Maelie stood up and looked up at the woman, amazed that they were even running into each other. She couldnāt remember the last time she had been that sincere with someone - the last time she didnāt hold anything back. And yet, afterwards, she realized she never even got the womanās name to try and find her again.Ā āOh, of course. Half of France paints, nowadays. Although, not professionally.ā She joked, not fully realizing how successful the other woman had actually become.Ā
āOhā oh! Alright.ā The blonde said, Mona already halfway towards her supplies on the ground again. She stood right where she was, watching her with curious eyes. She had never met anyone else like her, truly. She had a sort of energy about her that was so unique, it was the most intriguing quality. Even just the way she carried herself was different.Ā
As the artist came back and started explaining that she didnāt have her paint, realization dawned on Maelieās face.Ā āI can come for a bit, I do have to go back to the shop before long⦠but we can certainly finish another day?ā She suggested. She didnāt want to waste this opportunity to get to know her a bit more, but she couldnāt just abandon her business for the rest of the day either.Ā āMaelie. Itās a pleasure to meet you⦠again.ā She told her, shaking her hand firmly.Ā
āNot professionally, indeed. Half of them wonāt get anywhere with the craft,ā she considered herself lucky in that regard. A survivor of natural selection in the world of art, often times more cut-throat than the canvases would show. The brutality affects you, Monaās changed since that night, for better or worse.
Now she couldnāt say she wasnāt disappointed. She had planned to drop everything now to just paint her, to finally draw her not just from memory, of course failing to take into account that the woman may have had a schedule, people to meet, a job to get to.Ā āIām sure you can call in sick for a day. Then again, I wouldnāt want to keep you away.ā She was rambling now, speaking anything and everything that came to her mind. In the end, Mons took it as a compromise.Ā āFine, but only if you promise to come back. Then Iāll leave you to return to⦠whichever shop do you work in, anyway?ā
At the mention of her name, Mona smiled.Ā āHuh, you looked more like an Anke.ā It was the name she had given to her sketches of the girl. It was a diminutive, sweet and pure just like the blonde, but Mona would die before letting her know that for years, she sketched her when she was bored and even named her. Itās the reason she wanted to slap herself silly right then and there, having spoken without thinking.Ā āAh, anyway, Maelie,ā she attempted to change the subject,Ā āshall we go?ā
āMore than half, Iām sure. But I doubt half of that group thinks theyāre good enough to even try.ā Maelie pointed out casually, although she knew that was rather tragic. Too many people doubted themselves in terms of their art - lost were the days that people created just for the act of creating. Now they needed an end result that served a purpose, and if it did not do so, most didnāt bother.Ā
The blonde could see the disappointment in the artistās eyes, and she bit the inside of her lip gently, not wanting to disappoint.Ā āI own the shop, so calling in sick isnāt really possible... but I could probably do my work in the evening. How long do you think it would take?ā She asked curiously.Ā āI usually wouldnāt mind, but I have an event coming up rather soon, so I need to make arrangements.ā She tried to explain, hoping she would understand.Ā āOh, I promise, yes. I work in Tout en Fleur, the flower shop. But I plan events as well.ā
As Mona told her that she seemed like an Anke, Maelie let out a small laugh.Ā āYou can call me Anke, if you prefer it.ā She told her with a bit of a shrug, quite amused by the idea. She supposed it made sense, that a Dutch woman would give her a Dutch name, with no other sources to go on.Ā āYes, of course. That sounds great.āĀ