[theleoisallinthemind]

source: unknown

[vaticanrust]

Sister Rosetta Tharpe. Manchester, 1964

[salvatoreglarosa]

[meadowtea]

[humanoidhistory]

The surface of Mars on July 26, 2016, imaged by the Opportunity rover, processed by Kevin Gill.

[drawdownbooks]

Marking the Dispossessed / Available at www.draw-down.com / In her third artist book, graphic artist and designer Danielle Aubert reproduces the underlines, marginalia and bookmarks gathered from the pages of more than one hundred copies of Ursula K. Leguin’s 1974 science fiction novel, The Dispossessed. Leguin’s tale of a physicist from an anarchist planet where the concept of private ownership does not exist, who travels to a sister world where he encounters things he hasn’t experienced before—class difference, gender hierarchy and everyday signs of excess—is sometimes subtitled “An Ambiguous Utopia.” In Aubert’s edition, all original text has been removed so that the marks left by past book owners become the content. Includes an index to notes and marginalia; an essay which contextualizes the project; an index of the most heavily marked passages; full-color photographs of the covers of the individual copies that form the basis for this edition; and a collection of photographed ephemera “left in books.” The author of Sixteen Months Worth of Drawings in Microsoft Exceland a co-author of Thanks for the View, Mr. Mies, Aubert is a member of the graphic design group Clanada, which has presented work at PS1/MoMA, NY; Printed Matter, Motto, Berlin; and the School of the Art Institute of Chicago. #graphicdesign #typography #DanielleAubert

[meadowtea]

(this version) 

[streetetiquette]

Visuals : Black Lives Matter • Justice

[purecinema]

First off, thanks for replying and for posting that experimental take on 'The Good, The Bad and The Ugly'. Secondly, what's your opinion on the apparent resurgence of giallo aesthetics / neo-giallos? Hope you are soing well.

You’re welcome, and thanks for the ask. Firstly, I am excited to see that the giallo is definitely making a resurgence. 

Keep reading

[justfilms]

El Topo - Alejandro Jodorowsky 1970

[eiginleiki]

Saint Laurent

[pop-up-x]

Denis Savary - Pool, 2015

240 x 130 x 30 cm

[eiginleiki]

Herburg Weiland

[gallowhill]

interior of an apartment in jean nouvel's the hotel exhibiting “la carne” by marco ferreri, in zurich, switzerland

[meadowtea]

Yo Toronto it's up 'til the end of the month.

[iamawalkingcontradiction]

Anton Alvarez

[heidisaman]

“ We are interpreting all the time, and cinema and photography are a reproduction of reality. It’s not reality, it’s a reproduction. And the way we look at it, we make another step, by interpreting what we see, and discovering meanings that maybe were never in that image or never in the situation. But with a simple situation, you can make it a drama, because you noticed she had a strange look and you start to build some meaning. I think besides cinema and photography, everybody’s relationship with images is very important. What you build is based on your own personality, no?”

– Agnes Varda

Stills from Le Bonheur (1965, dir. Agnes Varda)