blood and everything to do with who's still standing in this room.
The man thrives on danger. Who's to say he wouldn't get off on it too.
Now he's proving me right.
His jaw tightens, breath still rough in his chest.
"Don't," he murmurs, low, like he's warning himself as much as me.
But he doesn't move away.
And neither do I.
I lean in first.
Our mouths crash together, messy and urgent, the taste of smoke and metal still clinging to him. His strong arms lock around my back, lifting me with him as he rises to his feet with ease.
My body should be screaming by now.
It barely registers.
He takes two steps back with me, our lips never breaking, and then his hands slide under my thighs, guiding me up onto the edge of the desk. Wood scrapes softly beneath me as I settle on top.
For a moment, he pauses — breath rough, forehead nearly touching mine.
Then whatever restraint he had left gives out.
His hands grab my tank top and tears it away in one sharp pull, the sound loud in the ruined room. My breasts bounce out of the torn piece of fabric almost impatiently. Cool air rushes over my skin, his palms following immediately after —warm and comforting.
I kick my boots away as his hands work at my waist, the world narrowing down to touch and breath. Fabric slides, falls, forgotten on the floor. He shrugs out of his shirt, then pauses just long enough to meet my eyes — that same dark, dangerous focus still there, still burning.
When he pulls his cock out, he's already hard.
and I can't help but wonder if it's from the fight or from me.
I lean back on the desk completely naked, no hesitation left in me, daring him to look away.
His breath catches as his eyes trace every line of me, lingering at my core. With a strong grip, his hands climb my thighs, stopping right at my pussy. He swipes a finger down the center of my folds — yearning for it.
"Christ, missy," he breathes. "You're already soaked."
A rough huff escapes him, sharp and joyless "Sick little thing."
He pumps his cock a few times in his hand, and then in one fluid motion, glides into me.
The room tilts and I let out a pathetic little whimper.
"Goddamn." He growls, "Fuck—", his brows knit together — tortured pleasure.
He pumps into me, rough and sinful. This isn't love making, that's for sure.
He thrusts so hard that my head falls off the side of the desk, the world blurring. Kate's ruined shape still in the corner of my vision, unrecognizable now.
He nods towards her, voice low and commanding.
"Look at her—Don't look away." he orders. "you earned every inch of that."
My hips involuntarily roll into him.
My body reacting to his twisted words.
My eyes lock onto Kate's body once more as he hits that spot, close to the edge.
The contrast hits me all at once — blood on the floor, his cock in me, the world tilted between violence and pleasure.
This is so wrong.
So filthy.
And I am so close.
His thumb grazes my clit, delicately massaging it — I'm done for.
"Oh my god," I cry out, tears slip down my cheek. "Joel—"
His thumb circles faster.
My knees wobble.
My pussy clamps down.
I completely fall apart on him.
"That's it," he murmurs, a low note of satisfaction in his voice. "Good girl."
I'm still braced against the table, breath uneven, the world narrowed down to him and the way he doesn't let the moment slip away. He leans in, one hand coming up to the back of my head, steadying me, keeping me right where he wants me.
"Look at me," he growls.
I do.
Our eyes lock. His grip firms just enough to remind me he's there.
Then, with his other hand, he cups my jaw and squeezes my cheeks together, forcing my lips apart.
I don't have time to react.
With one quick motion, he leans in closer and spits into my mouth.
"That's for rushin' a shot and not makin' it count." he says, voice ragged.
I let the liquid slide down my throat, and meet his stare with a sharp, unapologetic grin.
"Fuckin' slut." He mutters under his breath, eyes locked on my lips with infatuation. His tongue meets mine for a long, drawn out kiss, claiming me.
Then, his breath falters, a painful grown escapes his throat and I feel his cock stiffen within my walls.
His eyes lock onto mine as his ejaculate pulses through me — brows knit, mouth parting, pleasure and strain crossing the same hard line.
For a moment, neither of us move.
He stays there, braced over me, breath heavy and uneven.
His thumb comes up and drags gently across my forehead, smearing something dark away — probably blood.
His touch is careful now, a complete change from the rough certainty of moments ago.
I close my eyes, and I know it then.
This is a day I won't ever forget.
Years Between Us
Joel Miller x FMC | Explicit 18+
Chapter 38: Bucky
~ Leanor ~
My arms find their way back to being wrapped around Joel's torso as Callus carries us forward, the sound of his hooves moving at a good pace beneath us.
Clip. Clomp. Clip. Clomp. Clip. Clomp.
It's just before noon, the kind of autumn sun that feels almost kind, warm enough to kiss the bridge of my nose.
A splintered wooden sign leans out of the brush ahead, one post half-rotted, the paint flaking away in pale curls.
YELLOWSTONE NATIONAL PARK
The bottom half is gone. The words are barely hanging on.
My stomach twists — not from the mission alone, but from the low, restless throb that yesterday left behind.
From being left unfinished.
From the way want still hums in my bones.
I had a whole night to sit with it.
The way he found every weak place in me with his hands, just to take it back all at once. Desire turned into discipline. Touch turned into a lesson.
Did I really warrant that?
I never would've seen him as the type. At home, maybe - behind closed doors or in the middle of no where with no one in sight for miles. But letting the personal lines bleed into something deadly, a revenge mission. Didn't see it coming.
Then again — the man thrives on danger.
Who's to say he wouldn't get off on it too.
After he left me high and dry, we rode until nightfall. Found an abandoned campground tucked near Lewis Lake, old picnic tables tipped on their sides, fire pits choked with weeds and ash. No infected. No strangers.
Just space.
The others drank around a low fire, their voices drifting across the open stretch of the marina, laughter too loud for a place that felt like it was listening. I stayed segregated - my thoughts turned twisted and perverted, wanting him more than I had any right to.
Biblical shame guts me deep — the kind that makes even wanting feel like theft. Onanism as selfishness. Pleasure as a debt you're meant to deny.
This morning, neither of us mentioned it.
Joel rides on with a cigarette hanging slack from the corner of his mouth, smoke trailing back over my shoulder. He doesn't draw on it much — just lets it burn down while his eyes stay fixed ahead, sweeping the tree line, the road, the dead spaces where something bad could be waiting.
When he finally exhales, it's slow and controlled. Like he's burning off nerves before they turn into something he can't keep a lid on.
The smell of smoke mixes with pine, sulfur and old earth, and it doesn't feel like a park at all. It feels like a place where blood's about to spill.
His jaw is tight — not from yesterday, not from me.
From what's coming.
We ride on for another five miles, the pines packed dense and close, tall peaks rising up around us. Streams cut clean lines through the land, separating one ridge from the next, clear and cold, reminders of how beautiful the world can still be when there isn't mass destruction waiting everywhere you look.
Then we see it.
A small opening breaks through the trees ahead, the forest thinning just enough to reveal a clearing. A wooden sign stands at its edge, white paint stark against weathered grain:
Yellowstone National Park — RANGER STATION
The sign looks... cared for. Cleaner than it should be. Like someone's been making an effort to keep it anchored in time.
Tommy's the first to halt his horse. The rest of us follow suit, reins tightening, hooves slowing into uneasy stillness.
"Reckon we found it," he mutters out the side of his mouth.
Eugene squints toward the ranger station, jaw tight.
"They're here," he says. "No doubt about that." A pause. "Just feels like they're lettin' us see exactly what they want us to see."
No one answers him.
He shifts in the saddle. "Could be a kill zone. We push in wrong, they've got angles."
Joel's voice cuts across the clearing, irritated and sharp.
"Shut the fuck up."
Eugene stiffens, mouth snapping shut.
Joel doesn't look at him. His eyes stay locked on the opening, hand already settling closer to his belt.
"If they want us in," Joel adds flatly, "we'll go in ready."
Silence settles back over us, heavier than before.
Eugene doesn't say another word.
"On foot from here," Joel says.
We move all at once. Boots hit dirt as everyone swings down from their horses, packs shifting, weapons and ammo checked.
As I step down from his horse, Joel offers me a hand to steady myself. I take it. His grip is warm, solid — grounding. I find myself thinking, stupidly, that when this is over, I want to take it again without blood hanging in the air between us.
We start forward cautiously, spreading just enough to give each other space. My hand stays on my holster, the hunting knife strapped tight against my thigh.
Past the trees, the buildings come into view.
Log cabins with peaked green roofs, scattered across the clearing. A tall American flag stands in the center, fabric flailing softly in the breeze — too intact, too proud for a place like this.
And then I see the crates.
Dozens of them. Wooden boxes stacked and scattered across the area, some sealed, some half-open, as if whoever's here is quickly packing up.
My stomach tightens.
They were getting ready to leave.
Then we spot the patrol.
Three men moving in a slow circle around the buildings, matching red bandanas tied at their throats, rifles carried easy but ready. Another woman slips out of one cabin and disappears into the next like it's routine.
The five of us tuck in behind a stack of crates, out of their line of sight. We squat low, knees protesting, boots digging into dirt and gravel. Joel's got one hand on his holster, the other gripping the edge of the crate.
"See that one?" he murmurs, barely moving his mouth. He nods toward a larger structure set slightly apart from the others. "Ranger Station."
His eyes don't leave it.
"Reckon that's where I'd start."
Caleb frowns, voice low. "you sure?"
Joel doesn't look at him.
"Yeah." he mutters, gaze fixed on the lodge-like building.
Tommy shifts beside us. "Leanor, Caleb, you come with me. Eugene—"
“No.”
The word cuts sharp.
Joel finally looks at him. "Leanor stays with me."
Silence.
"You three handle the patrol."
Another beat.
"Silently."
The word lands heavy. His eyes cut to Tommy, unblinking.
Tommy hesitates — just long enough to show he doesn't like it — then gives a single nod. He turns to Caleb and Eugene, raising a hand and giving quiet, practiced signals.
And just like that, we're split. The three of them slipping east between the shadows of the stacked crates.
Joel shifts beside me, already moving. He pulls his pistol free, screws the suppressor on with ease. His posture changes — shoulders squared — ready for a fight. Sweat beads at his temple despite the slight chill, but when his eyes flick to mine, they soften just a fraction.
"Ready, kid?" he murmurs.
I draw my revolver, the weight becoming familiar. "Ready," I breathe, nodding — not entirely sure if I'm telling the truth.
He gives my free hand a quick squeeze, then presses his lips to the back of it — a silent promise that he plans to keep me safe.
We peel off in the opposite direction, weaving between crates, keeping low. The world narrows to angles and cover. At the corner of the first cabin, Joel signals and we slide along the wall, crouching behind a warped wooden deck. Movement flickers through a nearby window, a shadow crossing light — but we don't linger long enough to learn why.
The closer we get, the quieter everything feels.
Just the soft flap of the flag overhead.
The faint creak of wood shifting in the breeze.
The ranger station looms larger now — logs darkened with age, windows intact but shaded. Curtains pulled back just enough to hide behind.
Joel lifts a hand.
We stop.
"Need another way in," he whispers. "Not front. Not back."
We move again, hugging the side of the building, tall grass brushing our legs, hiding our outlines. A detached red-brick garage comes into view behind the station.
Joel tries the exterior door.
Locked.
"Dammit," he mutters.
I drift a few steps away, scanning.
"Hey," Joel hisses, sharp but low. "You move when I move."
I ignore him completely.
I spot a narrow window just out of reach. Glance back at the lodge. Then the garage.
An idea sparks.
"Give me a boost."
"No."
"There's no one in there," I whisper. "Give me a damn boost."
He hesitates — just a beat, then exhales through his nose. Rolls his eyes like he always does when he knows I'm right.
He drops into a half squat against the wall, hands braced on his thigh.
With a small hop, I step into his grip. He lifts me easily, steady, guiding me up and through the window without a sound. I land light on my feet inside.
The air smells like oil and dust.
I cross to the door and unlock it.
Joel cracks it open carefully from the outside.
I swing it wider. "Take your time, old man."
"Watch it," he mutters, but there's a corner of his mouth twitching as he slips inside, already moving toward the ladder resting against the wall.
Joel's already at the ladder before I finish closing the garage door behind us. He sets it carefully beneath the ceiling hatch, testing the rungs with his boot first. The hatch sits flush with the ceiling, square and metal, paint blistered and peeling around the edges.
Joel climbs halfway, pauses, and reaches up. His fingers work the latch with patient pressure. It sticks — just for a second, and my pulse jumps into my throat.
He waits.
Then it gives with the softest scrape of metal on metal.
Joel eases the hatch open just enough to peer out, scanning the roofline, the surrounding buildings, the tree line beyond. He listens longer than necessary, head tilted slightly, counting sounds I can't hear.
Satisfied, he swings the hatch fully open and climbs out onto the roof without a word.
I follow.
The roof is rough beneath my palms, grit and old tar biting into my skin as I haul myself up and flatten instinctively. The garage sits lower than the first floor of the ranger station, but close enough that the jump won't be far.
Joel crawls to the edge, glances back at me once, then shifts to a crouch. He tests the distance, the angle, the landing.
Then he goes.
The jump is clean. Controlled. He lands on the ranger station roof with barely a sound, rolling just enough to absorb it before settling low. He looks back up at me and holds out a hand.
I don't hesitate.
I jump.
His grip locks around my wrist the second I land, steady and firm, pulling me into balance before my boots can slide. He releases me immediately, already moving again.
We keep low as we move along the roofline, The flag flaps somewhere below us, the sound louder from up here, closer.
Joel stops beneath an open second-story window.
The curtains inside stir faintly.
He edges closer, presses himself against the wall, and leans just enough to angle a look inside. His pistol is already up, eyes sharp as he sweeps the room in quick, practiced bursts.
Clear.
He pulls back, signals once — quick, precise.
I move first this time, slipping through the window slow and silent, boots finding the floor without a sound. Joel follows immediately, window left exactly how we found it.
The room smells like old wood and canvas. Cots are lined up in a row, duffel bags half-packed and tossed on top.
We freeze.
Listen.
Nothing.
Joel motions toward the door. He cracks it just enough to check the hall, then pulls back and nods once. I follow him out, every step measured.
We move through the lodge quietly, down the wide wooden staircase that opens into the main level. The inside's been updated — not fancy, just functional. Reinforced railings. Added lighting. Furniture pushed aside to make room for crates. Tactical, not lived-in.
Still no voices.
No footsteps.
No warning.
At the back of the station, a narrow corridor stretches along the exterior wall. Tall windows run floor to ceiling, pale daylight filtering in and casting long shadows across the floor. At the far end, a door stands slightly ajar.
Dim light spills out from inside.
"Stay close, little wild one," Joel whispers.
When we reach the door, he pauses. Really listens. Head tilted, breath slow. Then he eases it open, gun leading the way.
The room smells like dust and paper.
Old ranger maps are still tacked to the walls — Yellowstone, Wyoming — but they've been added to. Red lines scrawled over them, branching outward like veins.
All of them leading to one place.
Jackson.
A desk sits in the center of the room. Crates stacked neatly against the side wall — heavy. Joel steps closer, lifts a sheet of paper resting on top of one of the sealed boxes.
Weapons.
Serial counts.
Shipment numbers.
Our stolen weapons.
My breath tightens.
I drift closer to the desk. Papers are spread across it — names written in pen. Townsfolk. Chore rotations. Patrol schedules. Guard shifts. Photocopies of shipment manifests, time-off requests, notes scribbled in the margins.
"This was bigger than we thought," I murmur, my pulse kicking hard against my ribs.
Fight or flight lights up every nerve in my body.
The door creaks.
Joel and I snap our guns up in the same breath.
Kate stands in the doorway.
One of the survivors I helped. The woman I stitched up months ago.
She looks... different.
The fear is gone from her eyes. Her shoulders are straightened, posture easy. Confident. Like the version of her I met in Jackson was something she shed the moment she left it.
She wears a tank top, the wound I sewed up now a scar, still visible across her skin.
She doesn't flinch at the guns pointed at her.
"For the record," she says calmly, almost conversational, "I really am grateful you stitched me up. Truly."
She lifts her hands slowly, palms out. Not panicked.
"Relax," Kate says. "We just wanna talk."
"We?" Joel replies, voice low, eyes never leaving her.
