Misplaced Lens Cap
Today's Document
noise dept.
Peter Solarz
Stranger Things
Monterey Bay Aquarium
official daine visual archive
Love Begins
2025 on Tumblr: Trends That Defined the Year
$LAYYYTER
Keni
if i look back, i am lost
JVL
hello vonnie
đ©” avery cochrane đ©”
Andulka
Aqua Utopiaïœæ”·ăźćșă§èšæ¶ă玥ă
NASA
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KIROKAZE
seen from India
seen from New Zealand
seen from United Arab Emirates
seen from New Zealand
seen from United States
seen from TĂŒrkiye
seen from Nigeria
seen from United States
seen from Iraq
seen from TĂŒrkiye
seen from Brazil
seen from Costa Rica
seen from Brazil
seen from United States
seen from Malaysia
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
@livinginfictionhere
Sorrowful even to death
Sorrowful even to death
The past few weeks have been an adjustment â and itâs been incredibly tough. On one end, I feel so alone, lost, and human-less at times. I feel a kind of sorrow: a longing to be back with loved ones, a realization of the pain of adulthood and independence, and a solemness of puffing myself up to be someone Iâm not. I admit I am in a season of sorrow. And yet, Jesus felt even more sorrowful ââŠ
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ACW: A case study
ACW: A case study
As we venture off into the world of virtual fashion weeks and socially-distant seasons, I sit at my desk less inundated with shots of street style models and whimsical set designs. Instead, it seems, the industry is continuing to slow down, slowly redefining itself a couple of percentage points at a time. Burberry instated a matrix-esque woodland Hunger Games while Moschino opted for aâŠ
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Fashion forever?
My good friend, Chase, sent me this NYT article that perfectly encapsulated my thoughts on the âbusynessâ of the fashion industry. It speaks to how Scott Sternberg, founder of Band of Outsiders, created Entireworld, envisioning it as a ârejection of the traditional fashion system.â It was created to disband the notion of wholesale, seasonal collections, and fashion shows â the current landscapeâŠ
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Different forms of cinematography
Different forms of cinematography
I think photography and cinematography play such powerful, under-rated currents in storytelling. It is what the audience subconsciously takes in without a doubt. When done correctly and effectively, it can convey so much more of the storyline than the dialogue or character development itself. As we say, a picture is worth a thousand words.
Two very different forms of cinematography come toâŠ
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Social justice shopping in the age of COVID?
After reading Manrepellerâs article on âShould we still be shopping?â, my friends and I got into an interesting discussion on the topic of shopping to save the industry vs. shopping to distract ourselves from endless sources of tragic news and pure boredom. The crux of the argument, the article well summarizes with this:
Because even beyond the debate over where our money is most impactfulâŠ
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Fashion reads while 'social-distancing'
As we start enclosing ourselves into our own caves, we can spend the time better understanding the world around us. Itâs a time of self-reflection, and ultimate introversion in some sense, as we find different ways of connecting with each otherâŠ. in the comfort of our own home.
Some short reads below to look into while we sit at home:
Personal story of JJ Martin living in Milan
OliviaâŠ
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LONDON FASHION WEEK 2020
LONDON FASHION WEEKÂ 2020
This past weekend, I was able to attend my first ever fashion week in London. Typically not open to public, fashion week is a celebration of new, innovative art and design coming together. As of British Council September 2019, that London Fashion Week would be the first to open its doors to the public.
It meant that LFW would dedicate two days to hosting the public, with 6 ticketed catwalksâŠ
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Sustainability in Fashion: Realistic or Idealistic?
Sustainability in Fashion: Realistic or Idealistic?
I think itâs really interesting to think about what âsustainabilityâ even means in fashion. At the route of the industry is the need to be materialistic â âfashionâ wouldnât exist without the need to be a bit excessive or âconsumeristic.â If we are pursuing sustainability to âavoid the depletion of natural resources [and] maintain an ecological balanceâ then it seems that fashion and truesustainaâŠ
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REVIEW // JOKER
âBetter to be king for a night than schmuck for a lifetime.â
Rupert Pupkin, The King of Comedy
The Joker is one of the most compelling narratives of a manâs descendent into chaos. Itâs a mashup somewhere between Nabokovâs Lolita and Camusâs The Stranger. A sad, momentous reality depicted in its organized and disorganized, prompted and impromptu, ordered and disordered moments. A twist on ourâŠ
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LOUIS VUITTON Sâ20
Belle Ăpoqueâera Paris â ââItâs a part of French history thatâs very interesting in art, as well as culturally, in terms of emancipation of women, and, of course, in literature with Proust,â he explained. Itâs also a period that more or less coincided with the birth and rise of the house of Louis Vuitton. In the late 1800s, advances in construction and technology ushered inâŠ
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MAISON MARGIELA Sâ20
âStories of hope, heroines, and liberation are forgotten as history draws ever closer to repetition.â Army hats, structured corsets, caped jackets â theatrics to remind you the liberation from wartime â the hope that encompasses you after tragedy.
