Hey!!
If you were a fan of Maanta Mag, please follow and support 1991, a new Somali zine.Â
Instagram:Â https://www.instagram.com/1991zine/
Twitter:Â https://twitter.com/1991zine
noise dept.
YOU ARE THE REASON
đȘŒ
todays bird

oozey mess
Xuebing Du
Peter Solarz

JBB: An Artblog!
PUT YOUR BEARD IN MY MOUTH

@theartofmadeline

No title available
No title available
occasionally subtle
i don't do bad sauce passes

ç„æ„ / Permanent Vacation
Mike Driver
One Nice Bug Per Day
tumblr dot com

shark vs the universe
Jules of Nature

seen from Brazil
seen from Malaysia
seen from France
seen from United States
seen from Colombia
seen from United States
seen from Netherlands
seen from Canada
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seen from Germany

seen from Malaysia
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@maantamag-blog
Hey!!
If you were a fan of Maanta Mag, please follow and support 1991, a new Somali zine.Â
Instagram:Â https://www.instagram.com/1991zine/
Twitter:Â https://twitter.com/1991zine
Spotlight: Gashanti Unity & Riya Jama
Gashanti Unity, a Toronto based organization aiming to empower and support Somali girls, showcased the narratives of up and coming female photographers both in Somalia and the diaspora in one exhibit.Â
The three-day exhibit titled âShe Who Left, She Who Stayedâ was the culmination of a six-month intensive program titled âPortrait of a Ladyâ that was created to challenge and inspire girls in Somalia and the diaspora to use photography as an avenue for active story telling. Â
Viewers from all backgrounds were given insight into powerful issues that affect Somali girls, such as body image, mental health, and cultural identity. In addition, photography of Somalilandâs landscapes and intricate moments of daily life united the diaspora with a taste of home. Â
Gashanti Unity set the scene for a cultural experience with Somali music playing throughout the exhibit, viewers sipping Shaax (Somali tea) and traditional Somali artifacts placed in empty spaces between pieces on display. The atmosphere was an unprecedented approach in uniting distinct artistic pieces projecting varying messages, against a constant backdrop of cultural preservation.
The final day of the exhibit focused on dialogue. Viewers, facilitators and artists gathered in the gallery to engage in conversation on themes discussed in the pieces, prompting further exploration in challenges that plague the Somali diaspora. The discussion was centered on the construction of Somali identity, mental health stigma and rethinking the rhetoric of shame and tradition in the Somali community.Â
Riya Jama, an artist involved the program whose piece explored the many faces of depression, gave a glimpse into the motivation and artistic intention behind her work with regards to pushing cultural boundaries.Â
âThe fact itâs considered revolutionary that Iâm Somali and vocal about my mental illnesses is enough to let me know how important my piece is. I want my arrival in the Somali diaspora to be loud and unapologetic.â
Riya also explained the impact she hopes the diaspora will gain from her piece.Â
âI want my piece to shatter stigmas proudly. Take a proverbial sledgehammer to the wall where itâs birth is the reason why silence blankets my community with regards to mental illnesses. I want my piece to let it be known to those who look like me to know that I got their back their back and gently also remind them that our pain matters. Our pain is worthy to be heard.â
Amongst the many youth focused organizations in Toronto, Gashanti Unity is one of the first to specifically mentor, support and empower a new generation of creatively driven Somali women and girls. The organization continues to provide the tools and a platform for young Somali women to improve their talents and construct their identities in a safe space.Â
For 2015, Gashanti Unity will be undertaking a new project titled âTusmo: Young Somali Women Leading the Way.â Be sure to follow them on Twitter: @GashantiUnity.Â
Photos by Riya Jama and Mona Girde
Words by Bilqees MohamedÂ
no bridge between you and i.
by Bilan Hashi
you and youâyou must listen to your mother. she
knows best. she has swallowed all the
knowledge before you were born. tried to pass it down
to you in the womb but you never took.
you were bornÂ
      helpless and stayed
that way. she has the best intentions. to keep you safe. to
keep you on the straight and narrow. why
do you shake your head like that?Â
 impetuous child, the world is a dark and lonely place without your umbilical cord. you must carry
it with you always, lest you forgot your
motherâs wisdom.
 you and youâyou will listen to your mother. you will
       not do this. plain girls craving
attention do this. but it only makes them look uglier. do
      not desecrate your body. shame your
family. looking like a freak.
 you and youâyou have to listen to your mother. this is
       haraam.  if God wanted you to look like
 this, you would have been born this way. do you want to
       be damned, here and hereafter?
listen. to. your. mother. do you not know that the path to
       heaven
is at your motherâs feet.
       bow down.
Fishing Without Nets
