Introduction The first chapter of Bite in Time began as an experiment — a way to see how still photographs could capture motion, not the mot

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Introduction The first chapter of Bite in Time began as an experiment — a way to see how still photographs could capture motion, not the mot
Introduction There’s a peculiar alchemy in Leica photography; that split-second when the shutter captures not just a likeness, but a kind of
Here's a deep dive analysis of some of my best portraits...
The Old Well at the University of North Carolina at Chapel Hill has long been the soul of the campus, serving as a symbol of renewal, contin
A deep dive into one of my favorite photographic subjects.
At first glance, this photograph shown below reads like a fever dream of performance: part music, part movement, and part suspended reality.
There’s a massive music festival in Chatham County, outside Pittsboro, North Carolina every fall called Shakori Hills GrassRoots, spread acr
I speak to a photography gig I had when requested to shoot the Onyx Club Boys at a large festival in North Carolina...
It's Rocktober!
The Holy Grail of Guitars When I bought my first guitar 35 years ago, I knew nothing about the instrument other than Ian Anderson extolled t
Few songs in American music carry as much history, cultural resonance, and adaptability as “Stack-O-Lee” (also known as “Stagger Lee,” “Stag
Townes Van Zandt’s “Pancho and Lefty” stands as one of the most enigmatic and enduring ballads in American songwriting—a story that refuses
Self Portrait
Few songs embody the way a tune can travel across generations, geographies, and social contexts quite like Cocaine Blues. At its core, the s
Elizabeth Cotten’s Freight Train is one of those songs that feels both timeless and deeply personal, a melody so simple it seems to have alw
From Crimean battlegrounds to Southern front porches, a curious thread of history winds its way into the roots of American music. The Crimea
Etta Baker’s Carolina Breakdown is one of those tunes that feels like it’s been around forever—passed from porch to porch, kitchen to kitche
Self Portrait
Fred McDowell’s 1965 recording of You Got to Move transformed a traditional Black church spiritual into a haunting blues-gospel masterpiece.
Introduction: The legend of John Henry is one of the most enduring American folk myths—equal parts hero tale, labor protest, and elegy for a