Kate tilts her head. "Yeah. Me and my pal Bucky."
A man rounds the corner behind her, unhurried, like he's stepping into a room he already owns.
Slim. Greasy blond strands hanging loose around his neck, a scruffy beard to match. Big blue eyes that don't dart or flinch — just take us in, calm as hell.
He stops a few feet back, hands visible, posture easy.
"Thank you for joinin' us," he says pleasantly.
His gaze flicks from Joel to me.
"Joel. Leanor."
My heart stutters hard enough I feel it in my throat.
How much does this stranger know about us — about Jackson?
And how ready are we to face it?
Years Between Us
Joel Miller x FMC | Explicit 18+
TW: sexual content
Chapter 37: Hard Lessons
~ Joel ~
We're up before the light, flashlights cuttin' pale lines through the lodge as we pack. Rations torn open, ammo counted. Nobody talks much. The lodge still smells like dust and old wood, just another forgotten memory.
We're gone by sunrise.
There's a thin fog hangin' low over the ground, the kind that creeps along your boots and clings to the trees. Means the cold's comin'. Means winter's already thinkin' about us.
I finish saddlin' Callus — still hate that damn name — and give the strap one last hard pull, just to be sure. Horse lets out a low neigh, like he already knows what kind of road we're ridin' into.
The rest of the patrol moves around behind me, cinchin' packs, pullin' gloves on, mutterin' about nothin'. Petty bets. Who'll spot the first elk. Who's gonna fall off their horse before noon.
Don't mean a damn thing to me.
I swing up with a grunt that tells on my age more than I'd like, settle into the saddle, and scan the tree line out of habit.
Leanor's only a few steps away, crouched in the grass, pluckin' wild asters like we're on some lazy summer walk instead of ridin' north into trouble. She tucks them into the brim of her knit cap, careful about it. Like small things still deserve that kind of attention.
Jesus.
Somethin' about her, even in a place like this, she finds a way to make it look softer.
"C'mon," I mutter, holdin' my hand out.
She takes it without hesitation, fingers smaller in mine, grip solid as she swings up behind me, her arms slidin' around my waist like she already knows where she belongs.
I adjust the reins, nudge Callus forward, and feel her steady herself against my back as we fall into line.
Day two.
Already wishin' we were somewhere else. Her and Ellie, tucked away on some middle-of-nowhere sheep farm where the worst thing you gotta worry about is the fence fallin' over.
I huff a breath at the thought — picture Ellie complainin' about the smell — and hope she's still safe back home.
This stretch runs straight as a drawn line, the old park road still holdin' together better than most things in this world. Cracked asphalt, faded yellow stripes peekin' through layers of dirt and pine needles, but it's passable.
I still don't trust it.
We keep to the center, horses' hooves dull against the road, the sound carryin' farther than I like. Trees crowd both sides, pines and deadfall closin' in like they're tryin' to reclaim what's left of the blacktop. Sightlines shrink down to a narrow tunnel of green and shadow.
We ride like that for a couple hours, the road and the horse settin' a rhythm I don't have to think about. Leanor eases into my back, cheek pressed between my shoulders, breath slow and even. For a second, it almost feels like mornin' is allowed to be what it's meant to be.
Then the forest breaks it.
Branches snap ahead of us — not loud, not subtle either. The kind of sound that means weight, not wind.
I draw Callus up short and lift a fist.
The patrol freezes.
Leanor straightens behind me, all the softness gone from her posture, alert in a heartbeat.
The world goes still. Even the breeze dies, like it's waitin' to see who makes the next move.
Then I see it.
It pushes out of the brush slow and heavy, branches crackin' under its weight. A bull moose, tall as a truck, dark hide matted with burrs and leaves. Antlers wide and uneven, catchin' the light where it filters through the trees.
Eighty yards out.
Close enough.
Callus shifts under me, uneasy. Leanor's stiff behind me, her breath gone shallow against my back.
"Easy," I murmur, mostly to the horse. Maybe to myself.
"Maybe we should take another way," Eugene says from somewhere behind me.
I don't answer.
The moose takes a few steps, all dark muscle and slow weight. It turns its thick neck, eyes on us for a long second — curious, not challenged. Then it looks away.
Not lookin' for a fight.
Neither are we.
It crosses the blacktop like it owns the damn road, hooves dull against the cracked paint, antlers cuttin' clean through the mornin' light.
I let out a long breath. The edge in my chest loosens, nerves turnin' into somethin' that feels almost like wonder.
"See that, missy?" I say, glancin' back at Leanor.
Her eyes never leave it.
"I've never seen anything like it," she breathes — the words caught somewhere between fear and awe.
A corner of my mouth tugs up before I can stop it.
"Biggest animal in North America," I tell her quietly. "Don't look like it, but they can outrun a horse if they feel like it."
She finally looks at me, wide-eyed. "You're kidding."
"Nope," I say. "Mean-tempered, too. You see one lay its ears back?" I nod toward the moose. "That's your cue to get gone."
She lets out a soft, disbelievin' laugh, eyes flickin' back to the animal.
"Good to know," she says.
"Yeah," I murmur. "World's still got a few things in it that ain't tryin' to kill us. Nice to run into one every now and then."
The moose lingers a moment longer, then shifts its weight and wanders on, slow and unbothered, like we were never worth the trouble.
Leanor stays watchin' until the trees start to close in around it.
I nudge Callus forward, the patrol easin' back into motion.
A few more hours pass, and the little wild one's still ridin' the high from that moose. Talkin' my damn ear off.
Wants to know what I did before all this. What my job was. How I met Sarah's mama.
Some of it I answer.
Some of it better left unsaid.
The road starts to pinch in after that.
Trees grow closer, taller, darker — their branches knottin' together overhead until the light thins out and turns green and cold. The horses feel it before we do. Callus tosses his head, ears flickin' back and forth, hooves hittin' the asphalt a little sharper than before.
No good.
The land changes under us.
Healthy brush gives way to rot. Dead trunks lean at odd angles, bark split and saggin'. Fungus blooms up the sides of trees in pale, ugly fans, like the forest's catchin' the same sickness as everythin' else.
Roots push up through the road, crackin' the blacktop apart, knucklin' their way into the open air like the ground itself is tryin' to claw back what we stole from it.
The smell changes, too. Damp. Sour. Wrong.
I lift my hand again, slowin' the line.
"This is where things start listenin'," I mutter.
Leanor leans in close behind me. "To what?"
I scan the shadows between the trees, rifle already half-raised.
"To us."
We sit there for a long second, horses shiftin', breath foggin' the air.
I listen.
Not just for noise — for the lack of it. No wind in the branches. No birds. No insects. The kind of quiet that feels staged.
I scan the trees. The road. The dead brush.
Nothin' moves.
I let out a slow breath through my nose. "Ain't hearin' a damn thing."
Tommy huffs behind me. "Or maybe you're finally goin' deaf, old man."
I almost snort.
I lift my hand to motion us forward.
The tree to our right shudders.
and it wasn't wind.
The trunk itself twitches, bark splittin' with a wet, fibrous sound like somethin' tearing loose from meat.
"Hold—"
It rips free.
A shape peels out of the twisted branches, strands of fungus stretchin' and snappin' as it drops. The sound is foul — a slick, suckin' tear followed by a heavy, meaty thud when it hits the road.
An infected.
It doesn't scream. It doesn't hesitate.
It comes apart mid-lunge, arms and legs unfoldin' like it's rememberin' how to move as it launches at us.
"MOVE!" I yell.
The first shot cracks through the trees.
The thing folds, fungus and bone burstin' against the trunk behind it as the body slumps into the road.
For half a second, I think that's it.
Then the woods answer.
Howls ripple through the brush — not one voice, but many. Branches snap. Leaves shake loose as infected break from the shadows, ten of 'em at least, spillin' toward the road in a crooked line.
"Shit—!" Tommy barks.
Callus sidesteps under me, muscles bunchin', hooves strikin' sparks off the cracked asphalt. Caleb opens up from the left. Eugene's shotgun booms.
The road turns into noise and motion - controlled for the most part.
One runner stumbles under fire, spins, and vanishes back into the trees instead of droppin'.
Leanor shifts behind me.
I feel it before I see it — the weight leavin' the saddle, her hands slippin' from my waist.
"Don't—"
She jumps.
Boots hit the road hard. She comes up runnin', revolver already liftin' as she angles for the treeline.
"Leanor!"
I haul Callus around and kick free of the stirrup, hittin' the ground in two strides. I catch her by the back of her jacket and yank her clean off her feet, draggin' her back against my chest as a runner crashes out of the brush ten feet from where she was headed.
"You don't chase things into the fuckin' woods!" I snarl in her ear.
Tommy's shot takes its head off mid-lunge, the body foldin' into the dirt.
I shove Leanor behind me and fire twice more down the road. One drops. Another stumbles into the ditch and stops moving.
The rest scatter or fall under the patrol's guns.
Silence slams back down hard.
Callus stamps behind me, blowin' air through his nose. My heart's hammerin' loud enough I'm half sure she can feel it through my ribs.
I don't let go of her jacket right away.
She turns in my arms, eyes wide.
Later.
We're talkin' about this later.
I finally release her and jerk my head toward the horse.
"Back up. Now."
We ride hard after that.
Not runnin' — but close enough that the horses feel it. Callus stretches out beneath me, breath comin' heavier, the treeline blurrin' shades of green, yellow and gold.
No one says a word.
Days of trainin'.
Days of draggin' her out into the woods, makin' her track, makin' her shoot, makin' her listen.
For what.
So she can jump off my fuckin' horse in the middle of nowhere like she's got a death wish and somethin' to prove?
The image won't leave me — her boots hittin' the road, the runner breakin' from the trees, how close it was.
We push on until the trees thin and the wind finds us again. The world starts soundin' like it's supposed to.
I lift my fist.
"Hold up."
The patrol slows. Horses snort, stamp, grateful for the break. Tommy scans the treeline. Caleb slides down to check his pack.
"Horses need a minute," I mutter.
I swing down and don't wait.
I catch Leanor by the arm and steer her a few steps into the trees, Just far enough that the others can't hear us.
"What the hell were you thinkin'?" I snap. "You jump off my horse in a kill zone?"
"It was getting away," she shoots back. "I had a clean—"
"You had a runner ten feet from your throat," I cut in. "No cover. No sightline. No one watchin' your back."
Her jaw tightens. "I can handle myself."
I shake my head and step closer.
"You ever try jumpin' off my damn horse like that again," I mutter, "I'm tyin' you to the saddle myself."
She scoffs. "I had it... I'm not a child, Joel."
I look at her. Real flat.
"No. And you ain't a damn bloodhound either," I say. "You don't chase things into the woods."
She opens her mouth to argue. I don't let her.
I don't head back to the road right away.
I stop her with a hand on her arm, turn her before she can ask why. The bark of the tree is rough against her back when I press her into it, not hard — just enough to make my point.
Her breath hitches.
My cock twitches.
"Do you have any idea," I murmur, low and close, "how close you came to gettin' yourself killed back there?"
She swallows. "I—"
I lean in, my forehead restin' against hers.
"You don't get to scare me like that," I continue, voice rougher now. "Not like that."
Her hands roam up my chest, feelin' through the denim like she's tryin' to memorize the shape of me.
"Aww, did I scare you?" she murmurs. "Didn't realize Joel Miller was capable of that."
"Don't get smart," I say, but I'm already leanin' in.
Our mouths meet with an anger. The kind of kiss that's been waitin' through gunfire and irritation. Her lips taste sweet, like cherry. Whatever that stuff is she puts on 'em. Her lips part as an invitation — my tongue lightly brushes hers.
I keep one hand braced beside her head against the tree, the other settlin' at her waist. I pull back just enough to look at her.
"You're reckless," I mutter against her mouth. "Stubborn. Got a real bad habit of runnin' toward trouble."
I kiss her again, harder.
Her lips are pink, breath uneven. "Your problem now."
"Yeah," I say quietly. "And it's gonna be the death of me."
In one fast motion, I turn her — until her palms hit the rough bark and she's facin' the tree. She barely has time to catch her breath before I'm there, crowdin' the space behind her, the heat of me pressed close. The sound she makes is half laugh, half breath.
Her fingers curl into the grooves of the bark for balance.
Both hands are settled on her hips now, firm, anchorin' her there.
I press a kiss to the back of her neck, voice low in her ear. "Reckon we got about two minutes before Tommy comes lookin' for us."
Then, quieter —
"Long enough for me to remind you who's in charge here."
I land a firm smack on her ass, just enough to make her jump and begin tuggin' at her cargo pants, slidin' them down her thighs to reveal her perfect backside. My hand brushes lower, catchin' on what's basically a whole lotta nothin' held together by a piece of thread, and huff a quiet laugh into her neck.
"These are useless," I mutter, thumb hookin' the string and nudgin' it aside.
She's soaked.
'Course she is.
I hook my thumb into my belt and loosen it slow, like I've got all the time in the world, even though I know damn well I don't. I nudge the head of my cock against her entrance a few times before completely enterin' — warmth takin' a hold of me in an instant.
"Christ," I say under my breath.
She arches her back, easin' into it, cute little noises escape her throat, as if she's tryin' to hold 'em back altogether.
I begin pumpin' into her, baby girl matches my rhythm, grindin' back into me like it's the only thing that's ever mattered to her.
Hunger coils in me — got me damn near salivatin' for a taste of that sweet cunt.
But not now. Ain’t the time.
"Joel—"
She gasps my name like a fuckin' sin.
"Easy" I growl. "Don't want it bein' over before it starts."
In all fairness, I don't hold back either — rushin' it like a kid who just realized the night's almost over.
"Don't be stupid," I grit through my teeth. "All that time I spent teachin' you how to listen. How to wait. And you toss it the second you feel a rush."
I catch the back of her neck in my palm, holdin' her there like she's not goin' anywhere unless I say so.
I feel it.
Her cunt clenchin' around me without even meanin' to.
Needy as hell.
"I oughta put you in restraints," I mutter low, more threat than joke.
I catch the side of her face — that sharp, wicked grin lookin' like trouble she's proud of.
"You promise?" she whispers.
I huff a quiet laugh against her neck. "Don't test me."
I hit that one spot, buryin' myself so deep that I'm sure she'll see stars. But right now? We're burnin' day light and clock's tickin'. This ain't her reward, it's my indulgence.
"One minute," I breathe. "That's all you got left."
'Cause I'm already past the point of slowin' myself, whether she likes it or not.
A horse snorts somewhere on the road. Wind kicks up, raisin' goosebumps along the back of her neck.
Voice still low, "and don't forget... there's three sets of eyes just through that bush right there."
She stills.
"Wouldn't that be a real pretty sight." I continue, "catchin' you lookin' like this."
"Desperate to fall apart on my cock."
I pull out all in one quick motion, breath still rough in my chest. Strokin' myself — quick. Gettin' the job done — shootin' my load onto the damp forest floor.
"Two minutes are up," I mutter, zippin' my fly, heart thumpin' hard against my damn ribs.
She turns back toward me, tuggin' her clothes into place with quick, clumsy fingers. Her brows pinch together, breath still uneven, bottom lip caught between her teeth. Frustration written all over her face. "Seriously?" she snaps. "What about me?"
"Ain't my problem, sweetheart." I remark. "Maybe next time you'll listen."
And then I step past her, back toward the horses, a crooked grin tuggin' at my mouth.
Another day, another lesson.
Years Between Us
Joel Miller x FMC | Explicit 18+
TW: Sexual content
Middle photo made by: grapesfanfiction
Chapter 36: The Road to Ruin
The evening disappears into preparation.
Maps are spread across Joel's dining room table, corners curling with age and use. Ammunition is counted twice. Rations divided. Every possible scenario discussed and rediscussed until there's nothing left to say that hasn't already been said.
Joel plants his hands flat against the table and leans over the map, when he speaks, everyone listens.
"Here," he says, tapping a spot hard enough to crease the paper. "Yellowstone National Park. Ranger station's just east of the main road."
"That's assumin' they stayed put," Tommy mutters, arms crossed, weight shifting.
Joel doesn't move his hands. He doesn't straighten. He just lifts his eyes.