Alas, a film that contextualizes piracy and actually attempts to humanize Somalis! Idil Ibrahim stars in Fishing Without Nets, a film about piracy that is told from the perspective of a struggling Somali fisherman. The short version of the film won the Grand Jury Prize in short filmmaking at the 2012 Sundance Film Festival. Support the film and check it out on iTunes now.  Also, you can find behind the scenes footage here.
Somali been way shagtaa laakin been ma maahmaahdo
This is the first of the Maahmaah Series aka Somali been way shagtaa laakin been ma maahmaahdo= Somalis lie, but dont lie in proverbs.
This piece is called Waari mayso warhakaa haro= You won't last so leave a legacy. It's a proverb my mom used say to me and my siblings. It was meant to instill in us that we are part of a greater legacy and we always have a part in contributing to it.Â
This piece explores some of the impacts Somali women have had as arbiters of culture and history and on our greater understanding of  Somaalinimo and what that legacy holds. As caretakers and creators, somali women have been passing down maahmaah from generation to generation.
Wilo GeediÂ
Canooley - Milk seller (camel milk!)
Top #SomaliDiversity Tweets
#SomaliDiversity let's change the narrative pic.twitter.com/sAlXMWkQrY
â Cold Specks (@coldspecks)
October 19, 2014
Nobody mentioned Amina Mohamed Jibril in this #SomaliDiversity hashtag? Well a lawyer, diplomat and politician. pic.twitter.com/HXuHb5U1Lm
â Ayaan Januzaj (@ThatAwesomali)
October 18, 2014
#SomaliDiversity Poly Styrene was the lead singer of a 1970's brit punk band X Ray Spex pic.twitter.com/fyReq7zNDm
â Diana (@lunarnomad)
October 17, 2014
Faarow, also known as Sweet Rush musical duo of two Somali sisters Siham and Iman Hashi. #SomaliDiversity pic.twitter.com/N7JT7noRBC
â Robleeee (@nomadicious) October 18, 2014
<blockquote class="twitter-tweet" lang="en"><p>Safia Haase, First Immigrant Woman To Receive Norwayâs Prestigious Order Of St Olav. <a href="https://twitter.com/hashtag/SomaliDiversity?src=hash">#SomaliDiversity</a> <a href="http://t.co/uaS84np1q5">pic.twitter.com/uaS84np1q5</a></p>â Robleeee (@nomadicious) <a href="https://twitter.com/nomadicious/status/523524709682794496">October 18, 2014</a></blockquote> <script async src="//platform.twitter.com/widgets.js" charset="utf-8"></script>
<blockquote class="twitter-tweet" lang="en"><p>Safia Haase, First Immigrant Woman To Receive Norwayâs Prestigious Order Of St Olav. <a href="https://twitter.com/hashtag/SomaliDiversity?src=hash">#SomaliDiversity</a> <a href="http://t.co/uaS84np1q5">pic.twitter.com/uaS84np1q5</a></p>â Robleeee (@nomadicious) <a href="https://twitter.com/nomadicious/status/523524709682794496">October 18, 2014</a></blockquote> <script async src="//platform.twitter.com/widgets.js" charset="utf-8"></scri
A'maal Nuux is a Toronto based socially conscious themed singer-songwriter. #SomaliDiversity pic.twitter.com/ykHBsGU2YK
â ۱Ùۧ | Riya (@HausOfRiya)
October 18, 2014
Idil Burale is a community leader running for city councillor in Toronto's Ward 1. #SomaliDiversity @IdilBurale pic.twitter.com/UbS0bPRbhf
â ۱Ùۧ | Riya (@HausOfRiya)
October 18, 2014
Light Bright
Obax Majid AKA Light Bright Somali Super Hero and anti-imperialist in vain of Hawo Tako and Dhagaxtuur.
"My name is Lightbright, and though I could end your lives as easily as you end othersâŠâI seek only to bring peace to you.âIt seems that such rational concepts are lost to you, so I must show you the errors of your way."
 SOURCE
http://www.writeups.org/fiche.php?id=2838
-Wilo Geedi
The Misdirected Zeal of ATM
I am entirely unconvinced by ATM. My reasons for this are many. The following blog piece will highlight why I am so unconvinced I had to blog about it.
Disclaimer: I am not out for anyoneâs job. I am also not applying for the same pot of money youâre getting from your local council. I am writing this because I am mad. And because I think that failing to call something out means that youâre complicit in it.
Read More
SPOTLIGHT: LAYLA HENDRIX, RAPPER/SINGER
Where are you from?
I live in Toronto. I moved here early july from Ottawa.
How's Toronto's music scene?
I feel like the music culture in Toronto is more out there, more people are aware of it.
When did you start making music?
To be honest, I was always involved in music. I used to do piano recitals in 3rd and 4th and 5th grade. I always picked up instruments. I would start and stop. Culturally, music is not something I should be doing, so I was kind of embarrassed to say this is what I wanted to do. I was around 9 or 10, when I knew this is what I wanted to do.
But when I really started making music it was honestly because Iâm a fan of music but it was never what I wanted to hear. I just want my music to represent me and people to have a better understanding of me.
âšWhere did you get the name Hendrix from?
Hendrixâ I got that name in high school. In the first year of high school, I was basically getting in a lot of trouble. I would fight and get suspended a lot. There was this older student who was like, âIâm just gonna call you Hendrix from now on because you think youâre a rock star.â I kind of like stuck with that.
What was it like making your first video?
It was great making my first video. It was fun!
Who are your influences?
