you never walk alone 🌟 @marvelousse - Tumblr Blog

A sampling of aperture framing in Carol (Todd Haynes, 2015)

In one aesthetic stroke these apertures simultaneously articulate the film’s themes of isolation, enclosure, and entrapment, as well as those of intimacy, fetishism, and photography.

nimiten

⭐

vermivox

“your friend is dead, and their corpse is inhabited by something only you can see for what it truly is" is already good horror. but "you begin to love the thing that wears their face"? the blasphemy of it. terror turning into desire. grief turning into longing. being enticed by what should repel you. it twists the knife deeper, because the horror is not based on deception anymore. the fear comes from recognizing the monster in its raw form and finding beauty there. you're not clinging to scraps of your friend, you're surrendering to something other, something wrong, and loving it. you're not holding onto a ghost of the past, it’s the monster itself that you choose

rachy-chel

Whenever I have artblock I just do this

gael-garcia

The Handmaiden (2016) || Monster (2023)

idea from @dandelionandkrindle!

jinxproof

fruitblr

Decision to Leave (2022) dir. Park Chan Wook

starpeace

i love when tragedies are like “the love was there. it didnt change anything. it didnt save anyone. there were just too many forces against it. but it still matters that the love was there”

rachel-meow

rsier

thatgothsamurai

i watched exhuma!!

fallhound

Speaking of geoguessr, here's the funniest thing I ever saw ingame

lazzarella

"Sometimes entertainment is an overrated function of art. Sometimes being made uncomfortable is the point. Sometimes being repulsed by something is the point."

Simon Pegg in the Criterion Closet