MaxzyLiving @maxzyliving - Tumblr Blog

Powerlessness and humility in the spiritual life do not refer to people who have no spine and who let everyone else make decisions for them. They refer to people who are so deeply in love with Jesus that they are ready to follow him wherever he guides them, always trusting that, with him, they will find life and find it abundantly.

Henri J. M. Nouwen (In the Name of Jesus: Reflections on Christian Leadership)

#Jesus Christ #Spirituality #Christian Leadership

godaboveallthings

maxzyliving

Do not give up your relationship with God, not only is the end coming, but His love for you is the truest and you were made to love Him and vice versa.

Yessss!!!!

I absolutely love this song

#HolySpirit Worship God

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maxzyliving

God is everywhere

#Bible Talk #christian life #God

naturalhairdaily

@aprilbeee_’s chunky twistout is everything!

#natural

ukpuru

100 Years of Beauty in Nigeria

I decided to do a version of 100 years of beauty (and fashion) in Nigeria inspired by Cut. People were requesting they should do certain cultures and nations so this is my version for Nigeria as a Nigerian. Nigeria is quite diverse, more so than many other places, so these looks are a gloss over general styles and trends. So my observations are as follows. [+] are links to the images.

1910s: Birth of ‘nationhood’; Northern Nigeria and Southern Nigeria Protectorates, enforced by the British government on diverse societies in the early 1900s, are combined by Lugard to form a single Nigeria. There are still major movements against the British Imperialists so fashion is still very indigenous. [+]

1920s: Women pick up western clothing more widely, especially for work. Flowing gowns and one-pieces. ‘Indigenous’ hairstyles. Wider negotiations and tension between indigenous people and the British government over their land, property and rights. Aba Women’s Riots. [+]

1930s: Children who have grown up entirely under the British are in their teens and adulthood. Western education has spread wider, many more are in the civil service. [+]

1940s-50s: Independence movements and sentiments are strong (across Africa), especially in universities. Nationalistic sentiment transcends. Indigenous attire is modernised. Chinua Achebe’s Things Fall Apart releases. Discovery of oil in the Niger Delta. [+]

1960s: Independence | Nigeria-Biafra war. 🌅 [+]

1970s: Nation building after the war, Black Power and Pride worldwide influences a return to more complex indigenous hair styles, especially with thread. Military government seizes power. [+]

1980s: Military government in power, although Nigeria is more stable, including economically, shown in fashion, ‘lacy’ indigenous styles. Heavy dependence on oil from the Niger Delta. Gold. Corruption under the military government. [+]

1990s: ‘Rich’ flashy styles from ‘big women’ and ‘big men’s’ wives. Many linked to corruption. Ken Saro-Wiwa, activist for the Ogoni in the oil-producing Niger Delta, is executed. Sani Abacha dies. Military government topples. Rise of Nollywood (as we know it) with ‘home video’ cassettes. [+]

2000s: Nigeria tries democracy again. Niger Delta is an environmental and social disaster. MEND. Bakassi Boys, òdíèshí! Bakassi Gone. Fashion practical, dressed down, braids and natural hair extensions. Nigerian entertainment industry ekes out. [+]

2010s: Explosion of Nigeria entertainment ‘Afro-beat’ (Afro-pop, Afro-rap) and Nollywood (films) spread across Africa and the diaspora. Boko Haram in the north east being subdued by the Nigerian military. Glam, Brazilian weaves and lace fronts, High fashion designer brands, Blackbooris, etc. [+]

Histree!!!!!!!!!

Yes it does!!!!!!!

Accept grace.

New hair

Love!!!!

dramafever-deactivated20181022

Enjoy the mature romance of A Gentleman’s Dignity on DramaFever

Love this show

this is actually my favorite thing omg

officialfrenchtoast

maxzyliving

Yessss!!!!!!!!!

#foodie

leseanthomas-deactivated2021030

Pete Fecteau spent 40 hours configuring a monumental mosaic of Martin Luther King Jr. made entirely out of Rubik’s Cubes called Dream Big. With a computer generated draft as his blueprint, the determined creator used 4,242 Rubik’s Cubes to construct the 18’ 6” x 9’ 8” piece that, once completed, weighed about half a ton.

Dream Big has marked a turning point in Fecteau’s artistic career, garnering him much attention. Interestingly, as a designer by day, Fecteau never saw the Rubik’s Cube mosaic as a “career move,” it was just a “crazy idea” he could not ignore. "It’s been a weird project," he told us. "There were many times where I’d want to give up and then the next day I’d get a call that forced me back on the horse. I kind of feel like it was willing itself to be made. I can’t say I’m surprised by the attention. When I first looked at the finished product I was in as much awe as everyone else. I’m very happy to have this make people think about what’s possible."