LOEWE Sâ20
âEthereal, poetic, and aristocratic.â Jonathan Anderson has mastered the fine art of layering lace,âŠ
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QR: SPRING SUMMER '20
QR: SPRING SUMMERÂ â20
FENDI | Sâ20
Lagerfeldâs successor, Silvia Venturini Fendi opened up a new wave of summer with a different kind of âsolar mood.â A new, warm Italian summer with sun-kissed girls and quilted cotton jackets to round out another season of life, somewhere in between work and vacation.
PRABAL GURUNG | Sâ20
Cannot not talk about politics when it comes to this particular show that wasâŠ
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RAG & BONE \\ SPRING 20
Marcus Wainwrightâs return to the runway is unlike your typical show experience. Admist launching AI-hosted dinners and photo exhibitions, he filled his runway with the streets of New York. Mixing menâs tailoring with artful layering, he has mastered the sense of NY nostalgia, and the nostalgia of a show in his latest project.
KHAITE \\ SPRING 20
CatherineâŠ
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How to find your style!! (from @bestdressed)
How to find your style!! (from @bestdressed)
Aside from the fact that it was Fall â19 couture week, I came across a video that broke down how to dissect and discover your style. I wanted to capture her 6 tips below for my own reference as well đ
Assess your own wardrobe: Assess what you already wear and love â most times itâs that you have several items of clothingâŠ
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CAMP
This yearâs Met Gala theme puzzled everyone, but I think in a sense the puzzlement also personified how the fashion industry acts at times.
When people first heard that the theme was âcamp,â most people immediately thought of their summer nights in the woods, going on hikes and sleeping next to a campfire in a cozy little tent. Hence, when the layman saw the outrageous outfits thatâŠ
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A Seoul diary - and a quick itinerary in itaewon
A Seoul diary â and a quick itinerary in itaewon
Hi friends,
Itâs been a while since I last post. Iâve been spending half my time in New York, and the other half in Boston more or less. Since Iâve started watching Romance is a Bonus Book, my heartâs been longing to go back to Seoul.
Hence, this post â a quick travel guide to the updated Seoul. Seoulâs been in much of a transition period â itâs turning more than ever into anâŠ
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I think itâs cliche how people say that fashion is a form of self-expression. It is, but itâs so much more than that. What we choose to wear is a choice we make everyday, whether we want to or not. And I think clothing reveals, and can dictate, a lot of our psyche and the impressions we make on other people. Clothing matters â it can help us look and be more confident, more sophisticated, more individualized â really whatever it is weâre trying accomplish.
In short, I think fashion can empower who and what we want to be. And in light of that, Iâd think of the fashion industry and the trends that make it to FW. Despite the fact that the ~$3 trillion industryâs been constantly changing, the imprints and marks that designers try to leave are inspiring and worthwhile watching. I think the most worthwhile are the ones that actively invest in its storyline and brand authenticity. You could think of this as a type of slower, ethical fashion â from brands that make clothing from recycled fabrics (e.g., Reformation and Girlfriend Collective), to ones that source from boutique manufacturing (e.g., 3.1 Phillip Lim) â but I donât think that has to be the case. In a landscape of optimizing supply chains and growing customer insights (especially since the emergence of ultra-fast fashion), itâs a bit ignorant to think slow fashion is the sustainable solution of this ever polluting, disruptive industry. Fashion will not slow down any time soon, and at one point or another, everyone will buy from âunethicalâ retailers.
So then, how do you find your niche in fashion? As a consumer, you can look at clothing brand-agnostic, and choose pieces that you personally find appealing for a particular price; or you can look at clothing with the brand focus. For me, the core story of the brand is what resonates with me, and when looking at the former, I focus on how the occasion of shopping or the brand itself resonates with my own life story.
I was in New York a couple of weeks ago, and stumbled across M.Crow. I first thought it was a pseudo-furniture store, which in a sense it was. Tyler Hays bought up his hometownâs 100 yr old general store when it was about to close down, and reimagined his own dreams and childhood:
M. Crow is an awkward collision of all my hobbies and interests and an outlet for fulfilling that childhood fantasy⊠M. Crow is also interesting to me on more pragmatic levels; rural economic development is a passion of mine as is the heritage of my hometown.
Receipts from the M.Crow store
Brand origins
Not every outlet of fashion has the capacity or the need to do this; but when you find the corners of the industry that is able to combine the designerâs own story, own dreams, and a targeting sub-segment of a customer base: maybe those who also recognize their own kind of hometown, childhood nostalgia.
Iâll stop here for now, but a lot of these ideas come from Simon Sinekâs TED talk, highlighting the power of why and the core of a brand. A quick reference to the psyche: if weâre going to choose what to wear and influence othersâ impressions of ourselves, then why wouldnât you try to align the brandâs with your own? Itâs much more interesting and impressionable when someone asks you where you bought your outfit to know the story around it than the brand name itself.
     some overarching thoughts on the fashion industry I think it's cliche how people say that fashion is a form of self-expression. It is, but it's so much more than that.