The portraits of Neha and Elizabeth Beaufort: an analysis
At first glance it was easy to observe the clear inspiration Nehaâs portrait had of âthe girl with the pearl earringâ, however we can somehow feel this when looking at Beaufortâs portrait.
But the deeper we look into their character, the more we realise how opposed they are to each other, representing her inner character.
In both cases, you donât know them for who they are, but you are introduced by what they are, âthe novelty dice makerâ and âthe gardenerâ.
You get to later know their names, you might only know one for Neha but it doesnât distance you from her, quite the opposite it feels like a nickname.
Learning Elizabeth Beaufortâs full name distances you from her, she is now a title, a figure of authority.
Neha is hidden, and if you wish you can even decide to go the whole game without seeing or talking to her. But Beaufort? She is centric to the story, you have to talk to her, she is one of the first characters you see when you go outside, one of the first that helps you in the examination process with the ammonia and gardening gloves.
the girl with the pearl earring
while we can see it clearly for Neha, it feels more vague for Elizabeth.
Nehaâs head covering is worn in a more modest and classical manner, her pose practically identical to the reference, she symbolizes the âoldâ what was once. An art piece and aspiring individual of her time. The way her portrait is painted is very academic, there is very little use of dark outline if ever. Everything about it is almost soft and comforting.
In contrast Beaufortâs portrait adopts a widely different, almost provocative pose, the way she wears the headgear covering less for instance but attaching her hair, prioritizing practicality over appearances. There is a more modern touch to her portrait, the colours are saturated and there is a bold dark outline, she is defying the traditional. She represents the âyouthâ of Martinaise.
While Neha resembles almost identically to the portrait, Beaufort distances herself from it, the past but still she finds a way to keep a part of it, what made her what she is, and then turn it into something personal.
In both of their portraits, the background is applied similarly for the taints and almost like they were mirrored vertically, however Nehaâs are softer, almost like they are fading away, while Beaufortâs are high in contrast.
The novelty dice maker, upon your first meeting with her, is turned away from you, sheâs working, she stills open herself to you, as she presents her arts and studio in an almost familiar way. You enter her domain of creation, youâre inside her soul. Maybe you could picture it sort of like a confessional, there is intimacy between the two of them and they won't necessarily need to face each other. She looks at you from the side, seemingly making you feel as though you were disturbing her, and yet she is not. But she stills look at you from above, this could be referring to the fact she was up, high in her workshopâs room while the crime scene was unfolding, not only this but she âdisregardedâ it when it was happening, as she had one of the best view on it, and yet stayed absorbed by her art.
On the other hand, Beaufort is facing forward all time, sheâs observing your every move, she looks up at you, from beneath it is easier to see all (visual calculus check âgardening in marchâ, you point out the fact she is stationed at the best spot to keep tabs of people). She looks at you with an interrogative expression, she was expecting you to be here, to talk to her. She shields herself from you when she crosses her arms or when she hides her real identity from you at the start by going as âthe gardenerâ, she makes you believe that you are someone above her, and you believe it. She is always in a public space, never once alone, she is either outside or in the Whirling-in-rags. There is no intimacy, if even a way to talk to her as âElizabethâ instead she is âa member of the unionâ, this could also be reflected in her looking upward, as stated earlier, as she is in the middle of a hierarchy in the Union. Her purpose is to exonerate the Union of the presumed crime, âthe Union fixerâ. She is cleaning up the mess caused by the Unionâs dogs. Even if there is a âboxâ reminding of a confessional where the Hardie boys stay, it is, not only a long process to get them to confess, she is the first to stop them when they open up, but you are also constantly observed by the public, not only her but the people at the Whirling.
Knowing this, Neha also found herself âshieldedâ by the entrance of her studio, though it served an entirely different purpose as it can always be opened. Beaufort wears different masks that you canât take off as you talk to her, but rather break by any new dialogues you have surrounding the case, there is no way to get under her skin without making her reach a breaking point. They are facing opposite directions, Neha leaned toward the past, Beaufort toward the future, but they both look in your direction: the present.
No matter their difference, both of them wear blue clothes, this reflecting their social class, they're both born blue collars, even if Beaufort wears a white shirt, representing the purity of her youth and her future aspirations, she works for the union, the symbol of the working class, she represent them on a legal point of view, as a lawyer. Her jean strapped overall partially visible in her portrait also can remind of a tank top, or âdĂ©bardeurâ, which could be an echo to the organization she works closely with, the dockworkers unionâ or âdĂ©bardeursâ unionâ. Elizabthâs softer features in comparison to Nehaâs sharper ones also amplifies this duality of âyouthâ vs the âoldâ.
Beaufortâs portrait shows a significant amount of green on her forehead, associating blue and yellow, blue symbolizing intellectual skills and yellow motorics, this is her mindset. However the right side of her face is lit in dark red, which can be associated with physique skills, indicating her short temper she tries to hide. The fact it is cast on the right side of her face could imply that it is her ârealâ face, what is ârightâ. In her eyes and her nose you can also see a reflexion of light that Neha doesnât have, echoing to her â bright and hopefulâ futur, the fact she is highly regarded by her peers, but also maybe her more emotive tendencies, not in a derogatory way, but more in a youthful ardor, defending her ideals.
For Neha, her yellow, we could even say gold lighting highlights what she is handling right now, her works, her art, that is what is important to her, she is what she creates, her face being cast in the shadow. This choice of colour for the light might be associated with motorics skills knowing she is a dicemaker. The light could also represent the future ahead, the change in the world, the âmiracle â from the northwestâ. She is averting her gaze from it. It is too late for her.
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