(a través de https://www.youtube.com/watch?v=Oextk-If8HQ)

shark vs the universe
"I'm Dorothy Gale from Kansas"

No title available
Misplaced Lens Cap
I'd rather be in outer space 🛸

blake kathryn
NASA
Sade Olutola
art blog(derogatory)
we're not kids anymore.

Discoholic 🪩

No title available
trying on a metaphor

oozey mess

#extradirty
Claire Keane

@theartofmadeline
Peter Solarz
DEAR READER

Product Placement

seen from Germany

seen from United States

seen from United Kingdom

seen from Türkiye
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seen from Malaysia

seen from Canada

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@materitza
(a través de https://www.youtube.com/watch?v=Oextk-If8HQ)
Mas trabajitos para Cocina y Vino yumi
(via https://www.youtube.com/watch?v=PQCcKFMgbEA)
Parque Central de Cayambe-Quito Larga exposición
Parte de mi trabajo con la gente de Cocina y Vino: Dirección de Arte
(a través de https://www.youtube.com/watch?v=RicScnCGk5A)
(A través de https://www.youtube.com/watch?v=q25q9iNbYSY )
Tenia mucho tiempo que en mi país Venezuela no se veía este tipo de comerciales que ya son un éxito, felicitaciones a la gente de la cocina publicidad son lo máximo y gracias por regalarnos un poquito mas de nobleza venezolana se que en estos tiempos se ve muy poco pero aun esta latente en cada venezolano (via https://www.youtube.com/watch?v=qXZaJcFY480)
Walk Off The Earth - Rule the World
South Africa’s First Post-Apartheid Generation Comes of Age with @krisannejohnson
To see more of Krisanne’s documentary photography from South Africa and Swaziland, follow @krisannejohnson on Instagram.
Photographer Krisanne Johnson (@krisannejohnson) gravitates toward stories about youth culture. Her most recent black-and-white images from the streets of South Africa continue her eight-year-long commitment to documenting the country’s first generation to be born free of racial segregation.
“I think young adults express an energy and rawness that can truly reflect the climate of a country,” she says. “I wanted to document the first post-apartheid generation to come of age and their experience of growing up in a democracy that is complex and young.”
The New York-based former White House staff photographer’s connection to South Africa dates back to 1998 when she spent a transformative year there studying photojournalism at Rhodes University and interning at the Cape Times. “It was almost less about photography and more about the late night discussions, the stories, the observations — to see a changing post-apartheid generation take shape,” says Krisanne.
Over the subsequent years, Krisanne visited South Africa to see friends, but it wasn’t until after graduate school that she felt the pull and the commitment to return and begin her long-term work. In 2006, she started a project in neighboring Swaziland on young women coming of age amid the HIV/AIDS epidemic. Then in 2007, Krisanne began to focus in earnest on South Africa’s post-apartheid youth, as they strived to escape the country’s ignominious past. She has returned almost every year for extensive periods of time to continue her work on each project.
“It’s important for me to really take my time and understand the dynamics of the different neighborhoods and people,” she says.
Krisanne has pieced together different chapters of the post-apartheid story, from broader subcultures to intimate, personal, daily life portraits of her subjects. She has photographed Kwaito culture, a musical genre that emerged from the townships at the end of apartheid, along with the rising middle class of Soweto fashionistas, known as the Smarteez, taking over the streets with their inventive style of dress.
“On my most recent trip, I’ve been looking at issues surrounding housing rights, unemployment, income inequality and social segregation in Cape Town,” she says. “I spent three months there and I’ve only started to crack the surface.”
SPLASH!!! EN MI ULTIMA CLASE PARA MIS ALUMNAS!!!
Gran experiencia!
🌏Remember my 2012 #dublin #summer amazing view. #Traveltheworld
Larga Exposición - prueba en clases!
Carnavales en Río de Janeiro
Behind the #arquiMoMA InstaMeet: Black-and-White Dreams with @gustavoromeiro
To see more of Gustavo’s stark architectural photography from Rio follow @gustavoromeiro on Instagram. To learn more about the #ArquiMoMA Instagram Project by the Museum of Modern Art (@themuseumofmodernart), visit The project website.
Art director Gustavo Romeiro (@gustavoromeiro) sucks the color and noise out of Rio de Janeiro’s typical beach scenes, creating dreamlike black-and-white photographs of the city’s architecture and geometry. “I don’t know if I take pictures or if I draw with my camera,” he says. “In many photographs, you have to imagine the edges, nothing is too clear. Just like in our dreams.”
On March 14, Gustavo’s passion for architecture led him to join fellow Instagrammers across Latin America for the #ArquiMoMA InstaMeet hosted by the Museum of Modern Art (@themuseumofmodernart), in celebration of the MoMA exhibition “Latin America in Construction: Architecture 1955–1980.” “It was so interesting to meet people from Rio de Janeiro who love to capture images as I do. Sometimes, you become so concentrated on what you are doing that you forget you are not alone. This InstaMeet was a chance to meet others from the same species.”
Through his photographs, Gustavo hopes to open people’s eyes about the way we inhabit urban spaces. “I am creating nonexistent environments by taking pictures of real things,” he says. “I’m trying to point out what goes unseen.”
A hair-raising message
Genial el #doodle del dia de hoy celebrando a la #mujer #imagebygoogle feliz dia chicas
Drip painting TOO MUCH
6 GoPro made 360 degree video | 360 video | 360° action | 360 tutorial |...