Cosimo Galluzzi
cherry valley forever
I'd rather be in outer space 🛸

Janaina Medeiros

@theartofmadeline
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JVL
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DEAR READER
Sweet Seals For You, Always
2025 on Tumblr: Trends That Defined the Year
trying on a metaphor

titsay
Cosmic Funnies

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oozey mess
sheepfilms
Lint Roller? I Barely Know Her

祝日 / Permanent Vacation
Alisa U Zemlji Chuda

seen from Türkiye

seen from South Korea
seen from United States

seen from United States
seen from Malaysia
seen from United Kingdom

seen from United Kingdom

seen from United States

seen from Germany

seen from United States
seen from Netherlands
seen from United States
seen from Malaysia

seen from Türkiye

seen from Malaysia
seen from United States

seen from Canada

seen from United Kingdom
seen from United Kingdom
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@madalinetherein
some parts of you only emerge for certain people C.S. Lewis on friendship
Oh boy could Vincent van Gogh write
In the interviews, Garrison confirmed that he had received a hundred and ninety-two thousand dollars’ worth of checks from Alfortish. Federal authorities realized that, with Garrison’s critical evidence, they could construct a major case. On one level, the slammer conspiracy was an amusing example of New Orleans chicanery at its most baroque, a tale of literal highway robbery so antic and absurd that it seemed like the plot of an Elmore Leonard novel. But, on a deeper level, it was an awful parable of economic desperation in twenty-first-century America. Scores of poor Black Louisianans had volunteered for what was effectively Russian roulette, risking their own lives and the lives of their loved ones in the hope of a onetime payout. The attorneys, by contrast, were well educated and mostly white, and would almost certainly have been loath to climb into a car with Garrison and go looking for a truck to hit. Of course, the lawyers had reaped the bulk of the financial rewards. Motta routinely demanded six- or seven-figure settlements, and contingency fees often ran as high as forty per cent. Actual payments to clients, however, could take years to come through, when they came through at all.
NYT
Max Ernst (German, 1891-1976), Seestück (Seascape), 1921. Oil on canvas, 25 5⁄8 x 31 ¾ in.