(via GIPHY)

tannertan36
🪼
Today's Document
One Nice Bug Per Day
Lint Roller? I Barely Know Her
No title available
KIROKAZE
d e v o n
"I'm Dorothy Gale from Kansas"
No title available
Interview Vampire Daily
macklin celebrini has autism

ellievsbear
Cosimo Galluzzi

No title available
Color Me Curious
Game of Thrones Daily
2025 on Tumblr: Trends That Defined the Year
I'd rather be in outer space 🛸
Sweet Seals For You, Always

seen from Türkiye
seen from Philippines

seen from United States

seen from United Kingdom
seen from United States
seen from Bangladesh

seen from United States
seen from Bolivia
seen from United States

seen from China
seen from Mexico

seen from Vietnam
seen from Peru
seen from United States

seen from United States
seen from Netherlands

seen from Czechia

seen from Vietnam

seen from South Korea

seen from United States
@louvre99
(via GIPHY)
painting own shadow p jaisini revisited gif edition by Ellen Yustas K. Gottlieb
https://www.flickr.com/photos/79122378@N02/22193399266/in/dateposted-public/
http://www.italian-renaissance-art.com/Sandro-Botticelli.html
Bonfire of the Vanities A Bonfire of the Vanities (Italian: Falò delle vanità) is a burning of objects condemned by authorities as occasions of sin. The phrase usually refers to the bonfire of 7 February 1497, when supporters of the Dominican priest Girolamo Savonarolacollected and publicly burned thousands of objects such as cosmetics, art, and books in Florence, Italy, on the Mardi Grasfestival.[1] Such bonfires were not invented by Savonarola, but had been a common accompaniment to the outdoor sermons ofSan Bernardino di Siena in the first half of the century.The focus of this destruction was nominally on objects that might tempt one to sin, including vanity items such as mirrors, cosmetics, fine dresses, playing cards, and even musical instruments. Other targets included books that were deemed to be immoral, such as works by Boccaccio, and manuscripts of secular songs, as well as artworks, including paintings and sculpture.
The Paul Jaisini Enigma Only mystery makes us live. Federico Garcia Lorca. Invisible Paintings 20 years Anniversary Celebration 2014
gif version Deflowering by Stelly Riesling gleitzeit copyrght Stelly RIesling New York 2014
A screenshot of Paul Jaisini official site. Running words: People called Jaisini Invisible Artist.
What is on the Site? Essays - hyperlink to series of articles about the paintings of P J
Review - hyperlink to review of the Marble Lady, Marble Woman, the Notorious Marble Lady, My Marble Lady, Lady Known as Marble, the so-called Marble Lady, Marble Statue, etc…
Interview - hyperlink to Interview with Paul Jaisini by E. Ippolito
Gleitzeit
Interactive - link to The capacity of Gleitzeit to draw out
(what is seen on the photocopy of the websites homepage)
Unfortunately the website was removed from the server by hosting AOL.
It was off line gone without a warning. A webmaster had no official version of why the website was removed except some personal thoughts that perhaps it happened due to a heavy traffic on the site. Seems that AOL decided that the artsite functioned as commercial site (the site meter showed how the traffic reached 50,000 visitors a day), The site had nothing for sale and didn’t violate any possible TOS rules. But the page was wiped out, taken down without any explanation at all and any way to restore it.
The image is a print out of a page while the site was online.
The website was uploaded at the address http://members.aol.com/JaisiniArt/home.html.
Subj: Comments to be published on Paul Jaisini’s art
Would “The Marble Lady” and Paul Jaisini ‘s other paintings become conventional paintings if the reviews written about them were laid out on canvas? His exploration of new media and methods is an exhilarating return to humankind’s attempt to describe its surroundings, emotions, the very latticework of its being. What defines the existence of art? Countless paintings, sculptures and other works have been lost physically to time yet they survive in the collective mind of human kind in descriptions, accounts, memories and legends. A painting burns in a fire, yet as long as someone remembers it or writes down an account of it still exists. With much respect for breathing fresh life into art in its multitude of forms.