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her body does not warrant your commentary

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SLAYYYTER brand new chanel$ (2026)

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2000s american girl doll personality quiz from the wayback machine who did u get

[flowerytale]

Natalie Babbitt, from Tuck Everlasting

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If the barista making my coffee doesn’t look like this I’m pouring that shit the fuck outttttt.

[dozydawn]

[misscromwellsmonocle]

La Goulue (Photos: 1885-90)

Louise Weber, born on July 12, 1866, was a pivotal figure in the realm of can-can. The dance style gained immense popularity, particularly in Paris during the late 19th century. Louise, better known as La Goulue, quickly became an iconic figure of her time.

La Goulue (The Glutton) earned her stagename when she "dried the bottoms of glasses in cabarets." This audacious behavior became synonymous with her fame, contributing to her larger-than-life persona. Her vibrant personality shone both on and off the stage, captivating audiences with her performances filled with enthusiasm and charme.

Legend has it that during a wild performance, La Goulue caught sight of the Prince of Wales nestled between two wheels, as he had come incognito to enjoy the evening at the Moulin Rouge. She allegedly called out: "Are you paying for the champagne? Is it you who invites or is it your mother who treats?"

Her style of fashion was characterized by flamboyant outfits, featuring voluminous petticoats, feathery embellishments, and captivating corsets. She had perfected her leg kicks to such an extent that she could score with calculated glimpses: The insatiable dancer had embroidered a small red heart into the crotch of her slip, which became a sensation and a coveted reward for the gentlemen of her choice.

One can only imagine the scandals, buzz and gossip that surrounded her during the Belle Époque in Paris.

[dozydawn]

[citizenscreen]

Rita Hayworth on Life Magazine on July 15, 1940

[perriaeyjeve]

[nemfrog]

A mermaid and her tresses. The orb of day. 1883.

Internet Archive

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[worldscoolest]

[warmfigure]

vanilla sponge swiss roll, filled with osmin purple basil whip, sweet cherry jam, topped with fresh cherries and white currants

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Irene Jacob, The Secret Garden, 1993

[wanderingthecountryoftheblind]

"And yet, she could not have known that she was about to burn herself."

The Double Life of Véronique

1991

dir. Krzysztof Kieslowśki