I was influenced a lot by Kanye West. But if weâre being honest, when I really started wanting to make music, I was more inspired by Destinyâs Child.
Whatâs next for you?
Iâm working on the new "1995"â the music video for that. That should be out soon.
This interview was conducted by Adil.
Curating Somali Aesthetics
In 1991 my family found themselves displaced, fragmented not only from their home but from each other. I often think what my family and even Somali people would be like if history unfolded differently. As I grew up I found there was a wall of trauma and violence that kept both my parents from passing on their knowledge and even memories of their home on to us.
There my obsession of googling anything and everything about Somalia began. It was part research, part self-care and all archiving. As I got older, university and museum archives would feed my need for information: searching for identity in history. Through this obsessive ritual of research and archiving came a way for me to combat the stereotypes and the violence my community faced growing up in Canada.
Through this collaboration with Maanta Mag, I am going to connect my practice as graphic designer to explore these archived materials. Â I want to explore Somalinimo through aesthetics. What is the beauty in Somali culture and art? Â How do we find healing and transformation in that?
I hope to receive your feedback and contribution regarding Somali Aesthetics this month.
Wilo GeediÂ
6Points Artist: Wilo Geedi
Wilo is a graphic designer and the founder of Practice of Creation. Follow Wilo on Twitter and keep up with all of Wilo's creations and curations here. Wilo has tons in store for us: art by Nadia Faragaab, personal stories from people who participated in the historic Storytelling Somalia retreat and original art inspired by Somali proverbs!
Editor's Note: There have been a lot of changes recently in our personal lives and because we're not paid to do this, the blog has not been high on our list of priorities. We want Maanta Mag to exist as a platform more than as a zine. The more we do this, the more we realize that this is a curatorial project more than an editorial project. Without money, the Somali community doesn't have the resources to support a project like this to its fully intended vision. Additionally, many young Somali writers and artists can't practice their art as often as they'd like because it doesn't feed them or get them a grade and we get that. Today, we'll finally announce our 6Points Artist. Stay tuned for more updates over the weekend. Thank you for supporting Maanta Mag.
SPOTLIGHT: MOHAMED MOHAMUD, FOUNDER OF SOMALI SIDEWAYS
How would you define Somali Sideways? Â
Somali Sideways is a platform where Somalis from across the globe can share personal stories, so people can either relate or learn. Somali Sideways aims to connect, as well as re-connect Somalis on social media. We live in a world where technology and social media are booming every day and I thought now would be a great time to bring Somalis from the Diaspora together and to share experiences and stories to one another. Primarily this initiative is aimed at young Somalis. However, I would like to get Somalis of all ages in the future inshaâAllah. Â
What prompted you to provide a platform for Somalis that showcases not just yourself, but the greater Somali diaspora? What I find so intriguing about it is the branding and the fact that youâre sharing a space with many people.
In the two years, Iâve been going to quite a few Somali cafes, restaurants and events and I noticed amongst other things is that everyone Iâve met has a profound story to tell me or a lesson for me to learn. Until recently I wanted to somehow bring my photography skills into something and thatâs when I thought it would be a good idea to bring my skills as well as the stories Iâve heard. To be honest deep down Iâve always been that person. There was a book I read a couple of months ago and one of the sentences that stood out to me was âLife is about selflessly helping othersâ. That is something I firmly believe in.
The stories showcased range from reflections to epiphanies to tributes to musings of diasporic nostalgia. They all seem to center around Somalinimo in all its complex manifestations. What has your experience curating these stories been like?
Personally, I can relate to most of these stories, especially reflections. I believe it is important to be in constant reflection as this will enhance your personal development in the long run.
What is Somalinimo to you? And how has your Somalinimo shaped your work and your decision to create Somali sideways?
I was never someone who was interested in anything that was related to Somalis or Somalia as a whole. I wasnât interested in helping people, whether they were Somali or not. As I started to know about myself, I realised it is important to know where you are from; connecting your roots constantly throughout your life. A lot of people ask me, âHow did you do it?â And to be honest I didnât do it. I just connected things. Steve Jobs once said, âWhen you ask creative people how they did something, they feel a little guilty because they didnât really do it, they just saw something. It seemed obvious to them after a while. Thatâs because they were able to connect experiences theyâve had and synthesize new thingsâ. Â Â Â Â
