Untitled by Antoine Caecke
todays bird
hello vonnie
Cookie Run:Kingdom Official!

Origami Around
Sweet Seals For You, Always
Interview Vampire Daily

PR's Tumblrdome

#extradirty
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izzy's playlists!

oozey mess
macklin celebrini has autism

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đ©” avery cochrane đ©”
"I'm Dorothy Gale from Kansas"
Noah Kahan

Product Placement
almost home

bliss lane

ellievsbear
seen from TĂŒrkiye

seen from Canada
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seen from Vietnam

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@maet
Untitled by Antoine Caecke
i am never fucking u again. BYE
i donât want to kill myself i just wish i was never born
eating spaghetti to forgetti my regretti
fags and booze and fags and booze and fags and booze
why do i always fix stuff for people i'm sleeping with. that is the second crotch i've sewn up. is that a normal thing to do for people ur fucking?
Top: Unknown model in Gustave Courbetâs  Lâorigine du monde (1866) Bottom: Lina Romay in Jess Francoâs La noche de los sexos abiertos (1983)
Weâre covering the story of Sophia Duleep Singh, exiled Indian princess who became a suffragette, in two parts. Today, weâre telling the stories of her grandfather, her father, and how she and her sisters came to be dependent upon Queen Victoria for their survival. On Wednesday, weâll discuss the role she played in the movement for womenâs suffrage in Britain.Â
Hereâs a link to our notes and research.Â
Bamba, Catharine and Sophia Duleep Singh dressed for their formal debut
as an act of defiance against you making me feel even minutely perhaps unintentionally slut shamed i will not wear the t shirt that you gave me to sleep in
hello what am i doing
Itâs been a year of intense growth.
dauvoire (via kushandwizdom)
yoooooo fuck do i move back to london or do i move to bristol what am i even doing
The Anarchist Feminist Poster Collective
The Anarchist Feminist Poster Collective (AFPC)-a collection of anarchists, feminists, separatists and budding artists-operated in Adelaide throughout the early 1980s.[i] One of their members, Ann Marie Morrissey, explains âWe were much more amateur than our Sydney sisters as we were not trained artists but activists with a desire to write on walls!â [ii] Operating in conjunction with local womenâs organisations the collective made posters advertising marches, womenâs peace actions and dances; they voiced their opinions on the environment, sexual harassment and nuclear mining, combining bold text with simple illustrations.
Morrissey writes:
âIt was an amazing time. Change was happening and we felt we were part of it. We often had lengthy discussions about ownership of copyright, as the screens and ink swished backward and forward . . . Megan [Schlunke], Sally [O'Wheel] and I often chewed over the tensions between having what is now called âcreative commonsâ and the fact that women artistsâ often remained historically invisible, in which case, it would be a radical act to claim ownership of our work. As a result of these discussions we evolved very collaborative and fair ways of working together.â [iii]
She goes on to describe the way the group operated, with one member being designated as the âmain designerâ on each project. In liaising with the commissioning organisation and collaborating with fellow AFPC members the resulting work was both an individual and collective effort.[iv] She writes:
âWe always knew who 'authoredâ each work although we had produced them collectivelyâ.[v]
Alongside their postering the group was present in the activist and cultural landscape: attending rallies, fairs and events with their large anarchist flag and getting around town on environmentally conscious bicycles. Itâs also rumoured they stole from the rich-in the form of shoplifting from major retail chains-and gave to the poor, tossing gifts of bricks through porn shop windows.
Lilith, by John Collier, 1892
Nelly Agassi - Bedroom, 2005
me
girlpool and baby teeth and fucking