Aubrey Beardsley (Detail) 1895
Mirror of Love: frontispiece for the book: The Thread and the Path

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Aubrey Beardsley (Detail) 1895
Mirror of Love: frontispiece for the book: The Thread and the Path
Giuseppe Penone
Untitled, 2000
China ink and sepia on Japanese paper.
“Ugly Boy” 2019
iPhone drawing, digital print.
30”x22″
“When I Was Young” 2019
Colored pencil graphite & collage on paper.
7.5″x5.5″
Fuyuko Matsui
Lionel Wendt
Talking Head, 1950
Sheet-fed Gravure
7.5 x 9.5 inches
Philipp Otto Runge (1777-1810)
From the series: The Times of the Day
"poem for george miles" by dennis cooper (from the dream police, selected poems 1969-1993)
“Ariel” 2013
Color pencil, graphite and collage on paper.
7.5"x5.5"
“A Few of Us Remain” 2016
Collage on paper.
7.5″x5.5″
“Dread” 2017
Collage on paper.
7.5″x5.5″
Alfred Kubin, Die Sauger (The Suckers).around 1903
Unica Zürn part 2 In Paris, Zürn began experimenting with automatic drawing and anagrams, pursuits Bellmer had a longstanding interest in and encouraged her to pursue. These early works were collected in Hexentexte (1954). Between 1956 and 1964 she had four solo exhibitions of her drawings and her work was included in the “Exposition Internationale du Surréalisme.” The couple frequented the city’s surrealist and related artistic circles, becoming acquainted with Hans Arp, Victor Brauner, André Breton, Marcel Duchamp, Max Ernst, Man Ray, Joyce Mansour, André Pieyre de Mandiargues, and others. In 1957 she was introduced to Henri Michaux, who she identified as the “Jasmine Man,” a fantasy figure of her childhood. She fell deeply in love with Michaud, and she joined him in several of his experiments with mescaline. These drug experiences may have precipitated her first mental crisis.
In 1960 Zürn experienced a psychotic episode. She found herself spellbound and hypnotised by Michaux, he appeared before her and ordered her to do things. She was eventually hospitalised, and after this she would be in and out of psychiatric hospitals for the rest of her life, suffering from dissociative states and severe depression. Scholars now generally believe that she was schizophrenic, and that was indeed the initial diagnosis by staff doctors at Karl-Bonhoeffer-Heilstätten during her first hospitalization, though it was later retracted. It has also been suggested that rather than schizophrenia she may have suffered from bipolar disorder with psychotic features.
After her first hospitalization and a suicide attempt, Zürn returned home in a wheelchair and destroyed most of her drawings and writings. She was subsequently taken to the Saint-Anne psychiatric clinic. Despite her ongoing battle with mental illness, Zürn continued to produce work, and Michaux regularly brought her art supplies. Her psychological difficulties inspired much of her writing, above all Der Mann im Jasmin (“The Man in Jasmine”) (1971). #destroytheday
H.R Giger, Tarot art
Hans Bellmer (1902-1975), Little Anatomy of the Physical Unconscious