Untitled (Rigging), Ralston Crawford, 1974, Saint Louis Art Museum: Prints, Drawings and Photographs
https://www.slam.org/collection/objects/52280/
almost home
ojovivo
Peter Solarz

JVL
Sade Olutola
🪼
NASA
KIROKAZE
RMH
art blog(derogatory)
todays bird
PUT YOUR BEARD IN MY MOUTH
he wasn't even looking at me and he found me
cherry valley forever
One Nice Bug Per Day
h
$LAYYYTER

Product Placement

titsay

oozey mess
seen from Australia

seen from Malaysia
seen from Italy
seen from Finland

seen from Brazil
seen from United States
seen from Japan

seen from Germany

seen from France

seen from Saudi Arabia

seen from Germany

seen from Malaysia

seen from United States
seen from United States
seen from Japan
seen from Saudi Arabia

seen from United States
seen from Colombia
seen from TĂĽrkiye

seen from South Africa
@slam-drawings
Untitled (Rigging), Ralston Crawford, 1974, Saint Louis Art Museum: Prints, Drawings and Photographs
https://www.slam.org/collection/objects/52280/
Salamanca, Spain, Henri Cartier-Bresson, 1963, MoMA: Photography
Gift of the artist Size: 14 1/16 × 9 ½" (35.7 × 24.1 cm) Medium: Gelatin silver print, printed 1963
http://www.moma.org/collection/works/57965
The Eclogues of Virgil, Aristide Maillol, 1926, Minneapolis Institute of Art: Prints and Drawings
Bound in full black morocco with decorative ceramic plaque inset on front cover Captivated by the books that William Morris (1834-96) was making at his Kelmscott Press in England and the success of French publisher Ambroise Vollard’s artist’s books, Count Harry Kessler (1868-1937) started his own private Cranach Press in Weimar, Germany, in 1913. One of its first goals was to turn Virgil’s Eclogues into the perfect book. Kessler spared little, commissioning woodcuts from Maillol and a new translation from Marc Lafargue. To add a Renaissance flavor, Kessler chose a fifteenth-century Venetian typeface by Nicolas Jenson and hired Morris’s colleague Emery Walker to supervise the cutting of new type. Kessler rhapsodized that the font “was winged with inner tension, and it gleamed with tender light.” Ever conscious of unity, Maillol designed his 43 woodcuts-here depicting Tityrus-to be equally important to the type, actually referring to his illustrations as “typography.” Size: 13 1/8 x 10 1/8in. (33.3 x 25.7cm) Medium: Woodcuts, letterpress; bound volume
https://collections.artsmia.org/art/32638/
Surinam Sunrise, Moneta Sleet Jr., 1966, printed c.1970, Saint Louis Art Museum: Prints, Drawings and Photographs
https://www.slam.org/collection/objects/19233/
Moon and Wall, Encrustations, New York, Minor White, 1964, Saint Louis Art Museum: Prints, Drawings and Photographs
https://www.slam.org/collection/objects/12069/
Theses ex universa philosophia (Questions from Universal Philosophy), Joseph Sebastian Klauber, 1747, Saint Louis Art Museum: Prints, Drawings and Photographs
https://www.slam.org/collection/objects/56605/
The Brown Sisters, Boston, Massachusetts, Nicholas Nixon, 1993, Saint Louis Art Museum: Prints, Drawings and Photographs
https://www.slam.org/collection/objects/48466/
East Berlin, Thomas F. Arndt, 1985, Minneapolis Institute of Art: Photography and New Media
train, single passenger in window Size: 12 1/8 x 18 ÂĽ in. (30.8 x 46.36 cm) (image) 15 15/16 x 19 13/16 in. (40.48 x 50.32 cm) (sheet) Medium: Gelatin silver print
https://collections.artsmia.org/art/4083/
Museum Interior, Bilbao, Spain, Martin Schweig Jr., 1998, Saint Louis Art Museum: Prints, Drawings and Photographs
https://www.slam.org/collection/objects/59158/
The Brown Sisters, Cataumet, Massachusetts, Nicholas Nixon, 2005, Saint Louis Art Museum: Prints, Drawings and Photographs
https://www.slam.org/collection/objects/48478/
Barrel-vaulted Arcade Rendered in Perspective, Francessco Battaglioli , 1700s, Cleveland Museum of Art: Drawings
Size: Sheet: 36 x 24.7 cm (14 3/16 x 9 Âľ in.); Image: 34.8 x 24 cm (13 11/16 x 9 7/16 in.) Medium: pen and brown ink and brush and blue-grey wash, over graphite (ruled in places); framing lines in brown ink
https://clevelandart.org/art/1954.687
Baa, Baa, Black Sheep, from the series “Nursery..., Paula Figueiroa Rego, 1989, Saint Louis Art Museum: Prints, Drawings and Photographs
https://www.slam.org/collection/objects/43332/
View of the Tuileries, the Louvre and the Pont Neuf, Charles Melchior Descourtis, 1789, Art Institute of Chicago: Prints and Drawings
Given in memory of William McCallin McKee Size: 398 x 618 mm (image/plate); 467 x 645 mm (sheet) Medium: Color aquatint with etching and engraving in black ink on cream laid paper
https://www.artic.edu/artworks/111438/
Billie Holiday – New York, Moneta Sleet Jr., 1956, printed c.1970, Saint Louis Art Museum: Prints, Drawings and Photographs
https://www.slam.org/collection/objects/19326/
“Peasants’ Brawl” from the series “The Peasants’ Feast..., Sebald Beham, 1547, Saint Louis Art Museum: Prints, Drawings and Photographs
https://www.slam.org/collection/objects/32860/
St. Michael Fighting the Dragon, from the series..., Albrecht DĂĽrer, c.1497, Saint Louis Art Museum: Prints, Drawings and Photographs
https://www.slam.org/collection/objects/35046/
The Brown Sisters, Boston, Massachusetts, Nicholas Nixon, 2012, Saint Louis Art Museum: Prints, Drawings and Photographs
https://www.slam.org/collection/objects/57720/