"They will be."
It isn't an argument. It's a statement of fact.
Tommy exhales through his nose, jaw tight. We all know he doesn't want to be on this mission — not now, not with a baby at home, not with Maria trying to hold Jackson together with both hands. He belongs behind the wall, not riding north into unfinished business.
But he's here anyway.
For Joel.
For me.
Joel keeps talking, eyes flicking between the rest of the patrol — Tommy, Caleb, Eugene and only briefly landing on me. When they do, there's no softness there.
I'm not the woman he fucked in the woods.
I'm not the woman he tenderly kissed hours ago.
I'm a patrolwoman with a job to do.
——————————————————
Morning comes too quickly.
Ellie and Luna see us off at the gates, bundled against the slight chill. Ellie's pissed, of course she is. She argues with Joel right up until the last second, sharp and relentless, furious that I get an away mission when she doesn't.
Not at her age, he tells her.
Not yet.
She glares at me like it's personal.
She's not wrong. She's a better shot than I'll probably ever be.
We say our goodbyes to Jackson, praying it will still be standing when we return home. I trail my fingers briefly along the rough logs of the gate as we pass through, the wood splintered and worn smooth in places.
This time, I'm more brave leaving town.
For Joel.
For my aunt and uncle.
I'm not scared. Or at least that's what I keep telling myself.
We set out just after sunrise.
The horses move easily beneath us, hooves pressing into damp earth softened by recent rain. Callus snorts softly as Joel urges him forward, steady and sure, like he's done this a thousand times before. I'm behind him, thighs bracketing his hips, arms wrapped loosely around his middle more for balance than comfort.
Every shift of Callus's step rolls through Joel first, then into me — the solid line of his back, the controlled sway of his body moving in time with the horse beneath us. Close enough to feel his breathing. Close enough to know when his shoulders tighten.
Close enough to remind me how mentally far away he actually is.
The forest swallows us as we ride, trees in the middle of giving up — green still clinging stubbornly to the branches, but yellow and pale gold spreading fast. Leaves scatter the trail in thin layers, crushed under hooves as we pass.
Everything is beginning to die.
The patrol stretches out naturally, horses spaced just far enough apart to keep sightlines clear. Joel takes point without discussion. The rest fall in behind us — Tommy, Caleb, Eugene — the distance from Jackson growing with each step.
It's quiet, but it isn't a peaceful quiet.
It's the kind that feels wound tight, waiting for something to snap.
The mission alone would be enough to set everyone on edge. Raiders. Distance. Unfinished business waiting for us somewhere north. But layered on top of that is everything unsaid, everything simmering just beneath the surface.
Joel hasn't spoken to Eugene since the breach. Not really. He keeps his distance now, jaw locked tight, eyes fixed anywhere but on him. The kind of restraint that feels deliberate. Like he knows if he opens his mouth, something else will come out instead.
I've seen what happens when he lets it slip.
That one stormy night, shadows stretched long across the buildings, his blade pressed close enough to Eugene's throat while spitting threats.
That same tension rides him now. Not anger that's burned out, anger that's been leashed.
Tommy Rides stiffly a few lengths back next to Caleb, shoulders squared like he's bracing against more than the cold. He doesn't say it out loud, but it's there — the resentment. Being pulled away.
And then there's Joel and me.
Whatever this thing is between us — unspoken, unresolved. He hasn't looked back once. Hasn't acknowledged the closeness forced on us by circumstance. He rides like I'm just another piece of gear he's responsible for carrying.
Close enough to protect.
Far enough to keep himself emotionally untouched.
I let my gaze drift briefly between the others, the spaces they keep, the careful distances measured in horse-lengths and silence.
It strikes me then — quiet, uncomfortable.
None of them are tense with each other.
All of it leads back to him.
Joel Miller at the center of it, carrying everyone's anger, guilt, fear — like he always does. Like he always has.
And somehow, pressed against his back, moving where he moves, I've stepped into that too.
The land opens as we move north, the trees thinning just enough to remind us how exposed we really are out here.
The sound reaches us before the water does — the low, constant rush of the Snake River, cutting its way through the valley like it always has. Joel slows Callus instinctively, his body tightening beneath my arms. I feel the shift before he says a word.
We don't cross where the river is loudest. Joel angles us along the bank, scanning for something only he seems to see. A shallow bend. A memory. A place he's crossed before with Tommy.
We slowly move through it. Callus steps carefully, water licking at his legs. I tighten my grip on Joel without thinking, my cheek brushing his shoulder as the current presses against us.
"Y'alright?" he mutters, like it's only meant for me.
I nod against him. "Yeah."
His shoulders ease just a fraction.
Once we're across, no one speaks. We ride on damp ground, the smell of wet earth clinging to us, the horizon stretching wide.
That's when Jackson Lake comes into view. The surface is restless, dark water rippling under a sky that feels too big, too open. Wind sharply skimming across it.
And then the dam rises out of it.
The Jackson Lake Dam stands stark and pale against the water, a massive slab of concrete structure and open space, the attached plant beside it, large and commanding.
I remember hearing about Tommy and Maria coming out this way. Long trips. Long nights. Keeping the town's power running.
Jackson's alive because of places like this.
Joel doesn't slow until we're nearly across, posture rigid, eyes sweeping the span ahead. Whatever memories this place holds, he doesn't share them.
Neither does Tommy.
The dam watches us pass in silence as the water churns below.
Once we're past it, once the trees begin to gather again and the land closes in, I exhale the long awaited breath I was holding.
We don't stop there.
Joel pushes us onward until the late afternoon turns into dusk, the air cooling fast. When he finally calls for a halt, it's in a shallow clearing tucked just far enough off the trail to disappear if you aren't looking for it.
Callus slows beneath us, ears flicking as if he senses the destination before I do.
I lift my gaze and spot it through the trees — an old wooden sign, half swallowed by brush and leaning at an angle that suggests no one's bothered to straighten it in years. The paint is cracked and flaking, letters worn thin by weather and time.
Grand Teton Lodge
Only part of it that's still legible.
That's it, then.
We're done for the day.
Joel swings down first, boots hitting the ground with practiced ease. Callus shifts as I follow, legs stiff, muscles protesting as I land. The space between us reappears immediately, the closeness of the saddle gone the second my feet touch earth.
"This'll do," he says finally, voice low, already moving.
No one argues.
The horses are unsaddled quickly, efficiently. Joel checks Callus over himself, hands moving with the same care he gives everything he's responsible for. Water is found. Gear is stacked. The perimeter is established without discussion.
It isn't a place meant to feel safe.
Just safe enough.
At least we're not sleeping under the stars tonight.
We move into the lodge carefully, boots stamping on warped floorboards. The wood is dried out and cracked, the carved details dulled with age and neglect. Dust lies thick on every surface, undisturbed. The place has been rummaged through — drawers pulled open, shelves stripped bare — but not with the frantic destruction we've seen elsewhere.
Too remote for that.
Too forgotten.
The lobby opens up around us, secluded and quiet, the air stale with old rot. A torn curtain stirs when the door shuts behind us.
I sink down onto a leather couch near the center of the room, the cushions sighing under my weight. The leather is cracked but intact, worn smooth in places where countless bodies once sat and waited. I bend forward and tug my boots off, flexing my toes gratefully, letting my feet breathe for the first time since morning.
The relief is immediate.
Around me, the lodge fills with purposeful movement. Joel and the others fan out without needing instruction, voices low, footsteps measured as they secure the building room by room. Doors open. Close. Floorboards creak overhead.
Tommy comes back into the lobby a few minutes later.
"Secure," he says, voice echoing through the open space before coming to a quiet.
He shrugs out of his jacket and drops onto the other end of the couch with a tired huff, stretching his legs out and rolling his neck until it cracks. His gaze flicks briefly to my bare feet, then back to my face.
"Hell of a day," he mutters.
I nod in agreeance. Then, I lean back against the couch, flexing my toes, wincing when a sharp sting shoots through my heel.
Tommy clocks it immediately.
"Hold up," he says, shifting closer. "You hurtin'?"
"It's nothing," I lie, but I lift my foot anyway, resting my ankle over my knee.
Tommy squints at it. "That ain't nothin'."
He reaches out without asking, fingers warm and careful as he gently turns my foot to the side. The skin at my heel is red and angry, the start of a blister already forming where the boot rubbed raw.
"Yeah," he mutters. "That'll do it."
He lets go long enough to dig into his pack, pulling out a small, battered tin and blister band aids. He pops open the tin with his thumb — ointment, the kind that smells faintly of herbs and oil.
"Maria makes this," he says absently, scooping a little onto his finger. "Swears by it."
He glances up at me. "You good?"
I nod. "Yeah."
"Alright then," he says, voice low, almost gentle. "Try not to kick me."
He works the ointment in slowly, thumb careful where the skin is tender. It stings at first, then eases, warmth spreading under his touch.
"Gotta take care of this stuff early," he says. "Otherwise it'll slow you down tomorrow."
"Noted," I say softly.
He peels the backing off a bandage and presses it carefully over the blister, smoothing the edges down with his thumb like he's done this a hundred times before.
"You're tough," he says after a moment, not looking up. "Most people would've complained about this hours ago."
"Guess I didn't want to give you the satisfaction," I say. "Being a newcomer and all."
That earns me a grin.
"Oh, sweetheart," he says lightly, capping the tin. "You'd be surprised what gives me satisfaction."
He leans back before that can sit too long, reaching into his pack and pulling out a wrapped sandwich.
"She packed me a few of these," he says, holding it out. "Figured I'd share. You look like you could use somethin' decent."
I take it. "You always this generous?"
"Only to people I like," he replies easily, eyes lingering just a second longer than necessary. "And people who ride all day without complainin'."
"That's very kind," I say quietly. "Thank you."
He nods once, satisfied. "Anytime."
I carefully unwrap the parchment paper and take a bite. The sandwich is better than it has any right to be.
Soft bread. Sweet. Nutty. Familiar. I've barely taken two bites when the sound of footsteps drifts from the hallway.
I don't have to look to know it's him.
Joel steps into the lobby, rifle slung loose over his shoulder, eyes already scanning the room out of habit. His gaze passes over Tommy first, then drops to me.
To the couch.
To my bare foot next to his brother.
To the peanut butter and jelly sandwich in my hands.
Something flickers.
Just a flash, sharp and gone so fast I almost convince myself I imagined it.
Tommy doesn't notice.
He's leaned back, relaxed, like this is nothing more than killing time in an empty lodge. The others are still moving through the building, settling in, making noise somewhere out of sight.
Joel's mouth curves, but it doesn't reach his eyes.
"Didn't realize we were havin' a damn picnic," he says mildly, tone dry. "Must've missed the invitation."
Tommy snorts. "It's just a sandwich, big brother."
Joel's gaze stays on me a beat longer than necessary, unreadable.
"Sure," he says. "Looks real cozy."
Then he looks away, already moving past us like the moment never mattered.
But I feel it.
The quiet warning.
The evening slips by easier than I expect.
We sit in a loose circle in the lodge lobby, backs against couches and overturned chairs, passing flasks between us. Someone cracks a joke. Then another. Eugene tells us about a stupid prank he once pulled on his wife, Gail — something involving salt instead of sugar, and it spirals into laughter that echoes a little too loudly in the empty space.
From there, it turns softer.
Stories about home. About people we miss. Fond memories that feel warmer for having survived this long.
Joel doesn't join in.
He keeps to the edges of the room, moving quietly through his checks — doors, windows, corners — the circle of his flashlight brief and controlled. Every so often he passes close enough that I catch the sound of his boots, the steady rhythm of someone who doesn't intend to be surprised.
Eventually, the laughter fades on its own.
"Well, fellas," I say, pushing myself to my feet, stretching as the ache settles into my muscles. "I'm gonna go get some beauty sleep. You guys have a nice night."
Tommy chuckles. "Good idea."
He drains the last of his flask and stands. "Think we could all use some rest now." He glances toward the darkened hallway. "I'll go relieve Joel. Take second watch."
I nod politely and shoulder my pack as I head toward the ground-level rooms I scoped out earlier.
The hallway is eerie, dust muffling my footsteps. I duck into the small room I claimed, closing the door behind me. It's modest — bare walls, a narrow window, a dresser missing one drawer, but the bed frame is intact, the mattress still in place beneath a thin layer of dust.
I set my sleeping bag on top of it and pause, a small smile tugging at my mouth.
Mattresses.
Feels almost indulgent.
For a first night on the road, I'll take the win.
Time stretches.
I lie awake on the mattress, staring up at the ceiling long after the lodge has settled into silence. My thoughts won't stay put — drifting from the road ahead, to the miles behind us, to Joel. To Tommy. To how unexpectedly kind everyone's been to me so far.
A newcomer.
A woman.
On a revenge run.
The creak comes without warning.
Soft. Barely there.
My body reacts before my mind does.
My hand is already on the revolver tucked beneath my pillow as the door eases open another inch. My breath stills. The room fills with a shadow, a tall silhouette cutting against the faint spill of light from the hall.
I don't hesitate.
I pull the gun free and raise it—
"Whoa," a voice murmurs, low and urgent. "Easy. Little wild one."
The silhouette lifts both hands slowly as it steps inside.
"It's just me," Joel whispers.
He moves closer, careful, measured. His eyes flick to the gun in my hand, then back to my face.
"Didn't mean to scare you," he adds quietly. "Y'alright?"
The door softly clicks shut behind him.
"Jesus Christ, Joel," I whisper, breath slipping out of me as I lower the gun and set it carefully on the nightstand.
He doesn't comment on it.
He approaches the bed carefully. The floor creaks softly beneath his weight, each sound landing louder in the quiet room. He stops a few feet away, just outside my reach.
"Good reflex," he murmurs. "Means you're listenin'."
His eyes flick once to the revolver, then back to me. Assessing. Always assessing.
Moonlight spills in through the narrow window beside the bed, pale and thin, catching the lines of his face as he steps closer. It sharpens the angles of his jaw, the tired set of his mouth, the shadows beneath his eyes. His hair is messy, shirt untucked, the faint smell of whiskey clinging to him like he forgot to care if anyone noticed.
"Sorry," he adds after a beat. Not for coming in. For making me reach for my gun.
The mattress dips slightly as he sits on the edge of the bed, far enough away to keep his distance, close enough that I feel the shift of his weight.
"You weren't sleepin'?" he asks rhetorically.
I shake my head. "No."
He nods like he expected that. Like he understands it.
Silence stretches, heavy but not uncomfortable. Outside, the wind nudges the lodge, wood settling with a soft groan.
"I wanted to check on you," he says at last. "Make sure you were alright in here."
I swallow. "I am."
Another pause.
His gaze lingers on my face.
"Good," he says softly.
"Is that all?" I ask, a faint smile present through my tone, testing the space between us.
"No."
The word comes out fast.
"I saw you limpin' a little when you got off the horse," he says quietly.
I still.
"That what Tommy was helpin' you with?"
There it is.
The question is casual on the surface. Practical. But there's something tight underneath it, something he doesn't bother hiding from me.
"Yeah," I say. "Just a blister."
His jaw flexes once.
"Mm." He nods slowly. "Figured."
Silence.
"He didn't hurt you," Joel adds, not looking at me now.
"No," I say. "He was... gentle."
Joel's eyes lift back to mine, dark and intent, something hot and unmistakable flickering there before he reins it in.
"Course he was," he mutters.
His hands grip his knees, knuckles whitening before he forces them to relax.
"You shoulda said somethin'," he adds, voice lower now. "I would've taken care of it."
I click my tongue softly. "Please. You barely said a word to me the entire ride here."
"Focused," he replies immediately.
Then he shifts closer, the mattress dipping beneath his weight. I feel the heat of him through the blankets.
"I don't want Tommy touchin' you," he says quietly. "Ever."
"It wasn't even like that—"
He cuts me off by moving again, turning his body towards me while tugging the top of the sleeping bag back just enough to slide in closer, nudging my legs apart with his knee like he already knows where he belongs.
"The hell it wasn't," he growls.
I roll my eyes, though my pulse betrays me. "So what, am I your girlfriend now, or something?"
