Dandelions and daisies commish

@theartofmadeline
Three Goblin Art
RMH
noise dept.
Cosmic Funnies
One Nice Bug Per Day
NASA
Not today Justin
hello vonnie
$LAYYYTER

ellievsbear

Love Begins
Sade Olutola
todays bird

tannertan36
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Peter Solarz

JVL

#extradirty
will byers stan first human second
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@matuta
Dandelions and daisies commish
Marguerite Gérard - Artist Painting a Portrait of a Musician (detail)
Bernard Frize (French, b. 1949) - Rogue, Acylic and resin on canvas, 160.0 x 135.0 cm (2015)
A photographer’s portrait in a mirror, a hundred years ago, Japan, ca. 1920. Text and image via Old Japanese Photos on Facebook
Canada to Texas, Terry Evans
La Porcelaine tendre de Sèvres - Édouard Garnier - 1889 - via Gallica (edited)
Hayley Williams on the lyrics of “Simmer”:
“A while ago I went to this cranial sacral masseuse. I was laying on her table and I started having these weirdly creepy visions of flowers growing out of me. And not in a kind of beautiful way, it was kind of painful and very grotesque. But I kinda realized in that moment that there was a lot that was trying to grow out of me but it was gonna hurt to do it.
And I think for me it’s somewhat of a mantra to try to stay soft in a really really hard world. And feel pain and feel everything, like let all of it come to you and try to put out something that can redeem it all, even if it’s ugly at first.
The lyric is “wrap yourself in petals for armor” because I kept feeling like the way for me to protect myself best is to be vulnerable and be okay with having a lot of pain at certain times and also feeling a lot of joy at certain times. As long as I’m staying soft to those things and I’m open to letting those things in and out of me. Then I can actually survive the world a lot easier than if I stay hard and stay with my fists up all the time.“
The Rip VII
Watercolor on paper, 7x9.5”
2019
Peter Ash Lee
reading by the seaside
Arthur Loureiro (1853 - 1932)
Ichiro Tsuruta 1982 Japan.
“For 35 years, husband and wife team Véronique and Jean-François have been harvesting, drying and selling over fifty varieties of flower on their 7000m² farm in the countryside of Auvergne.”
Altered Vintage Art Plates from TheLuckyFox.
“I might think I can’t take it any more, that I can’t go on any more, but one way or another I get past that.”
— Haruki Murakami, After Dark (via goodreadss)
Manting by Paula Codoner
Joseph W. Spoor, Electro Astronomical Atlas, 1874