The Cliff and the White Shore, 1913, Felix Vallotton
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The Cliff and the White Shore, 1913, Felix Vallotton
Three Women, 1921, Fernand Léger
Penelope, Charles-François Marchal, ca. 1868, European Paintings
Gift of Mrs. Adolf Obrig, in memory of her husband, 1917 Size: 43 ½ x 19 ½ in. (110.5 x 49.5 cm) Medium: Oil on canvas
https://www.metmuseum.org/art/collection/search/436970
Max Ernst, The Antipope, 1941 - from the Peggy Guggenheim Collection in Venice, Italy
Fluorescent Sea, 1933, M.C. Escher
City Night, Georgia O'Keeffe, 1926, Minneapolis Institute of Art: Paintings
Landscape. Urban. Architecture. Georgia O‘Keeffe produced more than twenty scenes of New York City between 1925 and 1930. Here, the power and presence of the modern era are epitomized in the city’s thrusting architecture. During the first half of the 1900s, skyscrapers came to exemplify U.S. ingenuity. O’Keeffe reduced these immense buildings to simple geometric forms that converge in the upper reaches of the dark canvas, towering even above the moon. She places the viewer between these architectural giants. We might feel small in their midst, forced to crane our necks skyward to take it all in, or we might marvel at the staggering feats of engineering that soar above our heads. The brightly glowing moon offers a round contrast to the super-straight lines of the city. Size: 48 x 30 in. (121.92 x 76.2 cm) (canvas) 47 ¾ x 29 ¾ in. (121.29 x 75.57 cm) (sight) 53 x 35 ½ x 3 5/8 in. (134.62 x 90.17 x 9.21 cm) (outer frame) Medium: Oil on canvas
https://collections.artsmia.org/art/2725/
Voyages of the Moon, 1937, Paul Nash
Ceiling of the Camera Picta or Camera degli Sposi, 1470, Andrea Mantegna
Medium: fresco
https://www.wikiart.org/en/andrea-mantegna/ceiling-of-the-camera-picta-or-camera-degli-sposi-1470
Onoe Matsusuke as Usui Sadamitsu, Katsukawa Shunzan, 1781, Cleveland Museum of Art: Japanese Art
Size: Sheet: 31 x 14.5 cm (12 3/16 x 5 11/16 in.) Medium: color woodblock print
https://clevelandart.org/art/1921.314.b
The Fighting Temeraire tugged to her last berth to be broken up, 1839, William Turner
Medium: oil
https://www.wikiart.org/en/william-turner/the-fighting-temeraire-tugged-to-her-last-berth-to-be-broken-up-1839
Untitled, Menashe Kadishman, 1974, Tate
Presented by Rose and Chris Prater through the Institute of Contemporary Prints 1975 Size: image: 613 x 914 mm Medium: Screenprint on paper
http://www.tate.org.uk/art/artworks/kadishman-title-not-known-p04408
The Angry Sea, 1870, Gustave Courbet
Medium: oil,canvas
Half Figure (Nlo Byeri), Fang, 1875, Art Institute of Chicago: Arts of Africa
Among the Fang people, figures that serve as guardians of ancestral remains often conflate features of infants and the elderly, combining the wide-eyed stare and rounded arms and hands of a child with the sunken cheeks and drawn mouth of an old man. These visual oppositions infuse a figure with the vitality and animation that are crucial to its ongoing role as an intermediary with the ancestors. Gift of Mr. and Mrs. Raymond Wielgus Size: 50.2 × 14.6 × 14.9 cm (19 ¾ × 5 ¾ × 5 7/8 in.) Medium: Wood with oil
https://www.artic.edu/artworks/8027/
The Confusion of Tongues, 1868, Gustave Dore
Medium: engraving
Prometheus Bound, 1612, Peter Paul Rubens
Medium: oil,canvas
A Prison Scene, 1814, Francisco José de Goya y Lucientes
Medium: oil,canvas
Apollo’s Chariot, 1909, Odilon Redon
Medium: oil,canvas
https://www.wikiart.org/en/odilon-redon/apollo-s-chariot-5