Making amends (panel 1 and 2).

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Making amends (panel 1 and 2).
Here, again, grief fashioned in its cruelest translation: / my imagined you is all I have left of you.
John Freeman, from “Saudade” (via voirlvmer)
Edwin Howland Blashfield (1848-1936), ‘Angel with Flaming Sword’, “Century Illustrated”, 1893 Source
monet
Marie Antoinette (2006) dir. Sofia Coppola
Brotherly Charity. 1865. Edouard de Conny French 1818-1900. marble. http://hadrian6.tumblr.com
‘The Eternal Idol’ Auguste Rodin, 1893.
“Armed with the arms of summer you come into my room come into my mind and untie the river of language.”
— Octavio Paz, from ‘The Arms of Summer’, A Tale of Two Gardens (via existential-celestial)
https://www.instagram.com/p/CIfgELGHzm4/
i want to be inconvenienced by you. i want to wait for you, i want to hold your things while you do something else, i want to make adjustments to my plans to make space for you. someone at your side who takes up no space and has no needs of their own is not a person, but a shadow. i don't want a shadow, i want you. i want my life to be altered by your presence in it. please, inconvenience me.
sororite vintage
Rudolf Nureyev & Anthony Dowell in VALENTINO (1977, directed by Ken Russell)
john galliano ss 1992
saint laurent 1978, blueboy magazine
Han Kang, “White Hair.” The White Book (translated by Deborah Smith)
My Love, Don't Cross That River (2013) dir. Jin Mo-young
Eileen Myles, “Peanut Butter.” I Must Be Living Twice: New and Selected Poems 1975 - 2014
Learning to be joyous about the complexities of people and their hidden worlds. Relieved that I don’t have to oversee and maintain everything; my only job is to keep it pure on my end. I will never have all of the control nor all of the power nor all of the information. Most of it is beyond words. “Everyone should cultivate their secret garden.” Not taking it personally that I don’t take up all the real estate in their mind and body. Being happy for them and their senses, dreams, desires that exist outside of myself. Choosing to love on the distant days and the close ones. The moon and the river are really both perfect, both gorgeous, and they do two separate things, they go two different places. But they work together and I love the tide