Joel leans in, crowding my space completely now, his hand braced beside my hip. He presses a short, hungry kiss to my lips — not gentle, not rushed. Just enough to remind me exactly what we've already crossed.
And I was right.
I taste whiskey on him and underneath it, the heat of everything he's been holding back today.
"Somethin' like that," he murmurs when he pulls back, the corner of his mouth lifting in a way that's all confidence and claim.
Joel eases back instead of pressing closer, settling onto his heels, posture relaxed. Then he reaches for my leg, the one with the blister, lifting it carefully. His touch is delicate yet focused, fingers tracing the edge of the bandage as he inspects it, assessing his brother's handiwork without a word.
"Got a problem with it?" I ask, a note of challenge behind my voice.
Joel's jaw tightens. His grip firm at my ankle — not where it hurts.
"I got a problem with anyone thinkin' they get to take care of you but me," he says low. "Especially him."
The words send a heat curling through my stomach.
He leans in again, mouth brushing my ankle, then travels slowly up my calf possessively. My breath shutters when he gathers my other leg, slinging it over his shoulder.
His strong hand slides higher up my thigh, fingers spreading with control, intent unmistakable. He deliberately looks down at my panties, hunger in his eyes.
I flush, feeling vulnerable, painfully aware of how damp they already are.
His fingers hook the fabric and draw it aside, leaving me completely exposed to him now.
"Jesus," he mutters. "You're starvin'."
My hips lift without permission.
"So damn eager the second someone notices you." He murmurs.
Heat floods my cheeks, humiliation and want tangling tight in my chest.
"Smile pretty," he continues quietly, thumb pressing against my swollen clit to underline the point. "Let 'em think they're doin' you a favour just by lookin' your way."
I gasp as the need takes hold, sinful.
He takes his time, drawing circles on my clit — slow and methodical. Then, he adds two more fingers, they rim my entrance a few times before dipping into me, leaving me completely breathless.
"Tommy gives you a little attention," he adds, the southern drawl coming in thick as honey. "And you soak it right up. Like you're dyin' for it."
I swallow hard, pulse racing.
The rhythm of his touch shifts, no longer slow and steady. Quick. Purposeful. Like he's narrowed in on one goal and won't miss it.
And I know he won't — not when I'm this close already.
"But you don't go to him when you feel like this," he says, certainty ringing through every word. "You come to me."
His pace shifts deliberately, the change subtle but devastating. Slower now. Teasing. Like he knows exactly what it's doing to me.
"J—Joel" I stutter. "Pl—please."
The word barely makes it out before his expression darkens, satisfaction flickering.
"Shh," he murmurs reassuringly, making me feel younger than I am. "I know."
A beat goes by, the air thick around us.
"That what you want, baby girl?" he asks quietly. "You want me right here, takin' my time with you? Want me remindin' you who you come to when you wanna feel good?"
"Yes," I breathe.
The word barely makes it out before he's smiling — slow, satisfied.
"Thought so," he mutters.
His fingers shift back into something practiced — something certain. There's nothing frantic about it. Just the steady confidence of a man who knows exactly what he's doing and has nothing to prove.
It should feel wrong.
The age of him. The way he takes his time like he knows I'll stay exactly where I am. Like he knows I always do.
I hate how my body answers to him.
Hate how it betrays me so completely, how it arches and opens. Like I've taken a bite of something I was warned against, sweet and rotten all at once, knowing what it does to me.
This is the part they warn you about.
I come undone with a sound that feels like confession, like prayer twisted into something filthy. Shame and want twined together, my body shaking as if it's carrying something unholy, all because of a man built of violence and ruin.
A man like him.
He feels it — of course he does. The way my body gives itself over, the way I arch my back and clamp down around his fingers, cling to him like he's the only solid thing left in a world already falling apart.
And he is.
For me.
Flee from sexual immorality.
I was taught to flee from it in Sunday school.
I didn't.
Neither did he.
Both of us far past innocence.
And God help me — I would eat the fruit again.
Years Between Us
Joel Miller x FMC | Explicit 18+
Chapter 35: What Followed
A week later, I wake up in Joel's bed.
Not the kind of waking that feels like rest. Just the slow return to consciousness, slightly disorienting.
The curtains are pulled most of the way shut, leaving only a thin slit of morning light cutting across the far wall. The world outside exists, apparently, but it feels very far away.
I lie there and stare at the gap in the fabric, watching the light shift. The cool autumn breeze swaying the curtain every so often.
Joel's room smells like him — detergent, worn cotton, a type of masculine musk that never quite goes away. The sheets are rumpled like he never bothered to fix them. Like he didn't expect anyone else to be here.
The past week has been a blur. I remember nothing and everything at the same time.
I remember crying until my chest hurt.
I remember his hand, steady at my back.
I remember him telling me I could stay.
That was it.
No speeches. No reassurances that things would get better. Just space, and silence, and a bed that was not mine.
The grief has not eased in a week. I've just learned how to live inside the emptiness.
I do remember pieces of Jackson in the days that followed — voices drifting in and out, fragments of conversation I didn't ask for but absorbed anyway. Tommy and Maria checking in constantly. Patrols receiving orders from Joel.
It turns out two stalkers made it past the breach that day. One found its way to my house.
The other slipped into a shop on Main, tearing apart the son of the man who runs the leather store.
The town went into lockdown immediately. Guards swept every building, scanned every person, checked for fungal presence until there was nothing left to check. No one else was infected. Just... gone.
Cleanup crews moved through the streets like it was routine — broken glass swept away, used bullets collected, infected bodies burned. The wall was fully repaired within twenty-four hours, sealed tight, like the breach had never existed at all.
As for the raiders, I'm not sure. That subject has been kept quiet. Joel disappears into council meetings every evening and comes home close to midnight, shoulders heavy with whatever decisions are being made. He must be exhausted.
We barely speak.
I fall asleep before he gets home. He is gone again before I wake. When I do see him during the day, it is brief — passing moments, half-sentences. His face is always tight with guilt, his eyes avoiding mine like he is afraid of what he might find there.
I blink slowly, eyes burning but dry now, and keep staring at the thin sliver of light slipping through the curtain, like it might explain how the world kept going without my aunt and uncle in it.
Outside, someone walks past the house. Boots crunching on gravel. A door opening. A door
closing.
Life continuing in small, ordinary ways.
I stay where I am.
Because getting up would mean starting the day.
And I'm not ready for that yet.
Not after burying the only family I had two days ago.
Nausea curls low in my stomach, a dull reminder that I've barely eaten in days. A few spoonfuls of canned soup. A sandwich sent from Seth that I barely touched.
It isn't enough.
I need to eat something.
Looks like I'm getting up after all.
I push the covers back and swing my legs over the edge of the bed. I'm only wearing a pair of panties and one of Joel's T-shirts, the cotton soft and oversized, hanging off me in a way that feels more comforting than exposed.
The floorboards creak when I stand. I pull on the sweatpants folded neatly on the ottoman at the foot of the bed, grateful for something familiar. Clothes that Luna dropped off for me.
For the first time since last week, I actually look around the room.
Really look.
Joel's room is quiet, understated — but everything he cares about is here if you pay attention. Stacks of records tucked in the corner. A guitar leaned carefully against the wall. Small wooden figures on the shelf — animals, shapes, things carved by hand. Patient work.
Every piece of him, laid out without him saying a word.
I drift toward the dresser and pause when I see a framed photo. Joel and Ellie, close together, petting a horse. I smile before I realize I'm doing it.
Then I notice another. I pick it up.
Joel, younger. Softer somehow. His arm wrapped around a little girl with dark hair, her face smiling for the camera. Him too.
My breath catches.
Did Joel have a daughter?
The pieces begin sliding into place, one after another. The way he keeps people at arm's length. The way he watches instead of speaks. The careful, almost instinctive way he looks after Ellie.
His protectiveness. His restraint.
Now it makes sense.
"Sarah."
His voice comes from the doorway behind me, low and careful.
I turn, startled.
Joel stands there with one hand braced against the doorframe, like he stopped short the second he realized what I was looking at. He doesn't move closer. Doesn't tell me to put it down. He just watches me, eyes softer than I've ever seen them.
"That was my daughter's name," he adds after a beat.
I nod slowly, not trusting myself to speak yet.
"She'd be about your age now," he says, almost to himself. Then he exhales, the sound rough. "Probably a little older."
"I'm sorry," I say quietly, not wanting to pry with his track record.
He shrugs slightly. "S'alright. Was a long time ago."
Joel clears his throat and straightens, like he's said too much already. "You hungry?" he asks, voice back to being steady. "I was gonna make somethin'."
I nod again.
"I actually am," I admit quietly. "Thanks." It surprises me, the way my body remembers hunger again for the first time since our hunting trip.
The kitchen smells like butter and toast.
Joel stands at the stove, shoulders relaxed in that way they only get when his hands are busy. He cuts a hole into the center of the bread with the rim of a cup, drops it into the pan, and cracks an egg straight into the middle without even looking.
Egg in a hole.
The small, stupidly domestic detail feels silly after the week we just had.
He slides the plate in front of me once it's done, toast crisped just right, yolk still soft. No commentary. No asking if it's okay. Just food.
"Thanks," I say quietly.
He nods and sits across from me with his coffee, not eating yet. Watching to make sure I do.
The kitchen is quiet except for the scrape of cutlery and the low hum of the house waking up around us. I take a few bites before the words finally come.
"They found the truck," Joel says.
I freeze, fork hovering.
"Found it where?" I ask.
"Northwest," he replies. "Past the ridge."
My stomach tightens.
"And the weapons?"
"Gone," he says simply.
Of course they are.
He takes a sip of coffee, then adds, almost like it is nothing, "I clipped one of the tires when they blew past us."
I look up at him.
He continues. "Overloaded. Tire didn't hold."
"There was an old park radio shoved under the seat," he says. "Ranger issue. Logo still embossed."
I frown slightly.
"Yellowstone," Joel adds. "Old ranger gear. Tracks head straight north."
"How far?" I ask, even though I already know the answer.
"Three days on horseback," he says. "If we don't get slowed down."
My chest tightens.
"And you're going," I say.
"Yes."
The word is quiet. Final.
"With a stronger patrol," he adds. "We finish it."
He hesitates, jaw flexing. "Mission will take six, maybe seven days," he says. "About a week."
A week.
I look down at my food. At the egg. At the careful way it was made.
A beat goes by.
He clears his throat and tries again, softer this time. "Ellie'll be here. Luna said she'd stay over, keep you busy. Guards'll be posted. You won't be alone—"
"No." I drop my fork, the sound sharp against the plate. "I don't want that. I'm coming with you."
"Leanor—no." His voice firms immediately. "You're not built for patrol."
I stiffen.
"You're—" he stops himself, rubs a hand over his face. "You're still fragile."
That does it.
I look up at him, heat flooding my chest. He sees it instantly.
"I didn't mean it like that," he says quickly.
"Good," I snap. "Because I distinctly remember saving your ass. Not once, but twice."
He exhales hard. "Jesus." He sets his fork down and drags a hand through his hair.
"They're dead because of them," I say, the words coming out raw now. "My only family. And I am not sitting this out."
Silence stretches between us.
Joel stares at the table, jaw tight, clearly fighting something he hates losing. When he finally looks up, his eyes are dark with it.
"...Alright," he says at last.
He lifts his fork and points it at me, expression hardening. "But you do everything I say. No arguing. No hero shit. You stay where I tell you, when I tell you—."
"Understood?" I cut in, mockingly, while rolling my eyes. "What ever you say, Joel."
He studies me for a long second, then exhales through his nose.
"Don't make me regret this."
I don't answer.
Because we both already know he will — and he'll bring me along anyway.
"We leave tomorrow mornin'," He throws in.
I push my chair back and stand.
"I need to go home then," I say.
Joel looks up immediately. "Luna can pack for you."
I shake my head. "No."
"You don't have to—"
"I want to," I cut in, steadier than I feel. "I need to."
He studies my face, looking for a reason to protest. When he doesn't find one, he nods once.
Silence stretches between us. He exhales slowly, defeated in that quiet Joel way.
"I'll walk you," he says.
—————————————————
The house looks the same from the outside.
That's the cruelest part.
The door still creaks the way it always did. The porch boards still dip under my weight. Someone has swept the steps clean, the broom still sits against the swing.
Inside, everything is... normal.
Too normal.
The floors are clean. The shelves wiped down. The furniture set right. No blood. No chaos. No sign of what happened here, like the house itself decided to forget.
I stand in the entryway longer than necessary, breathing it in. Soap. Wood polish. The faint ghost of something that used to be home.
Joel stays near the door, giving me space without leaving. Watching. Always watching.
I move through the rooms slowly, and without meaning to, I end up in the living room.
Anne's knitting basket sits where she always kept it, everything tucked away neatly. Half of a sweater still spills out over the edge — unfinished, and now forever will be.
Family photos line the mantle. My parents on their wedding day. Me smiling in the garden years ago. Anne and Carl when they were younger, standing in a hospital room, holding my newborn mother.
I close my eyes and remind myself to breathe. I knew this would be the hardest part, ever since the day they died.
I avoid the kitchen.
I avoid the spot where it happened.
Some things are easier to just avoid for the time being.
Upstairs, my bedroom is exactly how I left it a week ago — untouched. I pack methodically. Clothes folded with care. Boots. Jacket. The revolver Joel gave me. The things that make sense for a mission like this.
I catch my reflection in the full-length mirror. Skin pale. The light gone from my eyes.
Jesus.
I move down the hall toward my aunt and uncle's room. I don't need anything in there — just one last memory. One last look before we take down the people responsible.
Their room is clean, but not like the rest of the house. Clean in the way Anne always kept it. She was a neat freak. I'll give her that.
A black box sits on the bed.
Curious, I cross the room and lift the lid slowly.
Inside are a few belongings — things they must have been wearing when they passed.
Anne's cross necklace, placed carefully in the middle. Carl's wide-brimmed glasses. His wallet.
My chest tightens.
I take the necklace and slip it into my sweater pocket before closing the box again.
When I finally zip my bag closed, the sound echoes far too loud in the quiet house.
I head down the stairs quickly, trying to outrun the memories. The pain.
"I'm ready," I say as I reach the bottom.
And then — because apparently this week hasn't taken enough from me, I miss the last step and land hard on my ass.
Clumsy bitch.
Joel wasn't quite fast enough to catch me, but he's helping me up within seconds.
"Can't take you anywhere," he mutters with a huff.
"Not my most graceful moment," I groan, rubbing at my hip as embarrassment crawls up my spine.
"You dropped somethin'," he says, already bending down.
The necklace.
When he straightens, his brows knit together. He rubs his thumb over the small cross, then looks at me.
"Anne's."
I nod, looking away before my throat can close up.
"Turn around," he says quietly, already stepping closer.
I do.
The entryway mirror catches us both — me standing still, him close behind — broad shoulders, familiar presence. His eyes meet mine in the reflection, soft and understanding.
His fingers gather my long hair and sweep it over one shoulder, knuckles brushing the side of my neck in the process. The contact is brief, accidental, and it sends a shiver straight down my spine.
Carefully, he loops the chain around my neck. His hands are rough, but his touch is gentle, precise, like he's afraid of hurting me if he isn't careful enough. The clasp quietly clicks shut.
He exhales, low and controlled.
"There," he murmurs.
Our eyes meet again in the mirror, and my stomach flutters, that same nervous, foolish feeling that has never really gone away.
Joel hesitates. Then he slowly leans in and presses his mouth to the back of my neck. The kiss is restrained, respectful.
My eyes flutter shut. It almost breaks me.
I turn before I can overthink it, my hands already finding his shoulders, sliding up to curl into his salt-and-pepper hair. I pull him down to me and kiss him.
Meaningful.
Necessary.
His hands firmly grip my waist, pulling me in like he's afraid I might disappear if he doesn't hold me there. I'm not sure who needs this more — him or me.
Heat coils low in my stomach, a sharp reminder of everything I've been denying myself. Of how badly I want him.
But that'll have to wait.
When I pull back, his hands come up to my face, cupping my jaw gently, thumbs brushing my cheeks as he studies me like he's memorizing every detail of my face. Like he's taking a mental snapshot of the moment.
