Mazzi studied Contemporary literature at the University of Florence and visited Japan, where he studied Japanese avant-garde art and visual poetry. He held exhibitions at the 798 Art District in Beijing (China), the Komaba Art Museum of Tokyo (Japan)[4] and the Torino “Artissima” Art Fair (Italy). In January 2008 The Watari Museum of Contemporary Art of Tokyo held the first solo exhibition of the artist in Japan, screening his single channel video installation Voyager, a Journey through Time and Water (2005-2008). In October 2009 the Museo Laboratorio di Arte Contemporanea (MLAC, Rome) held Mazzi's exhibition "Seeing and Knowing, the Naturalization of Vision", curated by the Italian writer and art critic Lorenzo Carlucci. In March 2010 he took part in the exhibition "Il medium disperso" (MLAC, Rome) together with Keren Cytter and Clemens von Wedemeyer. In 2008 Mazzi founded the non-profit organization "Relational Cinema Association" within the University of Waseda in Tokyo. The project involves screening of films and videos by Francesca Banchelli, Eric Baudelaire, Johanna Billing, Josef Dabernig, Gianluca and Massimiliano De Serio, Harun Farocki, Marine Hugonnier, Mark Lewis, Amie Siegel, Apichatpong Weerasethakul. Mazzi was photographer in residence at The Department of Eagles (Tirana, Albania), together with Diego Cossentino, during the conference “Pedagogies of Disaster, a Continent Conference”. In 2013 Mazzi collaborated with Jonas Staal for the project "The Venice Biennale Ideological Guide". Moreover, Mazzi was stage and still photographer for the leading Albanian artist Armando Lulaj during the making of the film "Recapitulation" (2015). The film was part of Armando Lulaj's installation "Albanian Trilogy", commissioned by the 2015 Venice Biennale's Albanian Pavilion.
Internet War (Paintings), 2022. Mixed media on canvas, 100x80 cm.
Starting from visual poetry, the Internet becomes the territory of an ideological war, a place where multiple conflicts are condensed. Internet War (Paintings) represents the attempt to visually cross flows of information and traces of an incessant conflict, through an operation of cut up and "uncreative writing".
Internet War (Paintings), 2022. Mixed media on canvas, 100x80 cm.
Starting from visual poetry, the Internet becomes the territory of an ideological war, a place where multiple conflicts are condensed. Internet War (Paintings) represents the attempt to visually cross flows of information and traces of an incessant conflict, through an operation of cut up and "uncreative writing".
Internet War (Paintings), 2022. Mixed media on canvas, 100x80 cm.
Starting from visual poetry, the Internet becomes the territory of an ideological war, a place where multiple conflicts are condensed. Internet War (Paintings) represents the attempt to visually cross flows of information and traces of an incessant conflict, through an operation of cut up and "uncreative writing".
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