izzy's playlists!
Today's Document
JBB: An Artblog!
YOU ARE THE REASON
⁂
taylor price
styofa doing anything
sheepfilms
Claire Keane
Not today Justin
if i look back, i am lost
Kiana Khansmith
Aqua Utopia｜海の底で記憶を紡ぐ
Keni
let's talk about Bridgerton tea, my ask is open
#extradirty
NASA
RMH
Sade Olutola
Kaledo Art
seen from Bangladesh
seen from United States
seen from United Kingdom
seen from Chile
seen from Malaysia
seen from United Kingdom
seen from United Kingdom
seen from United States
seen from Malaysia
seen from Germany
seen from United States
seen from Norway
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from Türkiye
seen from United States
seen from United States
@lwasgood
an american werewolf in london (1981) directed by john landis
"on the moors, we were attacked by a lycanthrope, a werewolf. i was murdered, an unnatural death, and now i walk the earth in limbo until the werewolf's curse is lifted."
You’ll be missed TikTok 🪦 : (
bones and all (2022) dir. luca guadagnino / possession (1981) dir. andrzej źuławski
dolls in horror
Goncharov (1973) dir. Martin Scorsese
“The greatest mafia movie (n)ever made.”
I’ve always wished for more artistic talent. Well, murder can be an art, too. The power to kill can be just as satisfying as the power to create.
ROPE (1948) dir. Alfred Hitchcock
New-York Tribune, New York, January 2, 1920
Titane (2021) Julia Ducournau
I don’t care who you are. You’re my son. You’ll always be my son. Whoever you are. TITANE (2021) dir. Julia Ducournau
Spencer (2021, dir. Pablo Larraín)
reminder that Gregor Samsa’s first thought to his kafkaesque metamorphosis was “aw shit I still have to go to work”
I’m sorry did you just refer to the metamorphosis in the book Metamorphosis written by Franz Kafka as “Kafkaesque”
woolgathering by patti smith
on the walls of the monastery
Robert Longo, Eric, New York City, from the “ Men in the Cities “ series, 1979
“It was a strange challenge. I had a former career as a dancer, and Thomas wanted that to be part of the film —but it was 30 years ago! Thomas wanted the scene to be ambivalent, to see a man who wants to fly and wants to fall at the same time. I was reluctant; I was afraid it could be pretentious in a film that’s so realistic. I eventually realized Thomas was right; dance was perfect for that. It’s not so much about the aesthetic of dancing, it’s about the inner journey of this character. He’s lost something dear to him, and also gained something dear to him, all within an hour. We wanted that reflected in the dance. I hadn’t danced in 30 years and it was tough and I was sore, but it felt liberating.”
MADS MIKKELSEN as Martin in ANOTHER ROUND (Druk) dir. Thomas Vinterberg