I breathe him in. Smoke. Clean Clothes.
Then he lets go.
As we step back outside, I don't look back.
If I do, I might not be able to leave again.
And this time, I have to go.
Years Between Us
Joel Miller x FMC | Explicit 18+
Chapter 34: 30 More Seconds
~ Leanor ~
I sit by the front window of Joel and Ellie's place, watching the street like it might give me answers if I stare hard enough. I've stripped off the heavier layers: jacket, gloves, anything that still smells like smoke and metal.
The tea Ellie made sits cradled between my palms, heat seeping in slowly. Chamomile, I think. Maybe mint. Doesn't matter. It's the only thing comforting me right now, the only part of the room that feels real.
Luna sits beside me on the couch, close enough that I can feel her knee against mine. She doesn't look out the window. She watches the room instead, pocket knife resting in her hands as she slowly runs a cloth along the blade.
She has been cleaning it since we sat down. I'm not sure if it actually needs it anymore.
Across the room, Ellie's perched on the edge of the couch, guitar balanced loose against her knee. She's not really playing, just idly strumming the opening chords of Take On Me, over and over, never quite committing to the melody. The sound comes and goes, uneven, like she's thinking about something else entirely.
The guitar's the one Joel gave her for her birthday. I've seen it enough times to know every detail — the worn frets, the faint scratches near the sound hole, the moth carved into the neck. Wings spread. Frozen mid-flight.
Ellie pauses, retunes a string, strums again.
I don't look back at her.
I keep my eyes on the window, on the quiet street beyond it, and sip my tea while it's still warm.
The good news is we've been waiting over an hour now. Still no all-clear, but also no sirens, no rapid gunfire, no frantic shouting carrying down the street. No infected screams. No chaos spilling past the walls.
Just the steady grind of equipment in the distance, metal on metal, engines whining as crews work to seal the breach.
It should feel like a relief.
But it's doesn't.
Not until I see Joel.
"Staring isn't gonna make him come back any faster," Luna says, eyes still on the blade as she runs the cloth along its edge.
I huff softly, fingers tightening around the mug. "I'm just... worried. About them."
Luna finally glances up at me, just for a second. "Dude. We haven't heard anything the entire time we've been sitting here. No chaos. No alarms. Nothing."
She goes back to the knife, calm as ever.
"That usually means things are under control."
She says it like a fact, not comfort.
"I guess," I say, the weight of everything pressing down all at once. "It never feels real until it's actually happening. Hunter—"
I trail off, turn my face toward the window, give myself a second to breathe.
"He didn't deserve that," I say quietly. "He is... was... a good person."
Across the room, Ellie snorts.
She doesn't even look up from the guitar, fingers still idly picking at the strings. "Joel didn't seem to think so."
The words land harder than she means them to.
I don't respond right away. The tea has gone lukewarm in my hands.
Luna exhales through her nose. "That's because Joel doesn't judge people like everyone else. He judges them by how likely they are to get someone else killed."
Ellie sets the guitar aside a little too roughly, propping it against the arm of the couch. The strings let out a dull twang.
"Bullshit," she says, a sly smile tugging at her mouth. "It's because Hunter had a thing for this one."
She jerks her chin toward me.
I don't feel flattered, just exposed.
I feel Luna's attention shift beside me, quiet and assessing.
She hums thoughtfully. "Funny," she says casually. "I remember Leanor suddenly becoming very invested in what strenuous tasks needed doing around the house."
I freeze.
Ellie perks up immediately. "Oh?"
Luna tilts her head, pretending to think. "Fence needs fixing? Leanor's offering coffee. Sink's leaking? Leanor's watching. Someone's got to haul firewood? Wow, guess who stuck around."
I smack her leg hard. "It wasn't like that—"
Ellie snorts. "Wow. Stellar defense."
"I was just being nice," I insist, heat creeping up my neck. "He's a good help to my aunt and uncle."
Luna leans forward suddenly, elbows on her knees, eyes bright with mischief.
"Oh yeah?" she says. "What about the hunting trip? That was only hunting you did the entire time, right?"
I choke. "Luna—"
Ellie yelps immediately, jamming her fingers into her ears. "Nope. Nope. Nope. I am not listening to this."e
"Lalalala," she chants loudly, eyes squeezed shut.
Luna laughs shamelessly.
I cover my face with one hand, mortified. "You are the worst."
Ellie peeks through her fingers. "You guys are gross. Both of you."
For a moment, all three of us are laughing.
And for just a second, it feels almost normal.
Ellie straightens suddenly, squaring her shoulders like she's bracing herself for a thought she does not enjoy. "Okay, but seriously — what do you even see in him?"
I glance over at her.
"He's just a grumpy old man," she continues, grimacing. "No romantic bone in his body. Like—" she shudders, full-body. "I don't even want to picture Joel trying to be romantic. That is disgusting."
She makes a face, dramatic and sincere.
"Yuck."
Luna snorts. I laugh again, quieter this time, warmth lingering in my chest longer than I expect.
I shrug, the smile on my face fading into something quieter. Comforting.
"I don't know," I admit. "He just... feels safe."
Ellie watches me now.
"There's a hard exterior there, yeah," I continue, fingers fidgeting with my butterfly bracelet. "But underneath it, there's something else. Something warmer. And I think I'm finally starting to crack it."
A beat goes by.
Ellie nods slowly, her grin softening into something more thoughtful. "Yeah," she says. "I get it."
That surprises me more than the teasing ever did.
I rub my arm, suddenly self-conscious. "I'm sorry if that's weird," I add. "I know he's... kind of like your dad. Or something like that."
Ellie snorts, but there is no bite in it this time. "Somethin' like that," she says. "I'm not calling you mom, though."
I laugh, a soft huff that slips out before I can stop it. "Good. I'm not exactly maternal."
"Nope," Ellie says. "Not even a little."
Luna smiles quietly beside me, like she is filing the memory away for later.
Then, the sound hits first.
Boots on the porch, a familiar stride.
The laughter dies mid-breath.
Ellie looks up sharply, instinct kicking in before thought. Luna straightens beside me, knife already gone from her hands. I turn just as the door opens.
Joel steps inside.
He fills the entrance, silhouetted against the light outside, dust and dried blood still clinging to his boots. His jacket is unzipped, shoulders tense. His eyes sweep the room automatically — windows, corners, us — before landing on me.
Something in my chest tightens.
For a brief second, something flickers across his face.
Guilt.
It passes almost immediately.
"Hey," he says.
Just that.
Ellie breaks the silence first, because of course she does. "Took you long enough," she says, trying for casual. "We were startin' to think you forgot about us."
Joel's gaze never leaves me.
"I didn't," he says.
His voice is steady. Too steady.
I set my mug down slowly. The tea has gone ice cold, forgotten in my hands. I stand without realizing it, drawn toward him by something I cannot name.
"You okay?" I ask.
He hesitates.
It is barely noticeable, a fraction of a second, but I see it. I feel it.
The radio crackles at his hip.
Sharp. Sudden. Too loud in the quiet.
"Copy, Joel," a voice breaks through the static. "We started following the tire marks from that truck. Looks like they headed north-west past the tree-line."
Joel's jaw tightens.
For a split second, I see it —the instinct. The shift. The part of him that wants to lock in, move on, chase the next problem before this one has a chance to breathe.
He reaches for the radio.
Stops.
"Copy," he says after a beat, voice even. "Hold position."
There's a pause on the other end. "You want us to—"
"I said hold," Joel cuts in, not harsh, just final. "I'll check in later."
He clicks the radio off before they can respond.
Silence.
He looks at me, really looks at me.
"Can I talk to you?" he says quietly. "Alone."
The warmth from moments ago drains out of the room like air from a punctured lung.
Ellie's grin fades. Luna's eyes flick between us, sharp as her knife.
I nod.
"Yeah," I say.
But what I really wanna do is scream no, grab onto the last few minutes and refuse to let them slip away. I want to rewind, back to the laughter, back to the warmth, back to pretending the world is not constantly breaking apart at the seams.
I want to worry about stupid things. Small things. Like the girls in the magazines — how they look, how many calories they're shoving into their faces, who's dating who.
Not this.
Not whatever is waiting for me in the next 30 seconds.
Joel turns toward the hallway, already moving, already assuming I will follow.
And I do.
The hallway feels longer than it should.
I notice everything that I shouldn't be noticing.
The scuff in the floor in front of the stairs.
The faint smell of oil and smoke still clinging to his jacket.
The way his hands keep flexing at his sides, like he keeps forgetting what to do with them.
He stops at the main floor bathroom, then nudges the door open and steps inside, motioning for me to follow. The room smells faintly of soap and something metallic.
He shuts the door behind us.
The click of the latch is louder than it should be.
I stand near the cleaning supplies in the corner, the space is too small. I can feel the walls closing in. There's nowhere to look that isn't him.
Joel leans back against the counter, hands braced on the edge like he needs the support.
Up close, it's worse.
There's something different in his eyes — not panic, not anger. Just that familiar, merciful look. Those damn puppy dog eyes he gets when he's trying not to hurt someone, like he's already bracing for the damage and wishes he could take it on himself instead.
My chest tightens.
"Joel?" I say quietly, and I hate how small it sounds in here.
He draws in a breath through his nose, slow and controlled. The kind of breath you take before stepping into cold water.
"They're gone," he says.
The words are plain. Unsoftened. Dropped into the space between us, heavy as stone.
For a moment, my mind refuses to catch up. Gone how. Gone where. Gone when. I wait for him to keep talking, to explain, to correct himself.
He doesn't.
"My aunt and uncle?" I ask, even though I already know.
He nods once.
The room tilts.
I step back until my shoulder bumps the corner by the cleaning supplies, the smell of disinfectant burns sharp in my nose.
"How?" I ask.
Joel's jaw tightens. He glances down at the tile, just briefly.
"There was a stalker," he says. "It got past the line."
My throat burns. "Did they—" I stop. Swallow hard. Try again. "Did they suffer?"
He lifts his eyes back to mine, making my stomach drop.
"No," he says. "Not long."
I nod, because nodding feels like something I can still control. Because if I stop moving altogether, I'm not sure I will start again.
There are a thousand other questions pressing at the back of my throat.
Why didn't you let me come?
Why did you promise?
Why were you too late?
But none of them make it out.
The bathroom hums softly — pipes, electricity, the house still alive around us — and all I can think is how unfair it is that the world keeps going when mine has just collapsed in on itself.
Everything hits at once — denial, anger, bargaining, grief — crashing together so hard I cannot separate them.
"No— how could— but you—"
The words fall apart before they even make sense. I cannot form a full sentence. I cannot keep my thoughts in line.
Joel sees it happen.
His eyes gloss over, that softness in them deepening, breaking just enough to give him away. When he speaks, his voice is no longer steady.
"I'm so sorry, baby girl."
He pushes off the sink and closes the distance between us in a single step. One second I'm standing alone in the corner, the next his arms are around me, solid and sure, holding me upright when I cannot do it myself.
I do not fight it.
I let myself fold into him as the shock finally gives way, my body catching up to what my mind has been refusing. The sob tears out of me, then another, then more — violent and uncontrolled, like something breaking loose that I cannot stop.
That's all I do.
I sob.
Panicked and ugly.
Joel stays right where he is, one hand stroking through my hair, slow and careful, my tears dampening the collar of his shirt. He doesn't rush me. He doesn't try to fix it.
"I know," he says under his breath, over and over, his voice low and wrecked.
"I know."
It's almost laughable, how grief still works in a world like this.
After two decades of collapse, of learning how to live with blood, noise and death, it still sneaks up on you the same way.
We learn how to survive the apocalypse.
We never learn how to survive the people we love.
It hurts just as much as it did when I was a child, watching my parents die, understanding too early that loss does not care how strong you become.
Some things never go extinct.
Years Between Us
Joel Miller x FMC | Explicit 17+
TW: violence
Chapter 33: A Sinner’s Mercy
I move down the street toward the residential stretch, the roar of equipment risin' behind me as crews get back to work on the breach. Metal clangs. Voices carry. Busy hands at work.
I cut through lawns instead of stickin' to the road, rifle up, eyes sweepin'. Porch to porch. Window to window. Every shadow gets checked.
A few civilians peer through their drapes, faces pale, searchin' for answers I ain't ready to give. One woman cracks her kitchen window open, Mrs. Robertson. Her kid's clingin' to her hip, eyes too big for her face.
"Is it safe to come out, Joel?" she asks.
"Stay inside 'til you're told," I say, keepin' my voice low.
She nods once. The window slides shut with a tired squeak.
The street's empty again. Too quiet for a place that's supposed to feel lived in. The noise from the wall fades as I move farther away, replaced by the soft rustle of trees, the creak of loose boards, the sound of my own boots on damp grass.
Feels wrong.
This kind of quiet I'm used to, just not here.
I clear every intersection.
Every porch.
Every hedge and patch of brush where somethin' might be crouchin' and waitin'.
I don't rush it.
Then I see the house.
The Watson place.
Leanor's.
I slow without meanin' to, grip tightenin' on the rifle as I step onto the lawn and up the front steps.
And that's when I notice the front door.
Not shut.
Just cracked.
What the hell, I think — but I already know. Years of this world taught me better than to hope when doors don't stay shut.
I ease the screen door open, slow enough it barely makes a sound, then shove the barrel of my rifle through the crack first. Step in after it. Careful. Measured.
I don't say a word.
Not yet.
My boots creak against the floorboards, loud in the stillness. I hold my breath as I clear the entryway, sweep right into the front room.
Anne's knitting sits where she left it, needles threaded through half a sleeve, draped over the arm of the rockin' chair. A mug of tea rests on the end table beside it — steam long gone, surface untouched.
Like time just... stopped.
My stomach drops.
Then I see it.
Blood.
Dark against the wood, smeared and tracked, a trail leadin' toward the kitchen.
This ain't good.
Please, Lord, I think — for Leanor's sake.
I follow the trail, rifle tight to my shoulder, breath locked down, mind runnin' through every outcome I've survived before.
That's when I spot it.
A stalker, twisted wrong on the kitchen floor. Fungus split open, body contorted like it died angry. A kitchen knife's buried clean through its head, handle snapped off at an angle like someone drove it in with everythin' they had left.
Blood pools around it — too much of it. Not all the same.
I hear a sound behind me.
Soft.
A sniffle.
I spin, rifle already up —
Anne.
She's on the floor beside him.
Carl.
What's left of him lies broken and still, blood everywhere, too much to look at all at once. Anne's hand is wrapped around his, thumb movin' slow over his skin like she's memorizin' it. One tear slips down her cheek.
Her face isn't twisted with fear.
It's calm.
Acceptance.
Her eyes don't leave her husband when she speaks.
"Sorry..." she mutters. "House is a mess."
I lower the rifle without thinkin'. It hangs heavy in my hands now, useless.
"It's alright," I say, but the words don't feel like they belong here.
She nods once, like that settles it. Her thumb keeps movin' over Carl's knuckles, slow and familiar.
"He didn't suffer for very long," she says quietly, tellin' me what she needs to believe. "It came at him fast. I tried to pull it off him."
Her breath shakes, just a little. She swallows it down.
"I got the knife," she adds, eyes flickin' briefly toward the thing on the floor. "Didn't think I had it in me." A pause. "Guess we never really know."
I don't answer. There ain't one.
She shifts then, careful, like every movement costs her. Turns just enough for me to see the dark mark at the side of her neck.
The bite.
Clean. Deep. Already swellin'.
Jesus Christ.
She sees my eyes land there and gives me the smallest nod.
"I'm not afraid," she continues softly. "That part's already done."
Her hand tightens once around Carl's, thumb brushin' over his skin like she's prayin' without words.
"I used to tell my students," she murmurs, eyes still on him, "that the Bible doesn't promise us a life without sorrow. Just a hand to hold while we walk through it." A faint, tired breath leaves her. "I guess I always believed that."
She swallows, steadyin' herself.
"Death isn't punishment," she says gently. "It's rest. 'Come to me, all you who are weary and burdened, and I will give you rest.'" Her lips curve, just barely. "I've been tired a long time, Joel."