What responses, criticisms, and/or reactions have your received about your work?
In the beginning, I posted a few photos on my Instagram just to see if people would respond well to the idea. Wallahi, Iâm surprised at how well itâs going. People from around the world, Somalis and Non-Somalis, have congratulated me on this initiative. Theyâve told me to carry it on and inshaâAllah I will. Some people have criticised me on this, but then again: not every project is for everyone.
What do you wish the Somali community to gain from reading Somali Sideways?
I want the Somali community whether on a local, national or international level to know that young Somalis have incredible stories and lessons to teach.
Lastly, whatâs the significance presenting the subject of the photograph sideways?
The sideways element was a creative idea. It brings thoughtfulness, reflection and expression to the photo. It illustrates that the person is thinking of that story in that precise moment. I wanted to also bring in the location of the photo to show the area of where the photo was taken. Â
This interview was conducted by Aisha Jama.
Why donât we do anything? Arenât their lives worth anything? What are human rights for if they arenât given to humans? Canât you feel? Donât they at least deserve some dignity? Are you ignoring their reality because itâs not yours? We are all human. We are all people. We all deserve the same treatment. If that canât happen, then it's not human rights-- it's special rights.
Human Rights by Dufax, a young Somali man from Denmark
My grandmotherâs war, not yours
War is not romantic
Itâs not the climax for your white savior novel
Itâs the hand that grabbed me from my countryâs womb
And ripped me out
War is not beautiful
Itâs the nightmare
My grandmother has survived three times
She cannot write her own name
But she has swallowed enough words of what has happened in those days to give birth to epics about the human suffering the night never could hide
So donât ask her to retrace with the blood of her people
What happened those days
Our peopleâs water was stained a red summer sunset with bodies of babies
She protected me in war
And I attempt to protect her in her days of peace
So stop trying to dig up bodies long buried
War is not beautiful and neither are her memories
My Grandmotherâs Tongue
I wrote a poem about all the wars
Of my grandmotherâs 80-something years
In the foreign manâs tongue
She cannot read & I cannot speak fluently
To my grandmother in my mother tongue I do not hold enough words In the sinking ship of my stomach
To translate my love to her In love that she can understand
My heart is broken
And my tongue is heavy
With words I can never say
And conversations that will never be had I replaced my grandmotherâs tongue
That tasted like mangos and bananas and rice
And thousands of years of speaking love and
Weaving stories about nomads and the ocean and people so black and beautiful
You almost had to look away
With the foreign manâs tongue I speak fluently words that do not belong to me
And I desperately want to ask my grandmother all the questions I could never figure out how to fix my American tongue to say
Ayeyo, what was it like when your hoyo died with her breast milk still wet on your tongue?
Ayeyo, how did you survive the anger and pain when they opened your legs and sliced and diced?
Ayeyo, what was it like to walk with your grandfatherâs camels with the sweet desert wind in your face, to know this was the one place on Earth you truly belonged?
Do you still long for it?
Ayeyo, do you still pray silently for the babies you lost and the country that lost you?
Ayeyo, why did you have a suitcase packed for all those years, ready to go back to a land that spit you out?
All I want to do is crawl into the innermost room of your heart
And listen to all the answers that will pour from your chest
And surely it will be in your mother tongue
My grandmotherâs tongue
by Yasmin Yonis
Layla/Leyla is a writer and editor working in digital media. Her pseudo-anonymous work can be read in publications that nobody really reads. Her favorite band is Cursive, she listens to public radio and she's always looking for ways to get paid for being a purveyor dumb brilliance. Email her at [email protected]. Â
Aisha Jama is the face of Maanta Mag. She's not anonymous at all and you can follow her on Twitter and stalk her in Washington D.C., where she's currently interning. Aisha's originally from Michigan and is slated to graduate from the University of Michigan in December. If you feel like helping her get money, email her at [email protected].Â
S is our Editorial Assistant. We heavily micromanage S and give her tasks none of us feel like doing. She lives in New York and is available for unpaid internships. You can email her at [email protected].Â
What else is there that you guys want to know about us? We're young, creative, ambitious, feminist and proud to be Somali. If you have any questions, just email us at [email protected]. We read and respond to all emails. Whoever answers your email will sign it with their name, so you know which one of us you're interacting with.