What little was shown of the Vulture at SDCC!
Cosmic Funnies

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KIROKAZE
occasionally subtle

Game Changer & Make Some Noise
2025 on Tumblr: Trends That Defined the Year
d e v o n
The Bright Sessions

bliss lane

Kiana Khansmith

izzy's playlists!
noise dept.
Keni
Cosimo Galluzzi
Sade Olutola
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I'd rather be in outer space 🛸

if i look back, i am lost

Discoholic 🪩

pixel skylines

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@lopakas-blog
What little was shown of the Vulture at SDCC!
Freehand ink drawing of Howl’s Moving Castle. I looked up reference on my phone but the picture wasn’t super clear, hence the Mario warp pipes popping out of the side. Oops.
Comic warm up before animating today.
16 TIPS FOR USING WATERCOLOR (THE VANESSA WAY!)
The other day @noradove asked me if I had any advice for painting backgrounds or using watercolor in general.  To be honest, I’m still learning how to paint backgrounds, but I decided to compile a little list of things I’ve learned while using watercolor and gouache.  I hope some of these bullet points might be useful to others!
Like all “rules,” take these with a grain of salt.  These tips work for me – what works for you could be completely different! But check beneath the cut for some lessons I’ve learned!
Keep reading
An experimental drawing of a veggie vendor, made with Copics and watercolor. @melonsalad You can take credit for providing me the inspiration to branch out in this particular direction . . .
Little hobbits …
A sketchbook drawing of Totoro I did a week ago.
Added the Villain, Badrang, to today’s Redwall explorations. Martin the Warrior really was everything to wee little me- and I’ve been taking little passes at illustrating its’ characters and scenes throughout the years. John Loren set me off with his wonderful Redwalling, and caught me in a moment where I was feeling desperate to take a bite out of some personal work. I LOVE DOING THESE. It’s always wonderful to try to bring characters who matter to you to life- the feeling adds a dimension to the process that scratches an itch most client-work can’t scratch. Anyways- enjoy! More art soon ^_^
Please do more.
Here’s the full set of my fawn monoprints! Watercolor and transparent screen printing ink.
Fantastic watercolor work!
Houston in the Blind - Gravity
How the heck . . .
This isn’t quite an Inktober piece since it’s digital, but I needed to unwind after a long day of animation. Reference here.
My good friend Bobby ( a great artist, please visit his tumblr here http://lopakas.tumblr.com/) finally got me to watch Pacific Rim, and WOW! I knew I was missing out, but I really wasn’t prepared for the awesomeness that this film has bestowed upon this earth. All the Kaiju were really fun and interesting! My favorite was by far Otachi so I whipped up a quick drawing of him.
Thanks for the shout out, Micaela!
Five animated shorts for five female animation pioneers
 For this year’s Annency animation festival, the students at Gobelins made five 1-minute animations to honor five female animation pioneers.
They’re all phenomenal. If you have five minutes, please watch each of them. Warning: some hit HARD.
Mary Blair (1911-1978)
Worked for Ub Iwerks, MGM, and eventually Disney. Known for creating incredibly vibrant watercolors, which clashed with the studio aesthetic at the time. Disney eventually let her loose, and her aesthetic can be strongly seen in Cinderella, Peter Pan, and especially Alice in Wonderland.
Evelyn Lambart (1914-1999)
Hearing-impaired Canadian animator who worked with Norman McLaren on several pieces that the Canadian government would later declare masterworks. She directed her own films, making her one of the first women in animation to take the director’s chair. She was known for scratching up film stock to create “jazz” like patterns, the sort of thing you’d later see in Fantasia, Donald in Mathmagic Land, and the like.
Lotte Reininger (1899-1981)
German director who created the technique of silhouette animation, preceding Disney by 10 years. Started out making titles for movies and moved on to make her own animated feature, The Adventures of Prince Achmed, in 1926! As for the rest of her career, well - watch the short.
Claire Parker (1906-1981)
Created the “pinscreen” animation technique, where 240,000 tiny metal rods were manually manipulated in and out of a board in order to create an animation – think tweaking pixels by hand. She and she alone owned the patent on it.
Alison de Vere (1927-2001)
One of the first women to work in British animation, and was design director for The Yellow Submarine. She went on to create many animated shorts at a commercial studio, winning prizes for virtually almost every single one of them. She is often credited as Britain’s first female animation auteur.Â
(much credit must go to cartoonbrew for posting about this in the first place - thanks, y’all!)
Aqualad from Young Justice. Great character, great show; both deserved a better network.
Quick exercises
Doom vs. Doomed.