She squeezes Carl's hand.
"I don't see this as the end," she adds. "Just the last embrace before going home. Like laying your head down after a long day, knowing you're finally safe."
Her voice softens even further.
"God's already carried us through worse than this. I reckon He can carry us the rest of the way, too."
I step closer without realizin' it, frustration crawlin' up my spine with a heat. My hands clench at my sides. All I can think about is Leanor — what this will do to her, how this kind of loss don't fade, just burrows in and stays.
Anne lifts her gaze then, like she's been listenin' to thoughts I never spoke.
"Take care of her," she says softly. "My sweet Leanor."
I swallow hard.
She gives me a knowin' look, eyes clearer than they've got any right to be.
"I'm not as oblivious as you two seem to think," she adds, the faintest smile tuggin' at her mouth. "I see the way you look at each other."
My jaw tightens. "Anne—"
She waves it off gently. "I spared Carl the details," she says, a hint of humour in her voice. "Didn't want to give the man a heart attack." Her gaze drops briefly to his still face, affection written into every line of her. "Guess it doesn't matter now."
She looks back at me, serious again.
"She needs someone good for her," Anne says. "Someone who'll stand between her and this world when it gets cruel." A pause. "You're already doing that, whether you admit it or not."
The words hit harder than any accusation ever could.
"She's stronger than she knows," Anne continues. "But even the strong need somewhere safe to rest."
Her eyes soften.
"Be that for her, Joel."
The house is silent around us, holdin' its breath.
I think about runnin' back for Leanor. About breakin' every rule I've ever lived by and lettin' her say a proper goodbye.
But I don't.
Can't.
Not even for her.
Protocols don't bend for grief. They exist because this world punishes hesitation. Because hope gets people killed.
Anne watches my face shift, sees the fight I lose without sayin' a word.
"She wouldn't want that," she says gently, like she's already made peace with the answer. "Not like this."
I nod, jaw tight. My chest aches with it.
"She's got a life ahead of her," Anne continues. "Better she remembers us as we were. Not... this."
Her hand gives Carl's one last squeeze, then stills.
"You clean this place up," she says. Not a question. "And you tell her."
"I will," I answer, though the thought feels like tryin' to lift somethin' far heavier than I'm built for.
Anne draws in a slow breath, steadyin' herself. When she looks at me again, there's no fear in those baby blue eyes. Just certainty.
"I'm tired, Joel," she says quietly. "And I don't want to change into one of those things."
She straightens her shoulders as best she can, teacher to the end.
"Do what you need to do," she says. "And don't you carry this like it's a sin. Mercy's still mercy, even now."
I almost scoff.
I've been carryin' sins so long I wouldn't know what to do without 'em.
I step closer, every instinct in me rebelin' even as I know she's right.
My hand settles on the grip at my side.
And for the first time since I promised Leanor that I would make sure everythin's alright, I understand exactly what that promise is about to cost.
She looks up at me then, really looks at me, like she's memorizin' my face.
"Thank you, Joel," she says softly. "For everything."
I swallow.
"We haven't known each other too long," she continues, a faint smile breakin' through the exhaustion, "but it's been a comfort. Truly."
Her gaze drifts back to Carl.
"I'm ready now," she says. "Take me to be with my husband."
I nod once.
My jaw tightens, eyes glassin' just enough I have to look away for half a second.
"Yes, ma'am," I say quietly.
I raise the pistol.
She doesn't flinch.
Doesn't look scared.
Her hand stays in Carl's.
The shot is clean.
Her body slumps forward, gentle as sleep, comin' to rest against her husband's chest like that's where she was always meant to be.
Together.
Mercy.
I lower the gun, the echo still ringin' in my ears long after the sound dies. The house settles again, quiet swallowin' everythin' whole.
I stand there longer than I should.
Long enough to memorize the room.
Long enough to make sure there's no one left in the house.
This world don't give you many choices like that. Clean ones. Kind ones. It takes and takes and leaves you to sort out what you can live with after.
I did what needed doin'.
That's what I tell myself.
That mercy still counts, even now.
That promises don't always mean savin' everyone.
That this was better than lettin' her turn into somethin' Leanor wouldn't recognize.
My hand shakes once when I try to lower the pistol back into its holster.
Just once.
I stand over them a moment longer, then force myself to move. There's still a girl waitin' somewhere, trustin' me to come back with good news.
I turn toward the door.
Wonderin' how many words it takes to ruin someone's life.
Wonderin' which ones I'll have to use.
Years Between Us
Joel Miller x FMC | Explicit 18+
TW: Violence and gore
Chapter 32: One Hell of a Mess
~ Joel ~
I rest the rifle against the back of the forklift, metal cold beneath my forearm. I peer through the scope, breath slow, heart thuddin' hard enough I can feel it in my teeth.
Ain't no hero out here.
Just a job.
Keep the line.
Keep the town.
That's it.
I shove everythin' else down, Ellie runnin' her mouth, Leanor runnin' her risks, lock it away where it can't touch me.
They can handle themselves.
They fuckin' have to right now.
I draw a breath and hold it.
The treeline explodes.
Runners first, breakin' through brush like animals flushed from cover. Clickers right behind 'em, screamin', that wet, broken choir of noise clawin' at the air. Too many. Too fast.
I squeeze the trigger.
The rifle bucks into my shoulder, familiar as a heartbeat.
One drops.
Then another.
Heads snap back. Blood sprays dark against the green. Bodies crumple, pile up. I don't linger. Don't watch 'em fall.
Next target.
Next breath.
The air fills with gunfire, orders barked sharp and overlappin'. Someone yells too loud, panic creepin' in. The younger guards are slippin'. I can hear it in their voices, in the way their shots go wide.
"Hold the line!" someone shouts.
I don't look to see who.
I keep shootin'.
Another dozen pour out of the trees, limbs twisted, mouths open, movin' like they've got somewhere important to be.
I set my jaw, adjust my aim, and keep workin'.
No thinkin'.
No hesitatin'.
Just pull.
Breathe.
Kill.
Because if even one of 'em gets through—
I shove the thought down hard and line up my next shot.
Not today.
That's when I see it.
A bloater.
Big. Thick. Swollen with wet fungus, plates of it layered over muscle like rotten armor. Its breath rolls out in a low, guttural boom that almost shakes the town.
Fuck.
Every gun turns on it at once. No hesitation. Bullets tear into the mass, sparks and chunks of mold flyin', but it keeps movin', slow and deliberate, like it don't even notice.
And while everyone's focused on the big bastard, the rest of 'em keep closin' in.
Too close.
Sweat runs down my spine. This is goin' bad, fast.
"Draw back!" I shout.
The line listens. We pull back hard — farther from the gate, closer to the buildings. Civilians get shoved indoors, people yellin' to barricade, slam shutters, get the hell inside. Roof teams scatter to higher ground.
I climb up onto the back of a small box truck, crouchin', rifle steady, eyes never stoppin'.
The breach collapses into chaos.
That's when I spot Hunter.
Kid's sprintin' forward, got a lit Molotov clenched tight in his hand like he's got somethin' to prove.
"No— get back!" I yell.
He doesn't hear me.
He gets too close, launches the bottle straight into the bloater's chest. Flames bloom bright and sudden. The thing lets out a wet, chokin' gurgle, drops to its knees, then tips forward hard.
Dead.
And for half a second, it looks like it worked.
Then a clicker comes out of nowhere.
I lift my rifle, already squeezin' the trigger—
Too slow.
The clicker slams into Hunter from behind, jaws lockin' into his neck. I hear it tear. Tendons snap. Blood sprays hot and dark across the pavement.
Hunter screams once.
That's all he gets.
I put a round through his forehead.
Clean.
Fast.
He drops before he can finish fallin'.
I don't think about it.
Don't hesitate.
Don't feel a damn thing.
Never cared much for the kid anyway.
I rack another round and keep movin'.
Because there's still infected breathin'.
We hold.
The line doesn't break. Not yet.
I keep droppin' 'em, one after another, bodies stackin' where they fall. But the noise keeps comin', and I know better than to think we're clear.
Then a runner breaks for the truck.
I pivot, fire, miss the second one—
Something screeches behind me.
Too close.
A hand clamps around my ankle, strong and wrong, yankin' hard. I lose my footing, slam down against the metal, my rifle skiddin' off the side of the truck and out of reach.
The clicker hauls itself up after me.
Its scream cuts off mid-note.
The thing explodes.
Guts splatter across the side of the buildin', hot and stinkin', pieces rainin' down as the body collapses in on itself.
I don't breathe until I know it's dead.
I twist, heart hammerin', searchin' for where the shot came from.
Rooftop.
Ellie.
She lowers the rifle like it's just another day, gives me a sharp nod like, you good?
And beside her—
Leanor.
Rifle tucked tight to her shoulder, breath steady. She's already movin' to the next target, shots crackin' out around the truck. Not perfect, but solid. Controlled.
My chest tightens in a way I don't like.
She shouldn't be there.
Neither of 'em should.
I should be furious. Should be yellin'. Should be draggin' 'em both back home.
Instead, I set my jaw and grab the pistol from my belt.
Because my stubborn girls are already here.
Because they're already fightin'.
Because they learned it from me.
And there ain't time for anythin' else.
The infected are already closin' in, too close for clean shots.
I get back to work.
One round straight through a runner's eye as it vaults the hood of a car. Another drops mid-lunge, skull snappin' back like it hit a wall. I pivot, keep movin', don't stop to check if they're dead.
They always get back up if you let 'em.
I feel more boots on the truck behind me, someone movin' where I told 'em to stay put.
Ellie.
She's steady, rifle braced against her shoulder. She fires, reloads, fires again without rushin' it.
Leanor's beside her, stance a little stiff but solid, eyes sharp. She hesitates once, then commits, infected drops hard near the truck's wheels.
Luna's anchored farther back, coverin' the left flank like she's done it before. Calm. Focused. No wasted movement.
They're holdin' their own.
Another runner breaks through, teeth snappin', arm stretchin' for me. I step into it and fire point-blank. The recoil jolts up my arm, hot spray coatin' my sleeve.
I don't flinch.
I'm already movin' again, pistol barkin' sharp and fast. Center mass when I have to, headshots when I can. I don't look back again, but I know they're still there.
Still breathin'.
Still fightin'.
That matters more than I care to admit.
"Hold your positions!" I shout. "Don't advance!"
They listen.
That's the difference between livin' and dyin'.
The last of the immediate rush breaks under coordinated fire. Bodies fall where they stand, the street finally quiet enough to hear my own breath again.
I reload, thumb slick with blood, eyes sweepin' rooftops, alleys, doorways.
Still watchin' the girls.
Still countin' heads.
Still not lettin' myself relax.
Not yet.
The last of the noise dies out slow.
Not all at once — never does.
It fades in pieces. A shot here. A scream cut short there. The wet thud of somethin' finally stayin' down. Smoke hangs low over the street, burns the back of my throat when I breathe too deep.
I climb down from the truck, boots hittin' pavement slick with blood and rainwater. My knee protests where I slammed it earlier, but it holds. Always does.
Tommy's already movin', rifle lowered but ready, eyes sweepin' left to right. Maria's a few steps behind him, jaw tight, hands steady despite the mess underfoot.
Bodies everywhere. Infected piled up, limbs bent where they shouldn't be. One of ours lays covered with a jacket — Hunter. Someone had the decency to pull him aside.
No one needs to look at that longer than necessary.
"We held," Tommy says quietly.
"For now," I reply.
Maria exhales slow. "We need clean-up teams. Burn crews. Medical check-ins." Her eyes flick to a smear of blood across a storefront window. "And we need to make damn sure none of that followed us inside."
I nod once. She's already thinkin' three steps ahead. That's why she runs this place.
We walk through the wreckage together, crunch of glass and bone under our boots. The street smells wrong: blood, smoke, rain all mashed together. It'll linger for days.
Jesse jogs up from the south end of the street, breathless, eyes sharp.
"Joel," he says. "We need to do a full sweep. Make sure nothin' got missed in the chaos."
"Get the team together," I tell him. "Full sweep. Houses, alleys, rooftops. Nobody goes alone. I want eyes on every block."
"Yes sir." He doesn't argue. Turns and runs.
Maria's already pivotin' toward Tommy. "I'll gather a group," she says. "Check for bites. Anyone with so much as a scratch gets pulled aside. Quarantine protocols go up now — no exceptions."
Tommy nods. "I'll help secure the west side."
"Good," she says. Then she looks at me. "You okay?"
I scan the street again. Listen.
Quiet now.
"I will be," I say.
She studies me a second longer, then nods. "We'll get a handle on things."
We split off — them toward the gate and the crowd gatherin', me toward the residential stretch just beyond the barricades. Houses still standin'. Windows dark. Too normal.
That's when I hear boots behind me.
"Joel!"
I turn.
Ellie's joggin' toward me from the truck, rifle slung loose over her shoulder, face flushed with adrenaline. Leanor's right behind her, hair pulled back, eyes sharp, still buzzin' from the fight.
My chest tightens.
"You good?" Ellie asks, already grinnin' like she wants round two.
"Fine," I say. "Both of you?"
Leanor nods, but her eyes slide past me, toward home. I see it hit her the same moment it hits me.
"My aunt and uncle," she says urgently, "I should go check on them."
"No," I answer immediately.
She stiffens. "Joel—"
"Area ain't secure." My voice cuts clean. "Not yet."
Ellie scoffs. "Aw, come on. I wanna come. I'm already over here."
I shoot her a look.
"Not happenin'."
She rolls her eyes but backs off half a step, mutterin' under her breath.
I step closer to Leanor, lower my voice. "I'll check on 'em. You two head back to our place. Stay there until I say otherwise."
She searches my face like she's tryin' to read somethin' between the lines.
"You promise?" she asks.
I don't hesitate.
"I promise," I say. "I'll check on 'em myself."
The word settles heavy between us.
Ellie kicks at a puddle, annoyed. "Fineee," she mutters.
Leanor hesitates, then finally nods, givin' my free hand a meaningful squeeze.
"Don't take long," she says.
"I won't."
I hold her gaze a second longer than necessary. Long enough for the noise around us to dull. Long enough for her shoulders to ease, just a fraction. My thumb shifts against her knuckles before I let go, my hand settlin' back at my belt.
They turn and head home, boots splashin' through shallow puddles, rifles still in hand. I watch until they disappear around the corner.
Then I turn the other direction.
Toward quiet houses.
Toward dark windows.
Toward a promise I intend to keep.
I check my ammo.
Adjust my grip.
And move forward through the wreckage, tellin' myself everythin's fine.
Tellin' myself a lot of things in the eerie quiet.
Years Between Us
Joel Miller x FMC | Explicit 18+
Chapter 31: The Road Home
Morning comes too fast.
It slips in thin and gray through the cracks in the cabin walls, here before I would like it to be. I feel like I barely closed my eyes before Joel's hand is on my shoulder, steady and warm, shaking me gently awake.
"Hey," he murmurs. Soft. Careful.
The ghost of last night's kiss still lingers in the way he looks at me, but it's buried under urgency. The kind that doesn't sleep.
I sit up, joints stiff, head foggy. Nightmares still fresh in my memory.
We don't waste words.
We move through the cabin like a practiced ritual, quiet and efficient. Packs repacked. Straps tightened. Weapons checked. Joel clears the stove, shutters the windows, makes sure nothing useful is left behind. It feels wrong, the way we leave it, like we're abandoning it.
Rations are split.
Knives stowed.
Chamber checked.
Then we're gone.
The door closes hard behind us, wood thudding against wood. Our boots crunch onto the gravel path leading into the trees, morning fog still clinging low to the ground.
That's when Joel stops.
He turns to face me, expression carved from stone. His eyes are bloodshot, rimmed dark from a night spent keeping watch instead of rest. He looks older in this light. Harder.
He reaches into his back pocket.
My stomach tightens.
He pulls out a revolver.
Not the rifle. Not the pistol on his hip.
Something smaller. Heavier than it looks.
"Yesterday came too damn close to goin' wrong," he says quietly. No anger. Just truth. "It was almost them versus me... and if that'd gone sideways, I needed to know you'd do what I told you."
