If I cannot fly, let me sing. @lostthebeansagain - Tumblr Blog

I do not like mics, the wearing of them is terrible: it’s an infringement on the privacy of being real and I’m completely devoted to land of make believe. I resent actors who make no attempt to hide their mics. Nobody knows where my mike is. You couldn’t find it on me unless you were madly in love with me.

Elaine Stritch (via through-my-memoirs)

through-my-memoirs

Diana Rigg as Martha in Who’s Afraid of Virginia Woolf?

London, Almeida Theatre, 1996

through-my-memoirs

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Betty Buckley sings Serenity from a soundboard of Triumph of Love [Broadway, 1998]

daytimeblogger

Cher does it again

There was a moon and a street lamp

I didn’t know I drank such a lot Until I pissed a tequila anaconda The full length of the parking lot

Oh, I talk to loose Again, I talk too open and free I pay a high price for my open talking Like you do for your silent mystery

Come and talk to me Please talk to me Talk to me, talk to me Mr. Mystery

#joni mitchell #don juan's reckless daughter

blondie-poedie

Debbie Harry

Betty Buckley -- “Come On, Come On” (Mary Chapin Carpenter cover) -- Live at the Donmar (2002)

It’s the need you never get used to So fierce and so confused It’s the loss you never get over The first time you lose

#betty buckley #mary chapin carpenter

instagrarn

umsushi

Great picture of Rupaul crowing the winner of season 2

thefolliesgeorges

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Anyway, here’s Sondheim explaining to an audience during intermission that what they’re about to see is an incomplete second act, as they haven’t finished it yet. Just imagine you’re there, at Playwrights Horizons, seeing brand new Sondheim material being presented for the very first time, Sunday in the Park in the making, and Sondheim is speaking directly to you.