where are my headphones I canât see without my headphones
sheepfilms
I'd rather be in outer space đ¸

oozey mess

JVL
taylor price
almost home

çĽćĽ / Permanent Vacation

tannertan36

shark vs the universe
Misplaced Lens Cap
Mike Driver
Lint Roller? I Barely Know Her
art blog(derogatory)

pixel skylines

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Xuebing Du
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titsay
trying on a metaphor
KIROKAZE
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@m-a-rta
where are my headphones I canât see without my headphones
because who am i if i donât give my entire heart everytime?
noah kahan's the great divide is like. what if you died and came back wrong but the "death" was you leaving your hometown and the "came back wrong" is the change in the way everyone, including your own parents, perceives you even when you do return and the relationships that have been soured by your absence
I need to talk and rave about the way DĂłnal Finn played Moriarty and Mr Hayward. Was it the same actor? Yes. But the expressions? The tone? The body language? He made them both seem like the absolutely different people they are supposed to be. What an actor. What a bloody good actor. What range he has. Once again, I have to beg the powers that be to get him more interesting and different roles to play.
What I loved most about The Other Bennet Sister, yes even more than Tom and Mary's love story, was how the narrative unapologetically stood its ground regarding there being absolutely nothing wrong with Mary that she needed to change and how everything was wrong with the toxic environment she grew up in and the people around her who never let her love herself. When she was pulled out of that environment and placed in an entirely new one, she didn't have a safety net but she could finally be herself without scrutiny. She also met and interacted with new people which included the love of her life.
the great divide really is, in its entirety, about a great divide.
itâs about growing up, leaving home, building a life elsewhere, and realizing that return doesnât restore anythingâit only reveals whatâs been shifted. the buildings are still there, your old haunts are still there, the people still recognizable, the past still intact in its own way, but something in the way you meet it has changed. you have changed, and in that change, no longer fit in the same way.
what the album keeps circling is not any one moment, but an accumulation: missed conversations that never fully reopen, relationships that continue but subtly drift, versions of yourself that still surface in memory but no longer really exist in the present tense. a yawning gap that forms not in rupture, but in time.
and layered underneath that is something sharper: the way separation isnât just geographical or relational, but expressive. the voice itself changes. what you want to say doesnât come out the same anymoreâfiltered through distance and everything that has happened in between. life lived apart. time that has left everything slightly out of sync with itself.
and so even the attempt to reach becomes something else: not return, but translation. not closure, but articulation across a space that no longer guarantees being heard properlyâat all like before.
time doesnât heal all. success doesnât overwrite where you came from. leaving doesnât undo what you still carry. it just changes what youâre able to access, and what only exists now as something you can look at but not step back into.
what emerges is separation as lived condition: the strange experience of loving what you no longer fully belong to, of still recognizing who you were without being able to become that version of yourself againâa version that once fit here, without question.
a divide between past and present; memory and lived life; who you were and who youâve become.
I'm pleased to hear that your mother has recovered. Oh, yes. My mother was...very much back to her old self. That is a good thing, is it not? Oh, well. No. Yes, but... Well, in her strenghtened state...
THE OTHER BENNET SISTER â 1.08 "Chapter Eight"
the swing by jean-honore fragonard (1767) // you seem pretty sad for a girl so in love by olivia rodrigo (2026)
itâs spring and thereâs so much to look forward to
i see i see. so this whole season of bridgerton is about how you canât have a fully functional relationship with someone if they exercise power over you: lady danbury & the queen; sophie & benedict; varley & lady featherington.
anthony is so stupid omg ânot even our SAINTLY PERFECT MOTHER would support you!!â
meanwhile benedict uses the word âloveâ one (âď¸) time and violet is like âwait omg you didnât tell me you were in LOVE thatâs my FAVORITE THING okay hereâs my grandmotherâs ring and hereâs my plan to lie to the queenâs face trust me itâll be great letâs gooooo đâ
no matter how normalised it gets I will die on the hill that it is rude to record strangers in public without their consent
my favorite love language is trying, actually