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Cosimo Galluzzi
One Nice Bug Per Day

blake kathryn

JVL
Aqua Utopia|海の底で記憶を紡ぐ

JBB: An Artblog!
"I'm Dorothy Gale from Kansas"
NASA
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PUT YOUR BEARD IN MY MOUTH
Misplaced Lens Cap
h
Keni

if i look back, i am lost
Today's Document
Mike Driver

Kaledo Art
we're not kids anymore.

seen from France

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seen from Türkiye

seen from Malaysia
seen from Türkiye

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@meandkitty
ernst kirchner
rare books paris
Gardens of the Alcázof Seville in Wintertime, 1908, Joaquín Sorolla
Medium: oil,canvas
“We are all the same people as we were at three, six, ten or twenty years old. More noticeably so, perhaps, at six or seven, because we were not pretending so much then, whereas at twenty we put on a show of being someone else, of being in the mode of the moment. […] As life goes on, however, it becomes tiring to keep up the character you invented for yourself, and so you relapse into individuality and become more like yourself every day. This is sometimes disconcerting for those around you, but a great relief to the person concerned.”
— Agatha Christie, An Autobiography
For as long as I can remember, gathering people around a table has been a sacred act for me.
Samin Nosrat, Samin Nosrat Wants Us to Make Lasagna Together
Edmund Cieczkiewicz "In a Forest" c. 1920, oil on cardboard 34.5 x 51 cm.
evening on the loire | felix vallotton
Lilies, 1910, Childe Hassam
L'Avenue de Neuilly on a Winter Day, Luigi Loir, 1874, Minneapolis Institute of Art: Paintings
winter day with grey sky; view of the back of a black coach, with coachman’s head and upper body visible, driving down a snow-covered street with wheel and horse’s tracks in the snow; buildings at left and right side of street Size: 24 7/16 × 37 ½ in. (62.07 × 95.25 cm) (sight) 32 15/16 × 45 13/16 × 2 ¼ in. (83.66 × 116.36 × 5.72 cm) (outer frame) Medium: Oil on canvas
https://collections.artsmia.org/art/124671/
Andrei Tarkovsky: A Poet in the Cinema
New York, Helen Levitt, 1972, Saint Louis Art Museum: Prints, Drawings and Photographs
https://www.slam.org/collection/objects/18086/
The Flower of Pain, 1897, Edvard Munch
Medium: crayon,indianink,wash,watercolor,paper
Tove Jansson painting the fresco Party in the Countryside, Helsinki, 1947
“If grief can be a doorway to love, then let us all weep for the world we are breaking apart so we can love it back to wholeness again.”
— Robin Wall Kimmerer, Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants (2013, p. 359)
george herbert