His gaze doesn't leave my face as he extends the gun toward me.
"Run," he finishes. "If I went down... and you didn't."
The revolver rests between us, metal dull in the early light.
"I guess you earned this," he adds, voice rough. "Small gun. For a small girl."
I take it from him, feel the weight settle into my palm.
I look up at him and can't help the small, crooked smile that tugs at my mouth.
"I'll take that as a thank you," I say. Then, softer, just enough bite to matter. "And for what it's worth... you're welcome."
Joel doesn't answer.
He just exhales through his nose, rolls his eyes like he's irritated with the entire world, and turns back toward the tree line.
"C'mon," he mutters. "We're burnin' daylight."
And just like that, we disappear into the woods—armed, awake, and walking straight back toward the place that no longer feels safe.
We haul ass on the way back.
Joel doesn't say much, of course he doesn't. He moves with purpose, long strides, eyes always tracking ahead, hand never far from a weapon. Like if he keeps walking fast enough, he can outrun what's waiting for us.
Me?
I'm a bag of nerves.
I fill the silence with questions, words tumbling out of me, just talking his damn ear off.
Favourite colour.
Favourite meal, back before everything went to shit.
He grunts at first, dodges a few. Then, somewhere between the creek bed and the ridge, he surprises me.
Tells me he wanted to be a singer once.
I nearly trip.
"A singer?" I laugh, half disbelieving.
He shrugs. "Yeah. Thought I might give it a try. Long time ago."
I ask him to sing for me.
He doesn't. Not a chance. Shakes his head, mutters something about dignity and keeps walking, but there's a faint smile there that I don't miss.
It's... nice.
Distracting.
The first sign we're close isn't the walls, it's the old wooden mile marker half-buried along the dirt path. Jackson — 1 mile.
We make it in two and a half hours instead of three, boots eating up ground, adrenaline pushing us harder than we should probably go. The closer we get, the tighter my chest feels, impossible to not think of the worst case scenario.
Joel slows first.
A rock skids under his boot and he stops short, hand shooting out to grab my arm. Not rough, but firm. The kind of grip that means listen.
He turns to face me, eyes dark, bloodshot from no sleep. Whatever he's been carrying since dawn is written all over him now.
"Leanor," he says.
Just my name. Enough to quiet me completely.
"When we get back," he continues, voice low and steady, "you head straight home. You don't stop. You don't look around. You walk like nothin's wrong and you lock the doors behind you."
I nod, already understanding the weight of the situation.
"I reckon your aunt and uncle are gonna have questions," he adds. "You tell 'em to stay inside. Curtains drawn. Doors locked. Till I come get you myself."
His grip tightens, just a fraction. Not anger, just urgency.
"Understood?"
This time, there's no argument itching at the back of my throat. No smart remark. No pushing back just to prove I can.
Jackson isn't just a place to me.
It's everyone.
And Joel looks so damn tired, like today's already carved years off him. For once, I don't want to make his life harder.
I meet his eyes and nod once.
"Understood."
He holds my gaze a second longer, searching for the sincerity of my words. He finds it.
Just as his grip loosens, the world ahead of us erupts.
A deafening BOOM tears through the air, close enough that the ground shudders beneath our boots. Birds scatter from every direction. My stomach drops, knots twisting tight as I stumble a half-step.
"What the fuck was that?" I gasp.
Joel's already turning, eyes locked on the treeline ahead where dark smoke curls into the sky.
"Smoke," he snaps. "That was an explosion."
He grabs my arm again, harder this time, pulling me into motion.
"Move. Now. We gotta pick up the pace."
And we do just that.
We break into a jog, then faster—boots slamming into mud and loose gravel, breath tearing from our lungs. The air smells wrong ahead. Burnt. And then—gunfire. Sharp cracks echoing through the trees.
When Jackson finally comes into view, we don't slow.
We hear it before we really see it—guards shouting, voices overlapping in panic. Orders barked. Someone screaming for more ammo.
Then the wall.
A massive section of the exterior barrier has been blown clean open, timber splintered outward like broken ribs. Smoke rolls from the gap, curling up into the sky. The town is exposed. Wide open.
Joel swears under his breath, something low and furious—
And then the engine roars.
A large utility truck tears out through the breach, suspension bouncing hard as it hits the dirt road, already gaining speed.
Straight toward us.
"Get down!" Joel yells.
He hauls me sideways behind a boulder at the edge of the path, pressing my back into stone as he shields me with his body for half a second too long. Then he's already moving, rifle sliding free, bracing it against the rock.
I stay low. Heart in my throat.
The truck barrels closer, engine screaming, windshield spiderwebbed with cracks.
Joel fires.
The shot rings out sharp, the round punching into the metal siding with bright sparks.
He fires again.
This one lands—rear wheel. Rubber explodes, the truck fishtails violently, but it doesn't stop. The driver fights it, grinding the accelerator like sheer will might save them.
"Fuck," Joel growls.
The vehicle swerves, misses us by yards, then roars past, trailing smoke and shredded rubber as it tears down the road away from Jackson.
Gone.
For now.
Joel lowers the rifle slowly, tracking it until it disappears beyond the bend. His chest rises and falls hard. Mine mirrors it.
Joel finally looks at me, eyes dark, jaw set like stone.
"Change of plan," he says, already moving, grabbing my wrist with purpose.
"You're comin' with me. Now."
There's no room for argument in his voice.
By the time we reach the breach, the town is already moving like a kicked anthill.
A loader roars just inside the wall, its bucket scraping debris back into the gap, concrete and splintered timber grinding together in a scream of metal on stone. People swarm around it, some hauling steel sheets salvaged from old construction sites, others dragging logs thicker than my torso, shouting over one another to be heard.
It's chaos.
But it's organized chaos.
Jackson in crisis.
Tommy's in the middle of it all, barking orders, sweat already soaking through his shirt. He's got a clipboard in one hand and a radio clenched in the other, spinning from crew to crew like he's holding the whole damn town together.
"Let's hustle!" he shouts. "That breach stays open, we're all dead—move!"
Joel breaks into a jog ahead of me.
"Tommy!" he yells.
Tommy snaps his head up, eyes locking onto Joel like a lifeline just walked out of the woods.
"Well I'll be goddamned," he calls back. "Perfect timin', big brother."
Joel doesn't slow.
Tommy throws his hands up, then drops them hard against his sides, a sharp exhale tearing out of him as he curses under his breath.
"Two imposters on the inside," he snaps. "They fuckin' knew our schedule. Knew we had a weapons shipment come in last night. Blew the wall closest to the armory and hightailed it in a truck not two minutes ago."
The words land heavy.
Joel steps closer, voice tight with fury. "Why the hell didn't you tell me we had a goddamn shipment comin' in?"
Tommy glances at me.
Just for a second.
Then back at Joel.
"I didn't wanna ruin your little trip," he says defensively.
Joel lets out a sharp laugh, bitter and disbelieving. He throws his hands up, pacing once before spinning back around.
"I would never have left," he snaps. "You know that. I would've stayed—doesn't matter now." He points west, jaw set. "I saw 'em head that way. I popped one of their tires. I can take a horse, track 'em down right now and finish this."
Tommy speaks into his radio without looking at him, rattling off orders, confirming positions, asking for headcounts. When he finally looks back at Joel, his expression is iron.
"No," he says. "Not priority."
Joel retorts. "The hell it ain't."
Tommy steps closer now, lowering his voice but not the weight behind it. "We need you here," he says firmly. "Right now. This wall stays open, we lose people. Maybe the whole town. You wanna chase ghosts, or you wanna keep Jackson standin'?"
Joel's hands clench into fists at his sides. I can see it in his face, the pull. The instinct to hunt. To finish what he started.
Tommy doesn't give him the chance to argue again.
"We barricade first," he says. "Now."
A loader roars behind us, steel slamming into place. Sparks shower the dirt as welders get to work, guards shouting over one another, the air thick with smoke and panic and adrenaline.
"Joel!"
The shout cuts clean through it all.
Ellie comes barreling toward us from the inner street, dropping the crate of supplies she'd been carrying without a second thought. Tools scatter across the dirt as she skids to a stop in front of him.
Joel turns fast.
"Jesus—" He grabs her face in both hands, thumbs pressing into her cheeks like he needs to feel her there, solid and breathing. "Thank God you're alright."
Ellie blinks up at him, breathless but very much alive. "I could say the same thing," she shoots back. "You two disappear for a couple days and the wall fuckin' explodes?"
She finally notices me standing there, eyes flicking over me quick, sharp.
"...You okay?" she asks.
I nod. "Yeah."
It feels thin, but it's true enough.
Before anything else can be said—
"INFECTED!"
Jesse's voice cracks through the air from one of the watchtowers, sharp and urgent.
Every head snaps up.
"Tree line!" he shouts. "Southwest—movement!"
The loader cuts its engine. Welders drop their torches. Guards scramble into position, rifles swinging outward in one fluid motion.
Joel's hand comes up instinctively, pulling Ellie back toward him, pushing her behind his shoulder. His other arm hooks around me, drawing me in close like we're all one unit now.
"How many?" Tommy yells.
Jesse doesn't hesitate. "Too fuckin' many."
The noise must've carried. The explosion. The shouting. The equipment.
They're coming.
Shapes start to break through the trees: staggering, jerking silhouettes spilling down the slope toward the breach. Low, wet, guttural noises rise with them.
"Positions!" Tommy barks. "Hold the line!"
Joel presses his forehead briefly to Ellie's, fast and fierce. "Get inside. Both of you."
Ellie opens her mouth to argue.
He doesn't let her.
"Now," yells.
She hesitates only a second, then grabs my wrist, yanking me with her toward the town as gunfire cracks to life behind us.
As the town braces for impact, steel groaning under pressure and bullets tearing through the morning air, I understand something with absolute clarity—
The raiders didn't just punch a hole in the wall.
They rang the dinner bell.
And Jackson is about to find out how loud it was.
We run.
I don't question where Ellie's taking me, I just follow, boots pounding the porch steps as she throws her weight into the front door. It slams open and we spill inside, breathless, hearts racing.
She doesn't slow.
Not for the table.
Not for the couch.
Not for the quiet that feels wrong compared to the chaos outside.
Straight through her and Joel's home.
"Ellie—" I gasp, fingers curling tight around my own sleeves as the adrenaline finally starts to shake loose. "We need to do something."
She's already moving.
"Way ahead of you."
She takes the basement steps two at a time, nearly sliding down the last few. I follow, pulse roaring in my ears, the sounds of gunfire and shouting muffled but still present above us.
Ellie drops to one knee in front of a low, scratched up cabinet built into the wall. She pulls a key from a cord around her neck.
The lock clicks open.
Inside: rifles. A shotgun. Boxes of ammo stacked tight and neat. Joel's handwriting scribbled on the side of one crate in sharpie.
Ellie grabs a rifle, checks the chamber, and doesn't stop at just one.
She reaches back into the cabinet and pulls out a second rifle, lighter than the first but still solid, worn smooth along the stock from years of use. She checks it quick, efficient, then turns and presses it into my hands.
"For you," she says. "Safety's here. Kick's manageable."
The wood is cool against my palms. Familiar enough. I wrap my fingers around the grip.
For a moment, my mind flashes somewhere else entirely.
Auntie Anne's kitchen table. Uncle Carl's steady hands folded in prayer. The way safety used to mean four walls and a locked door and faith whispered into the dark.
I think about running home.
About kneeling with them.
About letting someone else carry this.
But that life feels... distant now. Like something I already buried.
Jackson doesn't need me hiding.
It needs bodies.
Hands.
People who won't freeze when it matters.
And I'm not the girl who arrived here fourteen years ago anymore.
I lift my chin, tightening my grip on the rifle.
Ellie catches the look on my face and grins.
"Let's go join the fight," she says, a small smirk tucked into her tone like a challenge.
I nod once.
This town raised me.
And I'll bleed for it if I have to.
Years Between Us
Joel Miller x FMC | Explicit 18+
Chapter 30: No Rest for the Damned
~ Leanor ~
Back in the cabin, I sit on the edge of the bed and don't move.
Hands tucked beneath my thighs.
The quilt's rough weave presses into my palms like it's trying to remind me I'm still here.
I just sit.
No tears. No shaking.
Just... stillness.
On the surface, I feel like the world's biggest sinner. Like the earth itself ought to open up and swallow me whole for everything I've done these last few days, especially today. I half-expect punishment to come crashing down through the ceiling. A bolt of lightning. A voice from above. Something biblical and final.
But inside?
Inside there's nothing.
No guilt clawing at my ribs.
No shame crawling up my throat.
Just the quiet, hollow work of my mind trying to understand that I took a life.
Yesterday, it was a turkey.
Warm feathers. Beating wings. A clean shot.
Today, it was a human being.
I keep thinking about how thin the line is. How fast something alive can become not. One moment breathing, the next gone. As if I reached out and played God with hands that don't belong to me.
Reaping things I had no right to reap.
The afternoon slips by unnoticed. Light shifts across the cabin floor, dust drifting lazy through sunbeams, and I don't follow any of it. I'm here in body, sure, but my mind's somewhere else entirely. Floating.
Joel's voice cuts in at some point. He says something about taking care of the bodies. Tells me to stay put. Says I've had enough for one day.
I think I nod.
I'm not sure.
He comes back in at some point.
Could've been five minutes.
Could've been an hour.
I only register him when the floor creaks close, when the weight of him settles in front of me. His hands come to rest on my knees, warm and steady.
He's crouched in front of me now.
"Baby girl—Leanor," he starts.
I don't look at him.
I look through him.
The room is still hazy, edges soft and distant, like I'm watching the world through smoke. My eyes won't quite focus. My body's here, but the rest of me is lagging behind, slow to catch up.
His thumb carefully brushes my knee once.
Then his hand lifts, slow, like he's afraid he'll spook me if he moves too fast. His palm cups my cheek, calloused and gentle all at once, his thumb stroking along my jaw with a tenderness that almost hurts.
"Baby," he says again, voice lower now. Rough around the edges. "I need you to be strong now."
That's what pulls me back.
Not the words themselves, but the way he says them.
There's something close to fear in his voice. Something frayed. Like he's holding himself together by sheer force of will, and he needs me present for it. Needs me with him.
My eyes finally find his.
He's watching me too closely, searching my face for signs I can't name yet. His brows are drawn, mouth tight, that familiar look he gets when he's trying to carry too much alone.
"I got you," he murmurs, softer. "But I can't do this if you drift off on me, alright?"
His forehead presses briefly to my knee, just for a second, an unconscious gesture, almost prayer-like, before he straightens again.
"I need you here," he adds quietly.
And for the first time since it happened, I feel something stir in my chest.
Responsibility.
I swallow, throat tight, and nod once. Small.
"I'm here," I manage, my voice thin but real.
The relief that flashes across his face is immediate. He exhales like he's been holding his breath since the world began.
"Good," he says, brushing his thumb beneath my eye, wiping away something I hadn't realized had gathered there. "That's my girl."
He doesn't say anything else right away.
He just stays there, like if he lets go I might slip back into that hollow quiet again.
And for now—
I don't.
After a few moments, he shifts.
Straightens just enough to look me square in the eye.
The room feels smaller suddenly. Like whatever he's about to say has weight enough to press the walls in.
I listen.
Really listen.
The woman he needs me to be.
"Jackson," he says quietly. "It ain't safe."
The words don't land like panic. They land like an unavoidable fact.
"I thought about turnin' us around the second it all went down," he continues. "Headin' back hard, warnin' the others before anythin' else could happen."
His jaw flexes, eyes flicking briefly to the window, to the line of trees that begin our journey home.
"But night'll be on us before we're there," he adds. "And we don't travel after sunset. You know that."
I nod slowly.
I do know that.
Joel exhales through his nose, rubs a hand down his face like he's been running this loop in his head a hundred times already.
"So we stay put till first light," he says. "Then we move. Fast."
He pauses, watching me closely now.
"No arguments," he adds firmly. "When we go, you stick close. You don't wander. You don't try to be brave for the sake of it."
A beat passes.
"You already proved you got it in you," he says quietly. "Now I need you smart."
