Terry Winters - Event Horizon oil on linen - 1991
Sweet Seals For You, Always
Cosmic Funnies
RMH
One Nice Bug Per Day
2025 on Tumblr: Trends That Defined the Year

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The Bowery Presents
TMBGareOK. The Official They Might Be Giants tumblr
sheepfilms

Kiana Khansmith
noise dept.

Product Placement
Misplaced Lens Cap
occasionally subtle

izzy's playlists!

if i look back, i am lost
untitled
KIROKAZE
"I'm Dorothy Gale from Kansas"

oozey mess

seen from Türkiye

seen from Türkiye

seen from United States
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seen from Czechia
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@memoiremiroir
Terry Winters - Event Horizon oil on linen - 1991
Icone-Saché, 2022
Carrés de couverture de survie collés sur la vitre
Queen of the Prom, the Range Nightclub, Slab City, California, from the series “Sweet Earth: Experimental Utopias in America” by Joel Sternfeld
When Camp Dunlap, a World War II Marine training facility near Niland, California, was closed in 1946, all of the buildings were completely dismantled, leaving numerous cement foundation slabs in the desert. Almost as soon as the government abandoned the site, “snowbirds” (campers from northern states in recreational vehicles) began to winter on the slabs, even though no running water, electricity or sewage facilities were available. Today at least five thousand snowbirds arrive each winter, and a few have become permanent year-round residents, despite summer temperatures that can reach 120 degrees. The snowbirds come with motor homes costing half a million dollars and they come with tents. Over the years, a true self-governing community has arisen, including a mayor, the Slab City Christian Church (in a trailer), the Lizard Tree Library (used paperbacks on an honor system), the Gopher Flats Country Club (gravel greens), the Oasis Social Club (combination meeting space/junkyard), a CB radio station (one half hour of purely local news, nightly at six p.m.) and the Range, an outdoor nightclub built by “Builder Bill,” complete with stage, lighting, bar, communal outhouse and several rows of salvaged airliner seats. The Range takes its name from an active bombing range located a few miles away, which makes the sight and sound of F-16 sorties a part of life at the Slabs. Moira, the Queen of the 2005 Prom at the Range, never got to go to her high school prom. From the portfolio, Sweet Earth: Experimental Utopias in America, 1982–2005
Tracy Emin
Ian Hamilton Finlay, Je Vous Salue Marat, 1989
Neon lights; with Julie Farthing
Dimensions - Object: 910 x 1120 x 80 mm
Collection Tate
Tanya Rusnak | Somewhere out there (V6) …
From ‘Meteor Orbits and Dust’ (2014)
Marisa Merz, “Untitled” (detail) (undated), unfired clay, paraffin, copper wire, thumbtack, metallic paint, dried leaf, alabaster, plastic, paper, plaster, paint, graphite, colored pigments, metal coin, gold leaf, metallic pigment, pastel, and colored pencil, metal table, heads of varying sizes (courtesy the artist, Fondazione Merz, and Archivio Merz. Photo by Renato Ghiazza)
Francesca Woodman, 1975
Hélène Delprat, Connaitre c'est démolir, 2016-2017, Pencil and ink on paper and collage
Jean-Michel Alberola, Icône des populations
+ extract , conversation between Léa Bismuth and Jean-Michel Alberola, Artpress n° 431, 2016
L'Escargue du pas
[1] vais-je le dire ou pas ? [4] — pas
Icone, 2022
Actualité…
[actuality…]
#picture #fire #squere #survivalblanket #imagedepresse #carre #fire #incendie #couverturedesurvie #incendie #actuality #actualité #bernardcalet @bcalet @adagp_
Heinz Hajek-Halke, Das Ende!, 1950s
Mario Merz
Robert Morris, Pontevedra Labyrinth, 1999(-2000) [Sonnabend Gallery, New York, NY. © The Estate of Robert Morris / ARS, New York]
Raymond Pettibon, Crystal blue cathedral, 1994, Translucent and opaque watercolor, with pen and inks and black acrylic paint, on ivory wove paper, 34.5 × 25.8 cm.
Dan Flavin Untitled (to Jean-Christophe), 1970 Pink, green, blue and red fluorescent light 121.9 x 22.2 x 10.2 cm