By Jocelyn Millet
YOU ARE THE REASON

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ellievsbear

pixel skylines
The Bowery Presents
𓃗
NASA
almost home

blake kathryn
"I'm Dorothy Gale from Kansas"

tannertan36

@theartofmadeline
hello vonnie
Claire Keane
The Stonewall Inn
Game of Thrones Daily

shark vs the universe

oozey mess

gracie abrams
RMH

seen from Saudi Arabia
seen from Vietnam

seen from Chile

seen from Ecuador
seen from United States
seen from Brazil

seen from Lithuania
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from Singapore
seen from United States
seen from Luxembourg

seen from United States

seen from Malaysia
seen from United States
seen from Mexico
@lunaerraart
By Jocelyn Millet
“Some of The Lies I Have Told”
this is a visual apology letter to people I have lied to. you have killed me and you have helped me and for that i will always be thankful
Lauren Wolcott - Santa Cruz
2014
Mark Brand’s ASCII-installation at STRP in Eindhoven, 2015.
Lines and Curves
Petra Collins
VeinViewer: an infrared device that detects the location of a patient’s veins and projects them on the skin so doctors and nurses don’t miss. It was developed by the Christie Medical Holdings company. They mainly show surface veins
THIS WOULD BE SO NICE. THIS MEANS NO MORE BRUISES. OMG I LOVE TECHNOLOGY.
Ahhhh
Seventeen January 2015
A scan of the first Perspex pills I made using the initial technique we tried to make mass pills, by cutting Perspex clear rod into individual same length pieces, and then placing them inside the drill-bit of the drill machine, whilst holding a file and manoeuvring the file around the small piece as its spinning in the drill, creating a way of filing the pieces to form a curved end on each side
I was able to make my clear pills pink by leaving them in boiling water and disperse dye
Polaroid photos of a set of the frozen pills I created, from being solid to completely melted
I took these to show a range of different documentations and experiments with different photography, but also for merchandise reasons, as this is the aesthetic I would use to go with the brand theme and I would use these for the main branding scheme
Vigilance (1991), by Julia Scher: Representative of Scher’s elaborate involvement with security systems as both social critique and material for art. In this installation for the Centre Pompidou, she installed several black-and-white surveillance cameras in unpredictable, empty spaces in the museum. Visitors are taped, and, as they proceed through the museum, they can see their own image on monitors in other rooms. But they also see pre-taped images of other people in the same spaces performing often aggressive actions, but they are unaware that the footage had been taped earlier. They think it is live and they can become very anxious. They might see people fighting or lying naked on the floor, but they are not sure where they are or if they are in need. Potentially, a certain panic could erupt; panic propelled by the very “security” systems that are supposed to offer solace and safety.
lots of this happens on the internet, anything can be showed or said and anything can be lied about however many people assume it may be true just because it is on the internet, which sometimes tries to be perceived as safe whilst actually it is extremely deceiving
2012.04.11 - Happy 2nd anniversary, Spring of Life
“fuck-face” by Kendell Geers
The Party by Jehad Nga