I straighten just a little on the bed, meet his gaze without flinching.
"Okay," I say. Clear. Steady.
His shoulders ease a fraction, like he's been bracing for a fight that never comes.
"Good," he murmurs. "We'll make it back. Warn 'em. Fix what we can."
Then, softer—almost to himself:
"And God help anyone who thought they were gonna take advantage of that town."
He reaches for my hand, gives it a squeeze that says stay with me without speaking it aloud.
The rest of the day passes in a deliberate hush. Like the world itself knows better than to make noise. Joel moves through the cabin with an unnerving calm—cleaning weapons at the table, laying them out in neat lines, checking the chamber of his rifle twice, then a third time. I help where I can, packing what little we brought, sorting rations. Dinner is plain and forgettable. We eat because we have to. Words feel unnecessary, so we let the silence sit between us. The fire burns low. Outside, the woods quiet down.
That night, sleep takes me whether I want it or not, and when it does, it isn't kind.
I'm back there again. Behind the cabin. The smell of iron and dirt. Only this time the faces won't stay still. They shift, turkey feathers melting into skin, skin cracking open like bark. The woman's eyes are everywhere, accusing, laughing. Blood pools at my feet and keeps rising, warm around my ankles, my knees, my chest. I try to scream but my mouth fills with soil. Hands grab me from beneath the ground, fingers like roots, dragging me down while a voice, too familiar, too close, keeps whispering: you did this, you did this, you did this.
I wake with a sharp gasp, soaked through with sweat, heart slamming against my ribs like it's trying to escape. The cabin is dark, shadows long and warped by moonlight. For a split second, I don't know where I am.
Then I see him.
Joel sits in the old rocking chair by the window, silhouetted against the pale glow outside. The chair creaks softly with each slow movement, barely audible. His rifle rests across his thighs, one hand loose around the stock, the other steady on the armrest. He hasn't moved all night. I know it without asking.
He looks over the moment my breathing changes.
"Hey," he murmurs, low and careful, like he's approaching a skittish animal. "You're alright."
I swing my legs over the side of the bed without thinking, feet finding the cold floor. He stands immediately, crossing the space between us in two quiet steps. Doesn't crowd me. Just close enough. Close enough to feel real.
"Nightmare?" he asks.
I nod.
He hesitates only a second before pulling me into him, one arm firm around my shoulders, the other resting at my back. I press my face into his chest, breathe him in: smoke, leather, a new comfort to me. My hands clutch his flannel shirt like it's the only thing keeping me upright.
A few tears slip free despite my best effort, darkening the fabric of his shirt where my face is pressed.
He feels it anyway.
His body stills, like every instinct in him sharpens at once. One of his hands slides up my back, firm but gentle, rubbing slow circles between my shoulder blades like he's grounding me back into my skin.
He pulls back just enough to see my face. Two fingers hook gently under my chin, lifting my gaze without force. His eyes are almost black in the low light, softer than I've ever seen them though, reflecting the moon through the window behind him.
"You listen to me," he says quiet but certain.
"Ain't nobody gettin' near you. Not tonight. Not ever." His thumb brushes under my eye, wiping away the last trace of wet. "I swear it."
I nod, small.
That's when he leans in.
The kiss is slow. Careful. Not hungry. Not rushed. His lips press to mine like he's nervous, like he's scared I might run away, even though he knows I wouldn't. He lingers just long enough for my breathing to even out, for the shaking in my hands to fade.
When he rests his chin against my forehead afterward, he exhales softly.
"You ain't alone," he murmurs. "Haven't been for a while."
And for the first time since the nightmare tore me awake, my chest loosens.
Just a little.
I miss him every single day.
#the category is: wet
Years Between Us
Joel Miller x FMC | Explicit 18+
TW: violence
Chapter 29: Red in the Pines
~ Joel ~
I bind the bitch at the wrists and ankles, quick and efficient, then drag her out the back door. She hits the dirt hard beside the cabin, right where the firewood's stacked, split logs piled waist-high against the wall, an old axe sunk into a stump nearby, rusted tools half-buried in the mud.
Out of sight from the clearing.
Good enough.
She hits the dirt and it wakes her up.
Starts runnin' her mouth immediately: threats, promises, spit and bile all mixed together. I don't bother listenin'. Words don't mean a damn thing comin' from someone already this deep in it.
I crouch, grab the nearest rag from the woodpile: old, oil-stained, useless for anything else and shove it in her mouth. Hard enough to make the point.
That's when I hear it.
The back door slams.
Shit.
Leanor's footsteps are light but rushed. I don't look back right away because I already know what I'll see.
She can't watch this.
She can't see the part of me that doesn't hesitate. The part that doesn't care if this piece of work lives or dies, not after she threatened one of the few reasons I still draw breath.
I turn and catch Leanor by the sleeve before she gets too close, guidin' her a few paces away. Far enough the woman can't hear. Close enough I can still see her.
The woman stays in my peripheral vision. Good.
Leanor's eyes meet mine — dark, wide, pupils blown from adrenaline. She looks a little wild. A little rattled. Like she hasn't quite landed back in her body yet.
My little wild one.
And it hits me, sharp and ugly: she didn't know what she was signing up for when she followed me out here.
I lower my voice.
"Listen, Missy," I say, firm but not unkind. "I need you to go inside. Now."
She doesn't move.
My jaw tightens as I swallow. "I ain't want you seein' this part of me. Not like this. No way."
I hold her gaze, steady, unblinkin'.
"This is somethin' I gotta handle."
"This is where you draw the line at training?" she says, chin tipped up like she's challengin' me.
Any other day, maybe I'd agree with her.
But she's not ready for this. Not yet. There's too much still sittin' raw under her skin, things you don't just muscle through.
"Leanor," I say, sharp enough to cut through it. A warnin' more than her name. Listen to me.
She hesitates, then her voice drops.
"I don't want to be alone again."
She swallows. "Not after that."
She looks up at me then — big brown eyes wide, too bright, peering through her lashes like she's bracin' for the answer but still hopin' I'll change my mind. There's dirt smudged on her cheek, hair pulled loose from the rush of it all, breath still a little too quick.
She looks small in a way that twists something ugly in my chest.
That does it.
I pinch the bridge of my nose, breathin' slow, feelin' the part of me I try to keep buried start to give way. The part that hates seein' fear in her eyes. The part that remembers what comes after you turn your back.
"Fine," I mutter at last.
Her shoulders loosen just a bit. Relief flickers across her face before she reins it in.
"But you stay right there," I add immediately, pointin' toward the door. "You don't step closer. You don't look. And you don't say a damn word."
I meet her gaze, make sure she hears me.
"I mean it."
I give her ass a light tap as she heads for the door, a wordless reminder to keep movin'. She does, settles herself on the cabin's doorstep just inside the frame, back straight, shoulders squared, body angled away from the woman on the ground.
Eyes forward.
Hands folded tight in her lap.
Listenin', for once.
Good.
I turn away from her and walk back toward the bitch tied in the dirt.
Whatever softness I had a minute ago is gone. Shut down. Locked away.
This one isn't a person right now.
She's a threat.
And threats get dealt with.
She sees me comin', eyes wide and feral, breath hitchin' against the rag. Late thirties, maybe. Chestnut-coloured hair matted with dirt and sweat. On another day, in another life, she might've been decent-lookin'.
Not today.
I plant the heel of my boot into her stomach, not hard enough to cave anythin' in, just enough to remind her who's standin' and who's not. I lean down so she has no choice but to look at me.
"I'm gonna take the rag out," I tell her, voice flat. "You make a sound, you twitch, you try somethin' clever—"
I press down a little harder.
"—you'll regret it. Understood?"
Her head jerks in a quick nod. Fear does that. Makes people honest.
Good enough.
I reach down and yank the rag free in one clean motion, tossin' it aside without lookin' at it.
Now she can talk.
Now she gets to choose how this goes.
I crouch in front of her, level with her eyes.
"Now why don't you start by tellin' me who the hell you are," I say calmly. "You mentioned someone named Bucky. I wanna hear that story. How he knows us. How he found us."
She says nothin'.
Just stares back at me, jaw set, breath comin' quick through her nose. They always think silence buys them time.
It doesn't.
I sigh through my nose and shift my weight, resting my forearms on my knees like we're about to have a real conversation.
"See, here's the thing," I continue. "I already know you ain't out here by accident. Folks don't stumble this far unless they're lookin' for somethin'. Or someone."
Her eyes flick — just for a second.
There it is.
I straighten slowly, lettin' the quiet stretch. Lettin' it work on her.
Part of me remembers why I told the little brave one to stay inside. Why I didn't want her seein' this side of things. Because this is where the man I need to be and the man I am don't always line up clean.
And I don't want her learnin' that lesson yet.
I look back down at the woman.
"Last chance," I say evenly. "You can tell it clean. Or we can make it take longer."
I hope it won't have to come to that.
But I don't bank on hope.
She stays quiet.
Stubborn. Or stupid.
I reach for my back pocket, fingers brushin' the weight of the handle. I pull my pocket knife free.
I glance back over my shoulder.
Leanor's watchin'.
Of course she is.
Her jaw's set, eyes sharp, takin' in more than she should. I hold her gaze for a beat longer than necessary.
"What did I fuckin' say," I mutter.
She rolls her eyes but does what I asked, turns her head, stares hard towards the woods, like she can will herself not to hear what comes next.
Good enough.
I turn back to the woman, lowering my voice.
"You see how this is goin'?" I say calmly. "I gave you a chance to talk. You chose not to."
I take the tip of the knife and push it into her jugular, just enough to nick the top layer of skin, not enough to puncture. I feel her pulse movin' impossibly fast beneath the blade, sweat glistenin' wet on her skin.
"Okay!" She blurts, voice crackin'. "Okay—Hold on now."
I pull the blade back from her skin, a small drop of blood dribbles from the scratch.
She swallows hard, then tries anyway.
"Free me," she says, voice tight. "I'll tell you everythin'."
I let out a short breath that might almost pass for a laugh if any of this were funny.
"That ain't how this works, sweetheart."
I lean in, close enough she can smell the blood and sweat on me, voice droppin' low.
"You talk first. Then we'll see."
Her eyes flick toward the cabin.
"And just so we're clear," I add quietly, "the guy face down inside? Bullet right between his eyes?"
I hold her gaze.
"That was mercy."
I straighten, givin' her space again, lettin' the weight of it settle.
"So start talkin'. Names. Numbers. How long you've been sniffin' around."
I don't raise my voice.
I don't rush her.
She already knows she's out of options.
She hesitates.
"You don't deserve a single word from me," she spits. "Not after killin' Red."
Red.
The name hits and everythin' lines up, cold and ugly. Lander wasn't a dead end, it was a warnin'. That butcher shop. The empty camp. No one left behind, just signs they'd peeled out quick and quiet.
I told myself they scattered.
Told myself we scared 'em off.
That was the mistake.
They didn't run. They watched. Regrouped. Followed.
A month. Maybe more. Long enough to learn my routes. Long enough to notice who I was protectin'. Long enough to wait until we were segregated.
And I walked Leanor straight into it.
Assumed I had it handled. Assumed my past stayed buried where I left it. Assumed wrong.
Every mile I put between her and Jackson, every lesson, every night I let myself believe this trip was good for her, I was draggin' danger closer.
Red wasn't finished with me when I put him down.
And now the bill's come due.
That does it.
The implication of it.
That I missed somethin'.
That I let my guard down.
That I dragged her into this thinkin' I was ten steps ahead when I was really two behind.
I feel stupid.
And that's the one thing I don't forgive.
My grip tightens as I bring the knife up, not pressin' yet, just close enough that she knows exactly where it could go. I tilt her chin with the flat of the blade, force her eyes up to mine.
"You better start talkin'," I say low, voice gone flat. Dangerous. "Or I will cut that tongue from your god damn mouth."
She doesn't flinch.
Instead, she laughs.
Soft. Ominous. Like she's already decided how this ends.
"Joel Miller," she says, drawlin' my name out like she enjoys it. "You're not as bright as everybody says you are."
Something inside me goes still. Cold.
"There were six of us total," she says finally. "Red and Billy, who you slaughtered in Lander. Young Mikey, me... and 2 more."
My stomach drops, cold and heavy.
"Names," I say.
She snorts. "You don't know 'em well, but you seen 'em."
My eyes flick up.
"Jackson," she continues. "A little while back. Injured travelers. Played it right. Looked hungry enough, scared enough."
Under my goddamn nose the whole time.
"Are you talkin' about Kate?" Leanor's voice cuts in behind me.
I spin halfway before I mean to, heart slammin' hard enough to piss me off. She's standin' away from the door now, eyes locked on the woman like she's tryin' to put pieces together she was never meant to see.
The woman's mouth curls.
"Well I'll be damned," she says, pleased as hell. "So you put a name to it already."
My grip tightens on the knife.
Leanor doesn't back down.
"The woman I stitched," she says, quieter now. Careful. "Kate?"
The woman's smile widens, slow and ugly.
"Look at that," she hums. "Smart and steady-handed."
My stomach drops.
Leanor's gaze flicks to me, just for a second, not asking, just confirmin' what she already knows.
"She came in hurt," Leanor continues. "South Gate. Said she'd been run down, scraped up on the road." Her jaw tightens. "You did that to her."
The woman shrugs like it's nothing. "Had to make it believable."
I signal, puttin' my hand out behind me, tellin' Leanor to stay put.
"You don't get to talk to her anymore," I say coldly.
Leanor doesn't move any closer.
"She's inside," she says instead. "Inside Jackson."
The woman nods, pleased as hell.
Somethin' changes in Leanor then. Not fear, betrayal.
"How many?" she asks.
I snap her name, sharp. "Leanor."
Too late.
"Just the two," the woman says easily. "Kate and the man she came in with, Bucky. Scouts. Quiet ones." Her eyes glitter. "Smuggled weapons out. Ammo. Schedules. Right under your noses."
Leanor's fist clenches at her side.
And I know, right then, that this isn't just about Lander anymore, nor this cabin.
This is about my town.
And I let it happen.
Despite every word I just said, Leanor moves.
Fast.
"Leanor—!" I bark, droppin' the knife as I reach for her.
Too late.
She twists out of my grip the way I taught her — not clean, not perfect, but effective. Ducks under my arm, pivots off her back foot, and I feel a sharp jolt of somethin' ugly in my chest as she breaks free.
Shit.
She doesn't hesitate. Doesn't look back.
She goes straight for the woman. My pocketknife somehow flashin' in her grip.
The raider's eyes widen, surprise flashin' across her face just long enough for Leanor to close the distance.
Leanor doesn't hesitate, the knife drives forward once, quick, buryin' it into the woman's forehead, with a dull, wet sound.
There's no scream.
No struggle.
Just a startled breath that never finishes.
The woman's body goes slack immediately, head lollin' to the side like the strings were cut. Whatever smugness she had left dies with her, leavin' nothin' but weight.
Leanor lets go.
The knife slips from her fingers and drops into the dirt.
She stumbles back a step, then another, staring at the woman like she's tryin' to understand how somethin' alive can become nothin' so fast.
"Jesus—" I breathe, already grabbin' Leanor, haulin' her back against my chest before her knees give out.
"Hey," I say low, steady, right against her hair. "I got you, baby girl."
She doesn't cry.
Doesn't scream.
She just breathes. Fast. Shallow. Eyes locked on the body.
"I didn't think," she whispers. "I don't know why I did—"
"I know," I cut in, firm but gentle. "I know why you did it."
I guide her back toward the cabin step, turn her so she doesn't have to see it anymore.
"Sit," I tell her quietly.
She does.
Hands shakin' in her lap. Face pale. Jaw clenched tight like if she lets go of it, everythin' else will spill out.
I look back at the woman once.
Dead.
No more answers.
No more threats.
And that's on me.
When I turn back to Leanor, the weight of it settles heavy in my chest.
She crossed a line today.
So did I, a long time ago, and now I dragged her right across it with me.
I crouch in front of her, make sure she's lookin' at me.
"You hear me?" I say softly. "You're still here. You're safe. And I'm not goin' anywhere."
Her eyes finally lift to mine.
And I know this moment will live in her forever.