mike3 @mdruey333 - Tumblr Blog

"Last, as the golden flame receded, there was a violet flash of light in Cazador’s eyes, just before they began to widen, further and rounder, terrified, when he met Tyrus’s blank gaze."

Or I read chapter 37 of PS by @imagineitdearies and I am not okay.

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littleskrib

Embrace |12052024

| based on "Perfect Slaughter" by @imagineitdearies

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littleskrib

"Say it again" |25022024 - | based on "Perfect Slaughter" by asterdurge

reader discretion is advised, pls read the tags before checking it out

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sleepy-cone

saynogrumpy

Viva...

d0lipr4n3

quality family bonding 🦈🍳🥞

(redraw of the second image by nd stevenson)

thefuzzyaya

Peter introducing his...eh... "firefighter " boyfriend to Aunt May

sefarlen

I'm sorry for everything...

avisaves

another thing that is so stupid about people (homophobes) complaining that the kiss made the movie not good content for children is that literally throughout the entire movie, Nimona (among other characters) suggests / initiates pretty violent actions on other people. She's talking about stabbing, cutting off people's arms, setting people on fire, or just plain murdering, ranking weapons on how deadly they are, etc etc. And she's the main character!

It just proves that the complaining parents don't actually care about the safety of their children, they just don't want to see queer people thrive.

sunshine-zenith

A thought — Ballister and Ambrosius’s relationship probably wasn’t public in the movie until the end. They probably weren’t secretive about it, given how Todd (someone neither of them like or would confide in) was clearly antagonistic to Ambrosius after Ballister’s jailbreak, but even then that just might be because their connection was well known — they liked each other more than any of the knights liked them, most being neutral overall to Ambrosius and outright bullies to Ballister. No one in the public seems to know about them

Media perception is a reoccurring factor in the movie, with the opening scene giving exposition in the form of a news cast. During it, Ballister is shown to be controversial, with a there being a few comments questioning the Queen’s choices related to him. Ambrosius is also brought up as someone everyone’s looking forward to seeing officially knighted, with no one questioning his relationship with Ballister or even bringing it up

While everyone is fearing and hating Ballister after the Queen dies, Ambrosius is still popular among the masses — people stop him in the streets to get his autograph. Nimona, who admittedly probably didn’t do much digging into Ballister beyond the initial news reports on the Queen’s deaths, seemed surprised that Ballister and Ambrosius had a connection. She even had an “ohhhhhh” moment after picking up on their vibe the first time they saw each other post-arm chop (and yeah she initially calls Ambrosius Ballister’s nemesis, but she clearly clocks that something romantic was going on given the “arm chopping is not a love language!” comment). She also asks if he wants to die in a (literal) closet, which like. Y’all.

Before the Queen’s death, all their PDA is in private (on the catwalk) or subtly around other knights (helping each other put on their armor with lots of heart eyes and lingering hands). Otherwise, their interactions are those of Two People Who Are Close but aren’t necessarily explicitly romantic (Ambrosius wanting to throw hands on Ballister’s behalf, teasing each other, Ambrosius cheering with the crowd). Granted, there wasn’t a lot of screen time for them to just be happy before Everything Went Wrong.

We can’t really judge whether they were private from their interactions after the Queen’s death, since most are focused on a “so this traumatic thing happened and I don’t know where we stands right now” vibe or have them just fighting. The three times Ambrosius says he loves Ballister, one was just the two of them on the catwalk, one was in a mental rant and not actually out loud, and one was while they were trying to hide their identities. Ballister continues to defend Ambrosius, saying he’d believe them if they could just talk and that the arm thing is just “complicated,” “part of their training, up until Ambrosius outright tries to arrest them (which might as well be a breakup without saying “we’re breaking up”).

In the comic, the Director says she knew about their relationship and that she disapproved. Given how much she manipulates things, it wouldn’t surprise me if she knew in the movie, and encouraged them to downplay things at least — “you should keep your private lives private so you don’t taint your public images/yes we support you, obviously, but you’re here to protect the people, not show off to them/you don’t want to overshadow things with more controversy, wait a few years until after you’re knighted/what if this is just a phase, it would be a mess to clean up if you go public now/people will talk if they hear Gloreth’s only current descendant, a promising young man, is being courted by someone they aren’t certain about who comes from nothing and can’t pass your genes on/you have each other, shouldn’t that be enough?/etc.”

We don’t see them be in a relationship publicly until after the wall — the symbol of fear of the unknown, systematic abuse and oppression, refusal to learn and grow, and let’s be real homophobia/transphobia — comes down and the Director — the one going to murderous extremes out of fear of change — is dead

I dunno. This movie is a large celebration of being queer, but it’s also about how queer people are demonized by society to the point of everyone suffering. Ambrosius is the model minority everyone loves but no one knows because all eyes are on him; Ballister is both tokenized and targeted from the moment the public meets him, having to prove himself over and over until the public unquestionably turns on him entirely; and Nimona is called a monster for just being herself. All three already had to hide who they really were. I’m not 100% sure if Ballister and Ambrosius were out or not about being together, but it’s not a stretch to see, and it fits in with the themes/arcs of this movie