The Face, November 1997.
“Melt Down”
Ph. Satoshi Saikusa
taylor price
Keni
Show & Tell

pixel skylines

izzy's playlists!
$LAYYYTER
let's talk about Bridgerton tea, my ask is open
Color Me Curious
One Nice Bug Per Day
2025 on Tumblr: Trends That Defined the Year

Game Changer & Make Some Noise
Today's Document
almost home
NASA

Love Begins

bliss lane
No title available
Aqua Utopia|海の底で記憶を紡ぐ
YOU ARE THE REASON
Cookie Run:Kingdom Official!
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@maldororlebtnoch
The Face, November 1997.
“Melt Down”
Ph. Satoshi Saikusa
Ph. Nobuyoshi Araki
Vera Lutter
©Philomena Famulok
mixed media, 2023
Magdalena Pilecka.
'pickme' means 'any woman who has personality and hobbies other than makeup/fashion/house decor, doesnt brag about weird shit like checking her mans phone and doesn't worship Taylor Swift' according to tiktok and instagram at this point. Just a new way prep middle class basic bitches can call you unclassy/not a real woman and pretend you are the patriarchy-brained one and not them
I'm convinced that it's some kind of rule that experimental musicians have to be cat people.
Also fans…
— July 1, 1914 / Franz Kafka diaries
Taki Kōji: 'Provoke 3' (1969)
“Today, at this very moment, language is losing its material basis. in other words, its reality and floating in space. We as photographers must capture with our own eyes fragments of reality that can no longer be grasped through existing language, and must actively put forth materials that address language and ideas. This is why we have been so bold as to give Provoke the subtitle Provocative Materials for Thought.“ — Kōji
Vogue Italia, November 2002.
“A Fanciful Winter”
Ph. Vincent Peters
Ph. Shoji Otake
Swimmer, Mississippi, Photo by Allen Frame, 1997
Takeaway by Zhong Lin, 2022.
Visual pleasures curated by photographer and art director Ferry Mohr.
Photo © Jacqueline Badeaux
SHIRIN NESHAT / “ALL DEMONS FLEE” / 1995 [gelatin silver print | 11 x 14″]