2025 on Tumblr: Trends That Defined the Year
RMH
Show & Tell
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dirt enthusiast
Kiana Khansmith
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JVL
Janaina Medeiros
AnasAbdin
i don't do bad sauce passes
ojovivo
#extradirty
YOU ARE THE REASON
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❣ Chile in a Photography ❣
d e v o n
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almost home
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@luckyzipperscissorsbat
Buddy's eyeliner tutorial
step by step tutorial on how I do my eyeliner.
step one: get your knife.
step two: use your eyeliner to draw a straight line to the edge of your knife. step three:
have an existential crisis. why are we here? what cruel fate is this. but don't cry. it will ruin your eyeliner. step four: clean up, repeat on the other side.
and now, your eyeliner is perfect.
I love deeply traumatized men with haunted eyes. Like hell yeah babe look at me as if I'm the only good thing you've ever known.
Im sorry that I choose my favs with my pussy and not my moral compass. Wish I could be as boring as the rest of you
Im sorry that I choose my favs with my pussy and not my moral compass. Wish I could be as boring as the rest of you
LORD, i’ve never related to something more, my pussy needs him expeditiously..
Who is this diva?
“People will kill you over time, and how they’ll kill you is with tiny, harmless phrases, like ‘be realistic.”
— Dylan Moran
Quote to Owner / Somewhere, There's a Party by Holly Warburton / "The Prophet" Book by Khalil Gibran / Quote to Owner / Spirit Hold by Holly Warburton / "Freak" Book by Jonathan Harnisch
Quote to Owner / Somewhere, There's a Party by Holly Warburton / "The Prophet" Book by Khalil Gibran / Quote to Owner / Spirit Hold by Holly Warburton / "Freak" Book by Jonathan Harnisch
anecdote of the pig, tory adkisson // achilles & partoclus // house of dragon, 1x07 // plainwater, anne carson // the truth about forever, sarah dessen // lighthousekeeping, jeanette winterson
fatima aamer bilal, excerpt from moony moonless sky’s ‘i am tired of making a religion out of my suffering’.
[text id: i am too little, and too much, and never enough.]
Now, whenever she thinks of it, she if confused about what she did and didn't cause. She if confused about desire, and her own desirability. She is confused about her own sexuality. It should be hers to wield as she wishes, she knows this, but why - even if she isn't wielding it, exactly, even if she's just being herself - is there the sense of a shameful invitation, or even an invitation at all? She knows she should be able to invite if she want to invite, to say no if she wants to say no, yes if she wants to say yes, to allure or not allure, to just simply feel good about what her body is and does and how it looks. She is supposed to be sure and confident about those things, but how can she possibly be sure and confident about those things? There are so many colliding messages - confidence and shame, power and powerlessness, what she owes others and what is her - that she can't hear what's true.
Deb Caletti, A Heart in a Body in the World
William Shakespeare, Antony and Cleopatra
Mary Oliver, from Long Life: Essays And Other Writings originally published in 2004
Kim Addonizio, from Lucifer at the Starlite: Poems; “You with the crack running through you”
Danger was confusing. On the one hand, there was her mother, telling her that every street she has to cross, every car ride, every new person was a deathly risk. As a girl, too, she was told that she needed to be on guard against 50 percent of the human race, and she carried that awareness everywhere, ready to make use of it every time a car slowed next to her as she was walking, or she was driven home by the dad after babysitting. Every time she waited at a bus stop or was at a party with boys and alcohol or was just plain alone, she felt the high alert of vigilance. You could forget that some people don't live this way. Part of the population rarely even thinks like this. They just walk around without fear and wait at bus stops and go to parties.
Deb Caletti, A Heart in a Body in the World
@roach-works // Melissa Broder, "Problem Area" // Mary Oliver, "The Return" // @annavonsyfert // Koyoharu Gotouge, Demon Slayer // Haruki Murakami, Dance Dance Dance // David Levithan, How They Met and Other Stories // Tennessee Williams, Notebooks
